For more of my art and writing: @ava-m-gale and @fantasy-anatomy-analyst
Game of Thrones Daily

if i look back, i am lost
Lint Roller? I Barely Know Her
official daine visual archive
he wasn't even looking at me and he found me
Show & Tell

shark vs the universe
NASA

ellievsbear
hello vonnie
Mike Driver
2025 on Tumblr: Trends That Defined the Year

JVL
Misplaced Lens Cap

pixel skylines
TVSTRANGERTHINGS

#extradirty
d e v o n

Origami Around

seen from United States

seen from Malaysia

seen from Germany

seen from United States

seen from Malaysia
seen from Bangladesh
seen from United States
seen from Bangladesh
seen from United States
seen from Colombia
seen from United States

seen from Türkiye

seen from Switzerland
seen from United States
seen from United Kingdom

seen from United Kingdom
seen from Malaysia

seen from Sweden
seen from Malaysia

seen from Brazil
@miss-m-winks
For more of my art and writing: @ava-m-gale and @fantasy-anatomy-analyst

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
People on twitter are acting like Artfight is more about getting free art from big artists you like by attacking them and less about appreciating original characters (which have been relentlessly bullied by almost every community for years now) and its getting annoying so heres your reminder that you should be drawing oc designs you like and nobody is obligated to attack you or at all
(via bsky)
In case anyone hasn't heard, the cyclospora outbreak affecting tons of people in the US right now is coming from Taylor Farms produce. Best to stay away from bagged lettuce and prepared salads completely right now, but especially the ones mentioned in the screenshot:
Taylor Farms Earthbound Farms Little Salad Bar (Aldi) Marketside (Walmart) Kroger House Brand Target private label greens Costco salads and greens etc Trader Joe's chopped salad kits and fresh produce Fast food: McDonalds, Taco Bell, (Yum! Brands), Chipotle, Subway, Pizza Hut, KFC, Olive Garden, Top Golf, Red Lobster, Burger King, etc.
This is not the first time I've heard about a Taylor Farms foodborne illness outbreak. I stopped eating their salads after reading a description of the conditions in their facilities. Doesn't sound like they've improved anything.
We need a fully funded and staffed FDA, and regulations with teeth - and that's exactly what we don't have under Trump. To make things worse, the CDC is no longer tracking these outbreaks. We're on our own.
I think it’s odd how many canonically religious characters are head canoned with religious trauma. I understand people like to project onto their favorites, but sometimes I can’t help but think, “can someone please let this character be held by their faith instead of harmed by it for once?”
See I think religious trauma is a very serious and important thing and def. good to explore in fiction but when I see it come up it's often less about the character and their traits and more "this work contained (a) religion which I have no positive conception of so let's assume it was horrible for everyone involved" (expect maybe some bad guy characters who are using it for evil and having fun doing that). And it's just... both "a character with religious trauma" and "a thinly veiled rant about all this persons grievances with x church/religion/denomination/whatever" may be perfectly enjoyable to read. I can enjoy a good rant, even if I don't agree. But because both categories are combined I just stay away entirely because I have no idea what I'm in for with any of these stories, and because often there will be jarring back and forths between the two where one moment we are dealing with a painful trauma of a character and then instead of following up in that in the next moment there is a series of comments that is with increasing obviousness just about someone's grievances with their local pastor
fellow writers do you also live in fear that every good idea you’ve ever had was ripped off someone else’s good idea or is it just me
It is incredibly common to feel like you’re just echoing someone else’s voice, but the truth is reassuring. Literature has always been a grand game of passing the torch. There are truly a finite number of foundational plot archetypes in the world—some scholars argue as few as seven basic conflicts—meaning that almost every masterpiece you love was built on the bones of an older story.
Shakespeare famously lifted the plot of Romeo and Juliet from Arthur Brooke’s 1562 poem The Tragical History of Romeus and Juliet, and Mary Shelley’s Frankenstein explicitly wore its debt to the ancient myth of Prometheus on its title page. Originality isn't about inventing a brand-new color, my fellow writers. It's about the unique way you mix the literature palette that already exists.
Your favorite stories feel fresh not because the raw ingredients are new, but because the chef’s perspective is entirely distinct. If I remember correctly, when J.R.R. Tolkien wove The Lord of the Rings, he drew heavily from Norse mythology, the epic of Beowulf, and Finnish folklore, yet his specific execution redefined modern fantasy.
