One Nice Bug Per Day
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he wasn't even looking at me and he found me
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Sweet Seals For You, Always
we're not kids anymore.
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祝日 / Permanent Vacation
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@mistrist
* 𝘱𝘳𝘪𝘷𝘢𝘵𝘦 ⅋. 𝘀𝗲𝗹𝗲𝗰𝘁𝗶𝘃𝗲 ᴵᴺᵀᴱᴿᴾᴿᴱᵀᴬᵀᴵᴼᴺ ᵒᶠ ( ᴢᴀᴛᴀɴɴᴀ 𝐙 𝐀𝐓𝐀𝐑𝐀 ) 𝖿𝗋𝗈𝗆 𝗗𝗖 . 𝖍𝖊𝖆𝖛𝖎𝖑𝖞 𝚌𝚊𝚗𝚘𝚗 𝚍𝚒𝚟𝚎𝚛𝚐𝚎𝚗𝚝 , 𝗵𝗲𝗮𝗱𝗰𝗮𝗻𝗼𝗻 𝖻𝖺𝗌𝖾𝖽 ᴬᴺᴰ 𝒑𝒍𝒐𝒕 - 𝖽𝗋𝗂𝗏𝖾𝗇 .
𝗥𝗨𝗟𝗘𝗦. 𝗣𝗜𝗡𝗧𝗘𝗥𝗘𝗦𝗧 . 𝗦𝗜𝗗𝗘𝗕𝗟𝗢𝗚 . 𝗣𝗟𝗔𝗬𝗟𝗜𝗦𝗧 .
ᴇꜱᴛ . ᴍᴀʀᴄʜ , ₂₀₂₀ — 𝟸𝟷+ , 𝒎𝒂𝒕𝒖𝒓𝒆 ᵃⁿᵈ ᴛʀɪɢɢᴇʀɪɴɢ 𝖼𝗈𝗇𝗍𝖾𝗇𝗍.
––––– 𝗐𝗋𝗂𝗍𝗍𝖾𝗇 ᵇʸ 𝑺𝒀𝑳𝑽𝑰𝑨 , ( ꜱʜᴇ / ʜᴇʀ ) .
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like this to plot ...
CHALLENGERS (2024) PROMPTS * assorted dialogue, adjust as necessary.
who says i want somebody to be in love with me?
i don't want to fuck you to prove a point.
fuck me because you want to.
are you gonna do it or not?
tastes even better than it looks.
i just told you i missed you.
i really want to kiss you right now, but i'm worried that if i try, you'll think i'm the worst friend in the world.
you know, it hurts me sometimes how little you believe in yourself.
decimate that little bitch.
let's be honest, you gotta feel bad for the kid.
you're not a spring chicken anymore.
dude. he's a pancake. you're gonna flatten him.
how's this feeling?
we're ready for you.
so obviously this isn't the result you wanted today.
you choked.
i don't want you to embarrass yourself.
i'm just a little rusty. it's a confidence thing.
get your fucking confidence back. i can't do it for you.
i'm so sick of you using this as an excuse to have a fucking meltdown.
you said we could watch a movie.
you're evil.
i'm gonna quiz you on it tomorrow.
sir, i don't know who you are.
i don't think we have much more to talk about.
i haven't spoken to you in five years.
i was just taking a little nap.
move, or i'm calling the cops.
you were really something back then, huh?
we always talked about how amazing it would be to win this together.
i'm a crazy person.
any predictions about how that's going to go?
can you do me a favor? can you not, like... demolish me tomorrow?
shut the fuck up.
if it matters to you so much, i can just give it to you.
i need it to look like i really beat you.
don't guilt me with your dying grandmother.
she's the hottest woman i've ever seen.
you were... fucking incredible.
baby, we've got to get going.
i'm not going to that party.
are you that threatened by me?
we can't both just go in there, dicks swinging.
i'd let her fuck me with a racket.
hey, do you smoke?
of course they will remember you.
see, that's your problem. you think you're like an artist or something.
