POPEYE magazine, January 2017
macklin celebrini has autism

pixel skylines
Alisa U Zemlji Chuda
cherry valley forever
Xuebing Du
One Nice Bug Per Day

祝日 / Permanent Vacation
tumblr dot com
Cosmic Funnies
Sade Olutola

JBB: An Artblog!
Game of Thrones Daily

if i look back, i am lost

Janaina Medeiros

oozey mess
"I'm Dorothy Gale from Kansas"
Not today Justin
Cosimo Galluzzi

Discoholic 🪩

seen from China

seen from United States

seen from Australia
seen from T1
seen from Iraq

seen from United States
seen from China
seen from United States

seen from United States

seen from United States
seen from Colombia
seen from United States
seen from United States
seen from United States

seen from United States

seen from India
seen from Pakistan

seen from United Kingdom

seen from Türkiye

seen from Greece
@milixin
POPEYE magazine, January 2017

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Ami Paris 2024
E: I don’t know that I’ve ever seen it be the case that apologizing — whether the person did something or did not do something — helps. Because what apologizing seems to me to do now is it gives people the license to believe that it was all justified in the first place.
That’s why there’s a crazed power to people like Donald Trump, who exist in a world without, I think, personal shame. Because they don’t apologize, they’re able to keep the instability of the different realities coherent: I never lost the election. I never did anything wrong. I never did any of it.
So there never needs to be a moment where the people who are on their side have to reconcile the sort of admission of wrongdoing. Whereas the people who try to come out and be decent people about it suffer.
S: Shamelessness is the great public weapon of our time. If you really have it — and yes, of course, he does in spades — you can do what he’s done, which is to spend a lifetime getting away with it. I mean, not just since he’s been in politics, but way before then. I mean, getting away with it is his great skill.
And the tool that he uses is absolute lack of shame. And I mean, I would put, in a miniature way, ex-British prime minister Boris Johnson in the same bag. Absolute, I mean, total liar in everything he says and does and totally shameless about it and gets away with it. Until he didn’t.
E: We live in this age where you have an algorithmic global community. And communities discipline through shaming each other and eliciting shame in each other. That’s a supercharged dynamic in modern life. So if you happen to be immune to it, it’s a superpower.
S: This is maybe a function of being almost 77 years old, but I really go less and less toward social media. I barely use it, and every time I go there, I kind of wish I hadn’t. So I think maybe I’ll just, whatever years are left to me, manage to do it without being a part of the modern world.
—— Ezra Klein interview with Salman Rushdie in The Ezra Klein Show: Salman Rushdie Is Not Who You Think He Is
… lately thinking through shadow selves, pride, shame, and being in world so distant from what is real and true.

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new takes on pleats, trench and grey. new opportunities for motion and movement.
Fan Ho. Back Lane, 1960. ‘A Hong kong Memoir’.
Original Pennsylvania Station, New York, 1929. Shot on a Kodak Icarette camera by amateur photographer, Dr. D. J. Ruzicka.
Kodak’s Amateur Photographers: New York.
thinking through the interwar period. when our grandmothers' and great-grandmothers' clothes were not matronly -- they were active, in motion, in utility, in strife.
bottega fall 2023 midi dress. something about it feels midcentury, yet the colors take me to interwar

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Prada SS23'
Beijing Hutongs
peter do sp21'

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