The magic happens in your individual execution. Your lived experiences, your emotional resonance, and the specific way your mind connects two existing concepts. Don't worry about being the first person to think of an idea. Focus on being the only person who could write it with your specific heart and voice.
Please don't let imposter syndrome make you feel less about your writing. You have a story to tell, and it is grand since it is YOUR story.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Tiny Grammar Cheatsheet: Hyphens, En, and Em Dashes
Hyphens ( - ) are the shortest and are used to: ‣ link elements in a compound word: dog-owner ‣ separate some affixes from the rest of the word: pre-election ‣ (sometimes) take the place of the en dash indicating range: pages 24-66 ‣ indicate stuttering or abrupt interruption: M-m-micheal? ‣ spell out a word letter for letter: I said we are c-l-o-s-e-d.
En Dashes ( – ) are shorter than em dashes. They indicate a range and could usually be replaced with "from" and "to": ✓ I lived in New York 2015–2020. ⭤ I lived in New York from 2015 to 2020. But: ✗ I lived in New York from 2015–2020.
Em Dashes ( — ) are longest. They are used: ‣ to call attention to the content they separate from the rest of the sentence and emphasize it ‣ in place of commas and parentheses: When he finally apologized—after four weeks of silence—she was no longer interested in hearing him out. ‣ in place of a colon, especially to summarize, explain, or expand upon the preceding clause in a dramatic manner: After months of deliberation, the jurors reached a unanimous verdict—guilty. ‣ to summarize or note the common link in a list: Sweet, sour, salty, bitter—all tastes the cook loved to experiment with. ‣ to set off or introduce defining phrases and lists: The shop's selection of three flavors—strawberry, mint, and chocolate—was never enough variety. ‣ to indicate a new direction: I agree with you, but James—he felt otherwise. to indicate hesitation: Well, I think—Yeah, I guess it is concerning.
Fun Fact: en dashes received their name because the dash is the length of the letter N, while the em dash is the length of the letter M.
Often what makes snarky bantering dialogue bad is that it goes on for too long. Snarky banter can be all right if the writer has a sense of comedic timing, but you can’t really have a one-liner followed by a one-liner followed by a one-liner without becoming tedious.
And from a writer’s perspective I understand the temptation to be like I’m sooo funny and clever and these characters are sooo funny and clever and bask in how funny and clever you are, but a single exchange of snarky jabs will give that impression more effectively than a whole scene of dialogue, most of the time.
@sapphicautistic it’s so fun that you’ve IDed this as a quirk of Marvel and Star Wars tie-ins because I’m not familiar with those but I DO see it very commonly in people who learned to write from fandom, and i would trace the lineage there back through people like Cassandra Clare who were heavily influenced by Joss Whedon dialogue in the Livejournal fanfic days (like to the point where many of these authors, Clare only the most famous among them, would fully lift dialogue exchanges from Buffy).
I actually made this post because I had seen a deeply grating snarky banter scene from a published Dramione fanfic and it was so clearly doing the same thing CClare was doing in 2008. plus ça change…
I love a bit of banter, but you are so right about how overused it can be. Dragging it out too long just makes it tedious and annoying. I have also seen writers who just can't seem to let a single serious moment sit and rest without immediately interrupting the silence with snarky banter. Adjacent to the snark is of course the flirty banter, and even outside of dialogue the narration may jump right over important serious moments to flash a neon sign about how hot the love interest is.
There is a time and place for the banter and the flirting and the literary eye candy! If they're used too much, drag out too long, or interrupt more serious moments too often, they stop being fun and just turn annoying.
So the thing is boobs really do be jiggling. If having breasts has taught me anything it is that the ladies frolic. I don't even have that large of boobs but every time I go down some stairs all I can think about is that stupid quote about boobing breastily down the stairs or whatever it is because God Damn.
But anime and video game boob jiggling is like. The most uncanny valley shit I've ever seen nine times out of ten. You would think people this horny about tits would have actually looked at some but I guess not.