you just want to win because you love it when people tell you how talented you are.
are you on facebook?
i told you tennis was boring.
you just got this crazy look on your face.
are you on a date?
i don't kiss and tell.
why did you want to have dinner with me?
i think you might be the worst friend in the world.
i didn't know you were so concerned about my feelings.
of course you still have a thing for her.
we just had what i'm assuming is the best sex of our lives.
i fucked your brains out?
what do you think you need? a cheerleader? a fuck buddy? a girlfriend?
you're talented, you're charming, and you've got a big dick.
excuse me for inconveniencing you.
don't expect to sleep here tonight.
stop going easy on me.
i'll be whatever you need me to be. i'll fuck off if you want me to.
i need you here, actually.
you're referring to when i declared my love for you.
you're not in love with me anymore?
i've been dreaming about this for five years.
i'm gonna propose something to you, and it's gonna make you angry. it's gonna make you very angry. but you have to hear me out, okay?
i'm finally ready to listen to you.
how dare you fucking ask me that.
do you think it's cute what you're doing? do you think it's funny?
that's the stupidest fucking thing i've ever heard.
i've always wanted you.
you didn't do anything to me. i did it all to myself.
i think i've reached the limit of my willingness to have this conversation with you.
do you understand how embarrassing it is that you're here?
you've never beaten me.
tell me it doesn't matter.
will you just hold me?
i'm not here to fuck you.
i miss watching you play. you were so beautiful.
David Lynch + dreams
Mulholland Drive (2001) / Blue Velvet (1986) / Twin Peaks (1990)
so Josephine Baker coded
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*//✶
first section is cut dialogue from when dani has her bad mushroom trip at the beginning of the film
𝑻𝑶𝑵𝑰𝑮𝑯𝑻 ’ 𝑺 𝑯𝑬𝑨𝑫𝑳𝑰𝑵𝑬𝑹 ˢᵗᵃᵍᵍᵉʳˢ ᵒᶠᶠˢᵗᵃᵍᵉ : ᵗʰʳᵒᵇᵇⁱⁿᵍ ˢʷᵉˡˡ ᵒᶠ 𝖈𝖔𝖓𝖙𝖔𝖗𝖙𝖊𝖉 ˢᵒˡᵉˢ ᵉⁿᵒᵘᵍʰ ᵗᵒ ˢᵘˢᵖᵉⁿᵈ 4 - inches above ᵗʰᵉ ᵛᵒᵐⁱᵗ ˡⁱⁿᵉᵈ ᵃˢᵖʰᵃˡᵗ , 𝚊𝚌𝚑𝚒𝚕𝚕𝚎𝚜 𝚋𝚕𝚒𝚜𝚝𝚎𝚛𝚒𝚗𝚐 𝚠𝚒𝚝𝚑 𝚘𝚟𝚊𝚝𝚒𝚘𝚗 ᵘⁿᵈᵉʳ ᵃ ˢᵖᵘᵗᵗᵉʳⁱⁿᵍ ᴰᴼᴼᴿᵂᴬʸ ᶠⁱˡᵃᵐᵉⁿᵗ ( 𝖢𝖮𝖬𝖨𝖭𝖦 𝖲𝖮𝖮𝖭 𝖳𝖮 𝖠 𝖧𝖠𝖯𝖯𝖸 𝖧𝖮𝖴𝖱 𝖭𝖤𝖠𝖱 𝖸𝖮𝖴 ! ) . ˡᵒᵒˢᵉ ᵗʰʳᵉᵃᵈˢ ᵒᶠ ᵇʳᵘⁿᵉᵗ 𝒗𝒆𝒊𝒍 ᵘⁿᵈᵉʳˡⁱⁿᵉ ᵃ ˢʷᵉᵃᵗ ᵍˡᵃᶻᵉᵈ ᶜʰᵉᵉᵏᵇᵒⁿᵉ , ᵈᵃᵐᵖ ʷⁱᵗʰ 𝚊 𝚌𝚑𝚊𝚒𝚗𝚜𝚖𝚘𝚔𝚎𝚛𝚜 𝚌𝚘𝚕𝚍 𝚜𝚘𝚛𝚎 𝚜𝚙𝚒𝚝 ᶠʳᵒᵐ ᵐⁱˢᵖˡᵃᶜᵉᵈ ᵏⁱˢˢ 𝙤𝙧 𝙩𝙬𝙤 . ᵗʰᵉ ʳᵉᵉᵏ ᵒᶠ ᵃ 𝐇𝐀𝐋𝐅 - 𝐄𝐌𝐏𝐓𝐘 ᵃˢʰᵗʳᵃʸ ᵖᵉʳˢⁱˢᵗⁱⁿᵍ ᵗʰʳᵒᵘᵍʰ ᵗʰᵉ ˢᵗᵃˡᵉ “ ꜰᴏʀᴇꜱᴛ ꜰʀᴇꜱʜ ” ˢᵘᶠᶠᵒᶜᵃᵗⁱᵒⁿ ᴾᴱᴺᴰᵁᴸᴼᵁˢᴸʸ ᵀᴱᵀᴴᴱᴿᴱᴰ ᵗᵒ ᵗʰᵉ 𝖗𝖊𝖆𝖗 𝖛𝖎𝖊𝖜 𝖒𝖎𝖗𝖗𝖔𝖗 ᵒᶠ ᵃⁿᵒᵗʰᵉʳ ᵗᵃˣⁱ ʳⁱᵈᵉ home .
ᵗʰⁱᶜᵏ ˢᵐᵒᵍ ᵒᶠ 𝗝𝗨𝗗𝗚𝗘𝗠𝗘𝗡𝗧 𝗜𝗦 𝙎𝙀𝙀𝙋𝙄𝙉𝙂 ᶠʳᵒᵐ ᵗʰᵉ ᵗᵉⁿᵉᵇʳᵒᵘˢ ᶜᵘʳᵛᵉˢ ᵒᶠ 𝗉𝖺𝗍𝗍𝖾𝗋𝗇𝖾𝖽 𝗐𝖺𝗅𝗅𝗉𝖺𝗉𝖾𝗋 , ᵃ ᵐᵒᶜᵏᵉʳʸ ᵒᶠ ᵖᵉⁿᵃⁿᶜᵉ ᵈʳᵒʷⁿᵉᵈ ⁱⁿ 𝐭𝐡𝐞 𝐢𝐧𝐞𝐛𝐫𝐢𝐚𝐭𝐞 𝐜𝐡𝐚𝐦𝐛𝐞𝐫𝐬 ᵒᶠ ᵗʰⁱˢ ᵃᵖᵃᵗʰᵉᵗⁱᶜᵃˡˡʸ 𝔢𝔳𝔞𝔰𝔦𝔳𝔢 ʰᵉᵃʳᵗ . 𝚒 𝚏𝚘𝚛𝚐𝚘𝚝 𝚝𝚘 𝚘𝚙𝚎𝚗 𝚊 𝚠𝚒𝚗𝚍𝚘𝚠 𝚊𝚗𝚍 𝚗𝚘𝚠 𝚒 𝚖𝚞𝚜𝚝 𝚌𝚑𝚘𝚔𝚎 𝚘𝚗 𝚖𝚢 𝚘𝚠𝚗 𝚜𝚝𝚊𝚐𝚗𝚊𝚗𝚝 𝚌𝚊𝚛𝚌𝚒𝚗𝚘𝚐𝚎𝚗𝚜 ; ᵗʰᵉʳᵉ ᵃʳᵉ 𝖶𝖮𝖱𝖲𝖤 ᵗʰⁱⁿᵍˢ ⁱ ’ ᵛᵉ ⁱⁿʰᵃˡᵉᵈ ᵗᵒⁿⁱᵍʰᵗ .
