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Joan Mitchell - Sunflower III, 1972, color aquatint and etching, 67.8 x 43.5 cm

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s0irenic

Untitled, 1970. Ink, gouache and pastel on paper, 29 ½ x 21 ¾ inches (74.9 x 55.2 cm). Collection of the Joan Mitchell Foundation, New York.

nemfrog

Attraction and Repulsion. Modern views of electricity. 1892.

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nemfrog

Most noted post on Nemfrog so far in 2026.

petaltexturedskies

The dream of my life is to lie down by a slow river and stare at the light in the trees — to learn something by being nothing a little while but the rich lens of attention.

Mary Oliver, from "Entering The Kingdom" in Devotions

thunderstruck9

Rufino Tamayo (Mexican, 1899-1991), Autorretrato (Cabeza de muchacho) [Self-portrait (Head of a boy)], 1931. Oil on panel, 41 x 23 cm.

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funeral

L'été / Summer (1968) dir. Marcel Hanoun

mentaltimetraveller

Wolfgang Tillmans Filled with Light, a, 2011

petaltexturedskies

August rain: the best of summer gone, and the new fall not yet born. The odd uneven time.

Sylvia Plath, in a diary entry dated 8 August 1952, featured in The Unabridged Journals of Sylvia Plath

miamaimania

"I Drivhuset" (1980) by Susanne Ussing — Sculpture installed at Ordrupgaardsamlingen

hardlyanywherewithal

She has now grown too big to get out through the doorway. She will have to bust her way out.

gacougnol

Augusto Cantamessa (1927–2018)

Mia moglie, 1950

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likeafieldmouse-deactivated2015

Gustave Caillebotte - The Floor Scrapers (1875-6)

Original on top, later version below

“Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’

The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”.

louisegluck

Sylvia Plath, from “Poem for a Birthday: Witch Burning.” [ID in alt text]

columboscreens

benoistj

"Give it to somebody else – it's not mine." [She laughs] But it could not be further from who I am or what I actually said. You know what I think? I think people imagined so many things, put together so many interpretations when they saw me, years ago. And it's just so many fantasies." Nastassja Kinski

angelnumber27

Prosthetic eye with wireless video camera embedded inside, worn by one-eyed filmmaker Rob Spence

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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.

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unearthedviews

CAN THO. 1994. Vietnam Young boys playing in a billiard hall.

petaltexturedskies

Dorothy Allison, from “To The Bone”

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