What we really need is some pervert to compile the ultimate visual guide to boob bouncing physics that's just like 500 hours of meticulously organized videos of breasts of different size and shape and under different fabrics bouncing around from a wide variety of physical movements so horny game devs can finally get it right and I don't have to be creeped out by women who appear to have surgically implanted softballs in their chest under skin made of rubber bands.
official boob post
the bounce factor also changes with different types of bra or lack thereof. Important detail for the titty jiggle physics study.
This is literally what people are talking about when they say AI will be used to mainstream widely held bigotry. LLMs are trained on frequency and probability -> straight relationships are more well represented in the dataset -> straight pronouns and terms become the "correct" normal.
This is a form of backdoor bigotry from both normative facts (there are more straight than gay relationships) and well represented bigoted beliefs (men are superior to women).
Combine this with the mass of people inclined to believe (and being encouraged to believe) that if AI says and does something it must be correct
It's also ableist. In the story I'm working on, there's a character with one eye, and the grammar check constantly tries to correct my sentences to her having two eyes.
Same with a character who's an amputee. Grammar check insists that he has two hands. He's gotta have two hands. Every sentence in which I refer to him using his hand and I use 'hand' singular and not 'hands' plural? Wrong. Correct that shit.
Fuck off. My characters have been injured, they are disabled, and they don't need to be fixed on any level, least of all grammatically.
Spell check used to just be based on a set dictionary (which you could add to! If you had new fictional words or some obscure real words the set dictionary didn't contain, you could just "add to dictionary" and fix it)
Grammar check presumably also had a set of rules to follow that were nice and basic and allowed for flexibility.
Now it's based on statistics.
I love asking people how their parents met. You always get an interesting reply. My best friend’s parents met on the relatively new internet in 1999. My other friend’s parents met at Burger King when one was the manager and the other was a regular customer. My parents met at the beach because they were neighbors in their rental houses, mom was on a church trip and dad was getting blackout drunk every night with his friends next door.
Tell me how your parents met in the tags.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
if youre in the US (especially the northeast + michigan) i would avoid bagged salads/greens and generally wash your produce very thoroughly unless you want the diarrhea parasite
Michigan is experiencing its largest outbreak of a parasitic infection that causes severe diarrhea. Nearly 1,000 people have been diagnosed
this is not life-threatening, but also who wants weeks of diarrhea and a fucking parasite in them lol. if you suspect you've already had this and it's passed, i would see a doctor. you might need an antiparasitic anyway. if you're actively sick, see a doctor and they might be able to prescribe medication to help you get over it faster.
try to avoid eating raw vegetables, scrub fruit with a produce brush and rinse thoroughly with water. again, don't bother with premade greens or bagged salads. if you buy lettuce, remove the outer 2-3 layers of leaves.
there are UNVERIFIED rumors that the greens have been linked to a company that sources to taco bell. some locations have been actively pulling fresh ingredients like lettuce, avocado, and pico de gallo to mitigate the threat, so i would avoid any products from them just in case. considering how vast supply chains are, i'd be wary of any fast food greens in general for now.
also note this is a PARASITIC infection. most diarrhea-causing pathogens you expect to contaminate your greens are bacteria (e.g. e. coli and salmonella), which are a different domain of organism altogether. cyclospora is a protozoan, which is bigger and more complicated than a bacteria (for reference, malaria is also caused by a protozoan). bacterial diarrhea can be dangerous, but you might also expect to weather it and survive unscathed. do NOT fuck with PARASITIC contamination. you should be scared of this one!
Another note: YOU CAN'T WASH IT OFF!
Only high temperatures will kill cyclospora. It resides in what is like a shell, which is highly resistant to water and most cleaning chemicals. The substance it uses to cling to food is so strong we don't even fully know what its limits are. It may be best to avoid fruits and veggies you can't cook. Scrubbing only works if done hard enough and on foods with no hiding places (Like cucumbers and grapes). Peeling the skin off is your best bet at avoiding it however, scrubbing is not guaranteed.
Thank you OP for posting! Usually washing does work on most sicknesses, just not this one.
Art Fight 2026 #4. K'Arik is owned by @miss-m-winks