ᵗʰᵉ ᵐᵘᶠᶠˡᵉᵈ ˢᵗᵃᵗⁱᶜ ʰᵘᵐ ᵒᶠ 𝐀𝐍 𝐈𝐍𝐒𝐎𝐌𝐍𝐈𝐀𝐂 𝐂𝐈𝐓𝐘 ᵈᵉᵖʳᵉˢˢᵉˢ ᵐᵉ , ᵉᵃᶜʰ 𝖾𝗑𝗁𝖺𝗎𝗌𝗍 𝗉𝗂𝗉𝖾 𝖾𝗑𝗁𝖺𝗅𝖾 &. 𝖽𝗋𝗎𝗇𝗄𝖾𝗇𝗅𝗒 𝗌𝗅𝗎𝗋𝗋𝖾𝖽 𝗂𝗇𝖼𝖺𝗇𝗍𝖺𝗍𝗂𝗈𝗇 ⁱˢ ᵃⁿᵒᵗʰᵉʳ ꜱᴜɪᴄɪᴅᴀʟ ꜰʟy ᶜᵒⁿᵛᵘˡˢⁱⁿᵍ ⁱⁿ ʷⁱⁿᵈᵒʷˢⁱˡˡ ᶜᵒʳⁿᵉʳˢ : ᵃ ˢᵗⁱᶜᵏʸ ᵍʳᵃᵛᵉʸᵃʳᵈ ᵒᶠ 𝚑𝚘𝚕𝚕𝚘𝚠 ᶜᵃʳᵃᵖᵃᶜᵉˢ ʰᵒᵃʳᵈᵉᵈ ⁱⁿ ᵃᵘᵈⁱᵗᵒʳʸ ᶜᵒʳᵗᵉˣ . 𝒃𝒖𝒕 𝒕𝒉𝒆 𝒓𝒂𝒊𝒏 𝒅𝒐𝒆𝒔𝒏 ’ 𝒕 𝒔𝒐𝒖𝒏𝒅 𝒍𝒊𝒌𝒆 𝒓𝒂𝒊𝒏 𝒂𝒕 𝒂𝒍𝒍 , ʳᵃᵗʰᵉʳ ᵗʰᵉ ᵂᴱᴱᴾᴵᴺᴳ ᵒᶠ ᵃ ˡᵒᵒˢᵉ ᵗᵃᵖ , ⁱᵗˢ 𝖱𝖴𝖲𝖳 𝖯𝖮𝖮𝖫𝖨𝖭𝖦 ᵃᵗ ˢᵉʷᵃᵍᵉ ᵍʳᵃᵗᵉˢ ᵃⁿᵈ ᵖᵒᵗʰᵒˡᵉˢ .
ᵉᵇᵒⁿ ᵈʳᵉˢˢ 𝐬𝐦𝐨𝐭𝐡𝐞𝐫𝐬 ᵗʰᵉ ʷᵃⁱˢᵗ ⁱⁿ 𝙑𝙀𝙇𝙑𝙀𝙏 𝙈𝙊𝙇𝘼𝙎𝙎𝙀𝙎 , 𝗌𝖾𝗊𝗎𝗂𝗇𝗇𝖾𝖽 ʷⁱᵗʰ ˡᵉᶠᵗᵒᵛᵉʳ ᵛⁱˢᶜⁱᵈⁱᵗʸ ᵒᶠ ˢᵖⁱˡᵗ ᵈʳⁱⁿᵏˢ . 𝗂 𝖼𝗈𝗎𝗅𝖽 𝗃𝗎𝗌𝗍 𝖺𝗌 𝖾𝖺𝗌𝗂𝗅𝗒 𝖼𝗈𝗅𝗅𝖺𝗉𝗌𝖾 𝘪𝘯 𝗈𝗇 𝗆𝗒𝗌𝖾𝗅𝖿 , ᵐᵉˡᵗⁱⁿᵍ ⁱⁿᵗᵒ ᵃ ꜱʜᴀᴩᴇʟᴇꜱꜱ ᵖᵘᵈᵈˡᵉ ᵒⁿ ᶜʰᵉᶜᵏᵉʳᵉᵈ ᵏⁱᵗᶜʰᵉⁿ ᵗⁱˡᵉ , 𝚊𝚜𝚙𝚒𝚛𝚒𝚗 𝚍𝚒𝚜𝚜𝚘𝚕𝚟𝚒𝚗𝚐 ᵗᵒ 𝐀 𝐖𝐇𝐈𝐓𝐄 𝐂𝐇𝐄𝐌𝐈𝐂𝐀𝐋 𝐏𝐎𝐔𝐋𝐓𝐈𝐂𝐄 ᵃᵍᵃⁱⁿˢᵗ ʰᵃʳᵈ ᵖᵃˡᵃᵗᵉ . ᵇᵘᵗ ᴵ ᶠᴱᴱᴸ 𝔱𝔥𝔢 𝔦𝔫𝔱𝔯𝔲𝔰𝔦𝔬𝔫 ᵗʰʳᵒᵘᵍʰ ᶠˡᵉᵈᵍˡⁱⁿᵍ 𝗦𝗣𝗔𝗦𝗠𝗦 ᵒᶠ ᵃ ᵐⁱᵍʳᵃⁱⁿᵉ , ᵈʳʸˡʸ ᵃᵇʳᵃˢⁱᵛᵉ ᵒⁿ ʳᵉᵗⁱⁿᵃ ( 𝚍𝚒𝚜𝚝𝚞𝚛𝚋𝚊𝚗𝚌𝚎 𝚒𝚗 𝚖𝚢 𝚜𝚙𝚑𝚎𝚛𝚎𝚜 : ɪ ᴀᴍ ɴᴏᴛ ᴛʜᴇ ᴏɴʟy ᴛʜɪɴɢ ᴛʜᴀᴛ ʙʀᴇᴀᴛʜᴇꜱ ) .
@diablojo . . .
“Mulholland Drive isn’t a film that elicits the usual yelps of fear, or faces hiding behind popcorn. To some, that will always negate its status as a great horror film, but what happens here is far more sinister: it leaves a shadow in the back of your mind that refuses to dissipate even long after the final reel.” - The Independent