he looks so cool!!
do you ever find something that is so funny and you want to share it with everyone but it also requires 18 layers of context spanning things like. 90s anime. aviation history. europop. canada. in order to even remotely understand why it is so funny
in the late 90s there was an anime called initial d which was all about street racing and drifting. naturally every single drift was played for great drama and excitement.
in 1999, an italian named giancarlo pasquini released a europop song under the alias dave rogers called Deja Vu. this song was picked up as the theme song for the above anime. it in turn became a meme, a shorthand for drifting and Cool Moves as a concept.
in 1983, air canada flight 143, a full sized 767, ran out of fuel halfway to edmonton, alberta. this is not something you want to have happen to a huge airplane. the flight chose to try and make an emergency landing at a nearby decomissioned airforce base (as they were falling fast and could not make it to a proper airport), where they ran into a second problem: they were falling out of the sky at 500 feet per mile, but reached gimli (the base in question) while still too high to safely land. normally a plane would just do a big loop-de-loop to lose altitude, but they had maybe three minutes of airtime left before they hit the ground: not enough time to make any kind of circle. the pilot, therefore, decided to execute a side slip to lose speed and altitude. this is Not a move you want to do with a massive 767, because airplanes are not built for that and if you screw it up that plane is hitting the ground at a high speed at a weird angle and breaking into a million pieces. nevertheless, the captain tried it... and succeeded. the plane landed perfectly, and there were no major injuries! (a couple of people did get minor injuries when evacuating the plane after.) he did it so well, in fact, that the plane was refueled, flown out of gimli a couple days later, and continued to fly for another 20 years with the nickname "Gimli Glider."
what is a side-slip, you ask?
it's drifting.
the guy goddamn drifted his 767.
in 2008, the tv show Mayday: Air Disaster featured the gimli glider with full reenactments as an episode on season five of their show.
and so, in conclusion, the thing i have been giggling to myself about all weekend:
this is somehow starting to make the rounds so because i am a pedant i am going to take this time to talk a little more in depth about air canada 143, the GIMLI GLIDER
so you may be wondering: how the hell does a 737 (capacity of roughly 100-120 people) run out of fuel midair? the METRIC SYSTEM, that's how!
up until the early eighties, airplanes would have three people in the cockpit: the pilot, first officer, and flight engineer. generally speaking, the pilot's job is to fly the airplane; the first officer's job is to provide support, monitor instruments, and assist (the pilot and FO will swap roles periodically), and the flight engineer's job was to watch over all the fuel gauges, electrical systems, hydraulics, etc., to make sure they were all working properly, as well as taking charge of things like "setting engine power."
however, in the early 1980s -- when this story takes place -- the flight engineer role began to be made obsolete as computers and more advanced systems became capable of doing most of that work. the boeing 737 of this story was one such plane: actually, air canada 143 was quite a new airplane at the time of the accident, and had no flight engineer.
also in the early 1980s? canada was making the switch from the imperial system to metric.
neither of these things is bad in and of themselves. but put together? one of the flight engineer's jobs was to monitor fuel; it hadn't yet been made clear whose job it was now. canada, at the time, was doing refuelling in a convoluted "the fuel is weighed in pounds but put into the plane as liters" system that required Math and Conversion.
let's talk about AIRPLANE FUEL. unlike a car, you don't take your airplane to the station and fill 'er up: fuel has weight, and airplanes care a LOT about weight. way more than you'd imagine. it's the pilot's job to therefore calculate a) how much fuel they need to get from A to B b) how much extra/emergency fuel they need for safety and c) if and when they need to refuel and by how much. is there bad weather in the area? where's the nearest backup airport? if i need Ten Fuels to get to alberta and there's storms in alberta, i need another Two Fuels to circle around and kill time before landing safely, plus another Five Fuels to get to calgary in case alberta is impossible. my airplane is fully loaded, which means it's heavier than usual, so needs another One Fuel for takeoff power. so altogether i need Eighteen Fuels. except i'm in canada in the 1980s so now i need to figure out what that is in liters, and this used to be the flight engineer's job, and idk man. maybe it's 5 liters? that sounds right?
...you see the issue. it isn't that anyone was slacking off, but no one was quite sure what the conversion was, and so instead of giving the soon-to-be Gimli Glider 18 Fuels, they took off in that fucker with nowhere near enough fuel. to make things worse, the plane had a broken fuel gauge, which was a whole other thing and series of comical misunderstandings, but basically it meant that not only was there No Fuel, but the fuel gauges looked something like this:
the very-soon-to-be crashed airplane's day started off normally. they did a little hour long flight from one city to another with no issues. because they knew the fuel gauges were being silly, while on the ground they did a "stick test", which i'm imagining involved a tree branch, basically checking that yep, there was fuel in the tanks, we're good! (in actuality, what it was doing was measuring the weight of the fuel. except, again, they had their maths all backwards, so due to this convoluted conversion process they went "our fuel weighs 5 kilograms, which equals 20 pounds, which equals 18 fuels, which equals 900 liters." just. silly math. i don't want to make these guys out to be idiots: they would obviously have never flown the plane if they had realized their mistake. but the other problem was of course that the process was already convoluted and required multiple conversions; imagine how much worse it would be if, like these pilots, it was a new system you weren't used to!)
so they boarded their passengers and set off from montreal with the intention of flying to edmonton. and that's when things all went terribly wrong.
pictured: the intended and my interpretation of the actual flight.
all this set up leads to the actual flight, which is almost boring in summary: while high up in the sky, the plane suddenly ran out of fuel. this is bad. we do not want this to happen. the pilots had no idea what was happening at first, but i mean: it was pretty obvious. there's no fuel. no engines. no power. you're 30,000 feet in the air in a 64 ton machine and gravity is going hey girllll heyyyy.
but the thing is, airplanes are really cool. like, this is what got me so interested in these plane crashes and accidents: airplanes are awesome. because first of all: just because you weigh as much as a building and are thousands and thousands of meters in the air? doesn't mean the airplane just falls. hell no! without power, an airplane will still stay in the air, losing altitude, sure, but gliding fairly safely and manageably. this doesn't mean you're safe, but: when air canada 143 lost all power, it still had time and options. it also had... the RAT.
the Ram Air Turbine, or the RAT, is an amazing fucking guy. if an airplane loses power? a hatch pops open, and a little propeller drops down automatically. he's wind powered, and he will provide just enough backup power to keep the most critical systems online, even without fuel or engines or god. we LOVE the rat. and the rat leapt into action here, providing the pilots with enough basic systems to keep going.
this doesn't mean that air canada is out of the woods. landing without power is not easy! the trick to landing an airplane is doing it at a nice shallow angle and low speed, which involves things like "doing nice steady turns to line up with a runway" (no time, we're falling steadily), "using engines to get our speed right" (what engines), "getting to the correct altitude and speed to touch down gently" (we have NO POWER we can't go "oopsie too low" and pull up and adjust). if a plane loses too much speed, it WILL fall out of the sky (a stall) because the aerodynamics stop working. if it's going too fast, you're not landing, you're diving cockpit first into the ground. without power, you can turn, but turns will reduce speed. you can't level off or go back up. you are Going In A Downward Direction. the trick is figuring out how fast and how far and aiming at a runway.
this is also where ATC comes in! we love air traffic controllers!! air canada called a mayday, and ATC leapt into action. their job becomes to Get Them What They Need. air canada wants to go anywhere in canada? atc will move everyone out of the way and get them any runway in the northern hemisphere. when this happened, air canada 143 was near winnipeg, which was their initial goal: this IS going to be a crash landing, and the nearer they can be to emergency services, the better. however, the first officer was doing Good Math, calculating their rate of decent vs distance flown, and soon realized that even though they could literally see winnipeg from the windows, they just weren't going to make it. they were falling too fast.