The Mirror (1975) / The Sacrifice (1986) dir. Andrei Tarkovsky
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𝖅 ] : 𝐂𝐔𝐑𝐓𝐀𝐈𝐍 𝑪𝑨𝑳𝑳.
HE MERGES INTO THE WELCOMING ANONYMITY OF A ROOM HUMMING LIKE A CHRISTIAN CHURCH BELL. THE FLUORESCENT LIME LIGHTS WINK THEIR SICKLY, OBLIQUE EYES AT A SCHOOL CARTON OF ADORING ENTHUSIASTS. 𝐁𝐑𝐎𝐀𝐃𝐖𝐀𝐘. “I 𝘏𝘈𝘛𝘌 THE FLASHY SHIT.”
𝐓𝐇𝐄 𝐀𝐏𝐏𝐋𝐀𝐔𝐒𝐄 𝐓𝐑𝐄𝐌𝐁𝐋𝐄𝐒 𝐋𝐈𝐊𝐄 alley cats after a frenzied brawl. NERVES VIBRATE , [ 𝙱𝙰𝚂𝚂 𝚂𝚃𝚁𝙸𝙽𝙶𝚂 𝙸𝙽 𝚃𝙷𝙴 𝙳𝙰𝚁𝙺. ] it’s magik varnished in cardinal meat & elastic brawn : / [ ZATARA’S 𝘧𝘪𝘳𝘴𝘵 𝘣𝘰𝘳𝘯 , mistress of witchcraft , ZATANNA . adumbral - black silhouettes dissolve themselves in the biding applause , 〚 … 〛 : 𝚍𝚢𝚒𝚗𝚐 𝚊𝚏𝚝𝚎𝚛 𝚝𝚑𝚎 𝚌𝚕𝚒𝚖𝚊𝚡 . it’s just us in a 𝙳𝙰𝚁𝙺 , sullen room . ( like old times ) ❝ good show , - eh, bit long? tho’ i guess : they weren’t exactly paying attention to the magic, huh ? ❞ here. : IT’S GROUND ZERO IN COLD VEINS… necro - flush of STALE - AIR , hanged & defiled like a unjustified lynching .
❝ ’ve a FAVOR. jus’ listen, yea’ ? ❞
@mistrist : in the air.
𝚃𝙷𝙴 𝙲𝙻𝙾𝙲𝙺 𝚂𝚃𝚁𝙸𝙺𝙴𝚂 𝟷𝟸:𝟶𝟶 *⅋. 𝚃𝙷𝙴 𝙲𝚄𝚁𝚃𝙰𝙸𝙽 𝙸𝚂 𝙳𝚁𝙰𝚆𝙽 .
ᵗʰᵉ ᶜʳᵒʷᵈ ᶠᵃˡˡˢ quiet . ˢˡᵘʳʳᵉᵈ ᵃⁿᵗⁱᶜⁱᵖᵃᵗⁱᵒⁿ ʰᵘˢʰᵉᵈ ᵗᵒ ʷʰⁱˢᵖᵉʳˢ , ʰᵃʳᵐᵒⁿⁱˢⁱⁿᵍ ʷⁱᵗʰ 𝐒𝐓𝐀𝐓𝐈𝐂 𝑯𝑰𝑺𝑺 ᵒᶠ ˡᵘʳⁱᵈ ᵇᵘˡᵇˢ ᵃⁿᵈ glass - clink chatter ᵒᶠ ʰᵃˡᶠ ᵈᵒʷⁿᵉᵈ ʳᵒᵘⁿᵈˢ . 𝚋𝚊𝚝𝚎𝚍 𝚜𝚘𝚞𝚛 𝚋𝚛𝚎𝚊𝚝𝚑𝚜 ˢʷᵃˡˡᵒʷᵉᵈ ᵃˢ ⁿⁱᶜᵒᵗⁱⁿᵉ - ʸᵉˡˡᵒʷᵉᵈ ᵇᵉᵃᶜᵒⁿ ᶜᵘʳᵗᵃⁱˡˢ ᵗʰᵉ ˢᵐᵒᵍ ᵒᶠ CENTRE STAGE .
[ 𝚊𝚕𝚕 𝚎𝚢𝚎𝚜 𝚘𝚗 : 𝑴𝑬 ] , ᵗʰᵉ ˢᵖᵒᵗˡⁱᵍʰᵗ ˢʷᵉᵉᵗʰᵉᵃʳᵗ ʷⁱᵗʰ 𝐚 𝐬𝐥𝐞𝐞𝐯𝐞 𝐠𝐥𝐮𝐭𝐭𝐞𝐝 𝐨𝐧 𝐢𝐥𝐥𝐮𝐬𝐢𝐨𝐧 . ᵐᵉⁿᵗᵃˡⁱˢᵗ ᵇᵒʳⁿ ᵃⁿᵈ ᵇʳᵉᵈ , DADDY WOULD BE PROUD ––– ʰᵉʳ ᵒᵐⁿⁱˢᶜⁱᵉⁿᶜᵉ ᵈᵃᵐⁿ ⁿᵉᵃʳ ᵃˢ 𝖇𝖑𝖆𝖘𝖕𝖍𝖊𝖒𝖔𝖚𝖘 ᵃˢ ᵗʰᵒˢᵉ ᶠⁱˢʰⁿᵉᵗˢ . ❛ ˡᵃᵈⁱᵉˢ &. ᵍᵉⁿᵗˡᵉᵐᵃⁿ , it ’ s time for magic ! ❜
ᶜᵉʳᵉᵇʳᵃˡ ʰᵘᵐ 𝒆𝒄𝒉𝒐𝒆𝒔 𝒘𝒊𝒕𝒉 𝒐𝒗𝒂𝒕𝒊𝒐𝒏 ⁱⁿ ᵇᵃᶜᵏˢᵗᵃᵍᵉ ˢᵉᶜˡᵘˢⁱᵒⁿ , ˢᵗⁱˡˡ ᵇˡⁱⁿᵏⁱⁿᵍ ᵃʷᵃʸ ʷʰⁱᵗᵉ - ˡⁱᵍʰᵗ ˢᶜᵒᵗᵒᵐᵃ . 𝚃𝙷𝙴 𝙶𝙻𝙾𝚅𝙴𝚂 𝙰𝚁𝙴 𝙾𝙵𝙵 ⅋. 𝚃𝙷𝙴 𝙵𝙰𝙻𝙻𝙰𝙲𝚈 𝙳𝙸𝙼𝚂 . ❛ ⁿᵒᵗ ᵉᵛᵉʳʸᵒⁿᵉ ’ ˢ ⁱⁿ ˢᵘᶜʰ ᵃ ʳᵘˢʰ ᵗᵒ 𝐠𝐞𝐭 𝐨𝐮𝐭 𝐭𝐡𝐞 𝐝𝐨𝐨𝐫 , 𝖏𝖔𝖍𝖓 . ⁱ ʰᵒᵖᵉᵈ ᵐᵃʸᵇᵉ ʸᵒᵘ ʷᵒᵘˡᵈ ᵒᵘᵗᵍʳᵒʷ ᵗʰᵃᵗ HABIT . ❜
ˢᵗᵃᵍⁿᵃᵗⁱᵒⁿ ᵗʰⁱᶜᵏᵉⁿˢ ᵗᵒ 𝒄𝒍𝒂𝒖𝒔𝒕𝒓𝒐𝒑𝒉𝒐𝒃𝒊𝒂 , ᵖᵉʳᶠᵘᵐᵉᵈ ʷⁱᵗʰ ʳᵘᵇᵉˢᶜᵉⁿᵗ BOUQUET WEEPING VENERATE PETALS ᵃᵗ ʰᵉʳ ʰᵉᵉˡˢ . ❛ ᵈᵒⁿ ’ ᵗ ʷᵒʳʳʸ , ᵗʰᵉⁱʳ ᵉʸᵉˢ ʷᵉʳᵉ exactly where i wanted them . [ ⁿᵉᵛᵉʳ - ᵐⁱⁿᵈ ᵗʰᵉ ʷⁱˡᵗ ᵒᶠ 𝐃𝐄𝐂𝐀𝐏𝐈𝐓𝐀𝐓𝐄𝐃 ˢᵗᵉᵐˢ ] ʳᵉᵃˡˡʸ ᵗʰⁱⁿᵏ ⁱ ’ ˡˡ ᶠᵃˡˡ ᶠᵒʳ ᵗʰᵃᵗ ? ʸᵒᵘʳ ᶠᵃᵛᵒᵘʳˢ ᵃʳᵉ 𝚗𝚎𝚟𝚎𝚛 ‘ 𝙹𝚄𝚂𝚃 ’ 𝚊𝚗𝚢𝚝𝚑𝚒𝚗𝚐 . ❜
i feel like first and foremost i have to note ( because it ’ s fundamental to my portrayal &. the context of my characterisation ) that zatanna does not perform her magic without a price , but rather trades usually in the form of physical pain : an eye for an eye .
this includes but is not limited to : fainting &. passing out , day - month long comas , bleeding from the eyes / nose / mouth / ears , internal bleeding , heightened mortality , visible physical decay &. displacement / distortions , etc .
though most of these are limited to extreme spells and she is able to recover from a majority of them , it takes time and is an extremely taxing process both physically ( obviously ) and mentally . this is partially why she so often swears off of magic only to somewhat reluctantly return for the benefit of others and prefers to use illusionist methods in her performances as opposed to real magic .
bonus note : the rituals &. spells she performs are extremely dangerous and have , on several occasions led to the deaths of those involved . she has watched / been responsible for numerous deaths and this is an extreme guilt on her conscience .
I can’t exist by myself because I’m afraid of myself, because I’m the maker of my own evil. Isabelle Adjani as Anna in Possession (1981) dir. Andrzej Żuławski