enter: GIMLI. the first officer had actually trained there during his air force days; it's a former base with two runways. it wasn't ideal, because ATC had no information on it and it lacked instruments and equipment (normally, for example, airports will have locator beams and so on to help an aircraft lock on to the runway at the Correct Safe Angle), but... better than a field or lake. one of the dangers of this type of no engine landing is actually being non-committal: waiting too long to make a decision, trying to maximize time in the air rather than land. this makes sense! it's probably pretty human instinct! prolong that crash as long as possible! but it's much, much better to simply Commit and Prepare and Go For It. and that's exactly what air canada now did.
they told ATC they're going to gimli and made the turn. the cabin crew was meanwhile preparing the passengers for a crash landing.
the crazy thing about plane crashes is, actually, that they are very survivable. don't get me wrong: they're bad. people die. but the number of worst case scenarios where dozens of people still, somehow, survive? shockingly high. of course, you don't want ANYONE to die. i would be terrified if it was me. but cabin crew had to know it would probably be... well, not okay. but that if they got everyone prepared and braced, people were going to make it out. people were going to survive this. possibly most of them. possibly all of them.
as the plane approached gimli, problem #87 came up: they were still too fucking fast. they're gliding down! they can't stop! normally, a plane would simply slow down with flaps, or maybe do a couple of big circles before reorienting themselves towards the runway to lose some speed and altitude, but they don't have time -- or altitude. and that's where the theme song KICKS IN
here are reasons you DO NOT DRIFT airplanes, by the way. it can fuck up your engines: engines work in part by taking IN air, so flying at a Drifting Angle means that's all wrong. the aerodynamics are wrong. you're losing speed VERY fast. you can get OUT of the drift, but now your engines are fucked. on the other hand, this plane effectively HAS no engines, but... there's a reason people don't drift planes, okay.
another plot twist: gimli air force base was no more. the runways were still there... but it had been turned into a drag strip, ironically enough. and it was family day! picture this. you're a nice canadian racing fan in 1983, at the strip with your family, cooking hotdogs and poutine on a grill. and a fucking 737 APPEARS OUT OF NOWHERE in front of you. because that is exactly what happened. there were KIDS. on BIKES. with a PLANE HEADING RIGHT TOWARDS THEM. in the mayday episode, the kids tried to outrace the plane in a panic: in the pilot's telling, the kids simply froze in fear.
by the time the pilots realized the runway was occupied, it was way too late to turn back. they landed. in a twist of bad luck that turned into good: without power, they had to manually release their landing gear.... and the nose gear didn't lock. this turned out to be a weirdly good thing: without nose gear, the plane's nose hit the runway and acted as one hell of a brake in ITSELF, grinding on the asphalt as the plane barreled down at high speed. the pilot also intentionally steered the plane into the rail in the middle of the runway, trying to slow the plane even more. and... it worked! the plane came to a stop. everyone was fine. even the kids on bikes.
all this friction caused a small fire in the nose, and so the pilots called for an immediate evacuation to be safe. this caused a bit of an issue: because the nose was on the ground, the butt of the plane was higher than usual, and the back slides were basically just vertical drops. a couple people got mildly hurt using them, as you'd expect.
meanwhile, the drag strip folks were rushing over with fire extinguishers and the like, and the small fire was easily contained (note: do not fuck with burning airplanes. this one had no fuel so COULD be contained). by the time ATC got emergency services to gimli, everyone was safe, ankles were being iced, and presumably everyone was eating hot dogs.
the airplane itself had some minor damage (from when the nose acted as a brake), but was largely intact: it was patched up, refuelled, and took off from gimli a while later, where it flew for another 20 years before retiring of old age.
and that is the story of the Gimli Glider: that time a pilot drifted his plane so hard that he saved the lives of everyone on his plane.
all 69 of them 😎
I had read the story of the Gimli Glider before, and I had seen the video with "Deja Vu" playing, but I never understood where the song came from or why it was supposed to be funny before.
This is "The Most Tumblr Punchline" in action, only I didn't realize there was something to look up.
Now that I do?
Okay, that's funny.
just casually leaving this here for no particular reason
You know what? Fuck it I'm adding more context. Sesame Street has talked about the topic of death more than once and it's done with such gentle carefulness without watering down or censoring the heaviness of the situations. It treats heavy subject matter with respect and dignity and has been for DECADES. From the early 1980s:
To 2025:
Hell, they even cover the devastating heaviness of MASS SHOOTINGS without censoring or watering anything down.
They've been doing this for YEARS, and it's ALWAYS handled with dignity, respect, seriousness, understanding, and love.
Whenever I see people censoring words because it "might offend" someone or the big ad companies that are currently trying to run everything? I just want to say to them: "What? Is Sesame Street too mature for you?" Because really...what the hell are we doing.
I'm back with even more examples! Sesame Street once again to this day is out here handling extremely difficult subject matter with incredible care and respect. "We can't let kids learn about uncomfortable things!" Oh, really now? Even though they're things that happen in everyday life that they'll face one day at some point anyway? Interesting. Let's see what else this show has covered that people (for some reason) think should be avoided and hidden. Here's more on death of loved ones and greif:
Or how about when someone is put into the foster care system because their home isn't safe anymore and their needs aren't being met?
Maybe some discussions about group therapy/getting help and support?
Hey look! Here's a segment about gender expression vs taught expectation, including unlearning harmful biases and what to do when you hurt someone on accident because you didn't know it was wrong!
Look! The topic of race and diversity! The importance of unity and equity!
They even also have a more allegorical take on discrimination and being looked down on for who you are, featuring Big Bird. The conflict is about how he's not being let into a club because the one bird running the club personally decided he didn't want someone like Big Bird there.
Big Bird goes out of his way to keep changing parts of himself in order to "prove" he can fit into this club if he just changed enough. The truth comes out though, and there's nothing he can do to gain the approval of that bird. He will never be good enough in his eyes, and Big Bird starts to hate himself. His real friends see this finally put their feet down, emphasizing that you should never change yourself just to fit into one singular narrow idea someone else has.
There's A LOT of different situations this can be an allegory for. Racism, sexism, homophobia, basically ANY form of exclusion is put on full blast in this 15 minute clip. Sesame Street can be both blunt and allegorical when approaching difficult topics, and it NEVER misses or looses the point.
It does an exceptional job in both styles of representation WITHOUT watering anything down. The more sanitized everything gets, the more radical Sesame Street is suddenly considered, hence why so many "particular groups" want it gone. Hmmm! I can only imagine why that could be, in this current political climate! (I'm being sarcastic)
When Sesame Street is suddenly labeled as "questionable" or "politically/agenda motivated" content...it says A LOT about where we currently are and who gets to decide what's "best" for kids or not. Don't fall for the censorship and topic-dodging excuses that are covered by the "But think of the children!!!" movement. Never fall for it, because you know which side you're on if you do.
Sesame Street proves kids can be taught and trusted with learning about these topics when it's handled with the right amount of understanding and care. It shows what all this "controversy" is all really about. What it's always been about, actually.
Don't fall for it, always side with Sesame Street.
Fly is in its FINAL week on Kickstarter how many goals can we soar through?
A coming of age story about Black kids who finally have power to fight back against systems designed against them.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
OCism is also killing good writings. Because writers are creating characters first before having themes and goals. That's why your story sucked.
You have a character sheet and all sorts of details but you can't write a plot to save your life. Your pacing is dogshit.
This is one of the mildest opinions I have about writing. You people are absolutely not ready for my truly scathing takes. Stay strong.
I'm gonna be honest, if a Tumblr post mildly shitting on what you perceive as a flaw you have, has the capacity to make you give up on pursuing writing, then you're the type of artist who's going to be unwilling to improve or learn and will forever create bad art, which is still art, but not something I think even the people around you would lament on "missing out". The alternative is also you're the artist who will double down on said flaw just to "spite the critics", which if you also embody the average fandom tumblr-user, will probably result in the most tone deaf racist art imaginable. So also, not a big loss.
Bad art has worth. Even if it is just to the artist, that is enough. I agree with the writing advice here and I agree that you shouldn't get so discouraged by a single tumblr post that you quit forever, but what is this nonsense that it's only worth making things if they're good? Or even more ridiculous, that if you express your discouragement here you're on the fast track to racist trash???
Oh if no one will say it, I will:
Op is being a fucking asshole for no good reason and is butthurt at pushback.
I can say it in a way that isn’t completely intentionally hurtful to novice writers or people who write character first.
Writing stories with cohesive plot is a whole different wheelhouse from oc creation and character lore development, so it’s going to be tough to nail the storytelling you’re used to seeing from authors you admire.
If you’re going to turn your beloved OC into a story, try and think of a plot as robust as your character before you commit to writing if you want it to come out cohesive. Other folks aren’t going to know your OC or their lore as well as you, and taking that for granted is tough to get over! I would try and think of the timeline of your OC’s story in a way that may overlap with pacing similar to works you’ve enjoyed before. Or look for stories that are similar to what you’re trying to do and learn from them!
Most of all, never let some insensitive dickhead dictate what you try and accomplish. Don’t let bullies say abusive bullshit and then backpedal to saying you’re the sensitive one, actually. Your stories deserve to be told and you deserve constructive advice that doesn’t tear you down for trying.
There is also the other method where you use worldbuilding to make your plot! They're a triangle!
Start with "who is your oc in this world? What friends and connections do they have?"
Then add just a bit of realism in there.
How would those friends and connections need to exist/affect the world? How do you want them to change as your story continues?
Some things will inevitably not work. That's fine. Put it in a drawer for later. You'd be surprised how much stuff you'll reuse after it's had time to cook! Do some research whenever you get stuck on what's bothering you.
And from there things will unfurl!
Everyone has their own approach to writing. Some people need a detailed outline before they can start a draft. Some people hit a flow and write with only the concept of a plan and then edit it later to be more coherent.
And some of us have characters in our heads long before we have any idea for a plot! Many of those characters will not become protagonists. But our ability to come up with so many characters in full detail might help us populate the worlds we write, giving the setting more life because each side character has their own voice even if they only show up in one chapter.
I am very character and worldbuilding driven as a writer. My story ideas have all been built up from characters first. Their interactions with each other are a driving factor of the stories I write. Their personal beliefs and identities tel me more about the world and cultures they live in. And then I have more ideas for the world and I allow those ideas to change the characters. All together, it creates plot.
My stories are all lower stakes than the standard fantasy adventure, to be sure. Even the two ideas I have for stories with bigger stakes are more about preventing major conflicts, not getting into any big wars or having grand adventures to take down clear villains. That's just not how my characters are written, it's not the type of story that suits them.
It is true that sometimes starting with the characters will make it harder to come up with compelling plots and then write them out. I sure have taken years to settle on my ideas and start making any draft I'm actually proud of. But also, someone who starts only with a plot might equally struggle to write compelling characters! Sometimes planning out the plot first results in characters that feel flat because they're only made to fit a specific plot role and the author didn't flesh them out beyond that!
Writing is a matter of using several different skills in tandem, all of which have their purpose. Some of us can't even begin to think up a plot unless we have characters first because it's putting characters in situations that gives us the motivation to create a whole plot. And others need the plot first because they can't even begin to conceptualize a good character unless they have enough story built up to start forming the silhouette of a protagonist and villain or whatever other characters they might need.
We can't tear each other down! We have to support our fellow creatives.
Heck, sometimes the best option is for a character writer and a plot writer to collaborate!
Alright I want to know something here:
the 🙃 emoji means (approximately)
silly!*
ugh!*
secret third thing you will explain in tags*
*if comfortable doing so, you may include your age range/generation in the tags for helpful demographic data
kindly reblog for bigger sample size, thanks!