German Dornier Do X flying boat lumbers into the air, powered by twelve Curtiss V-1570 "Conqueror" V-12 engines. The type was the largest, heaviest, and most powerful flying boat ever built at the time of its first flight in 1929
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German Dornier Do X flying boat lumbers into the air, powered by twelve Curtiss V-1570 "Conqueror" V-12 engines. The type was the largest, heaviest, and most powerful flying boat ever built at the time of its first flight in 1929

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Backlight, Algiers (1924) by Albert Marquet. Osthaus-Museum Hagen.
Grumman F3F-2 (G-19)
@EiseleRon10374 via X
28 July 1935. First flight of the Boeing B-17 Flying Fortress NX13372 (Boeing Model 299). American four-engine heavy bomber aircraft. Flown by Boeing Chief Test Pilot Leslie Ralph (âLesâ) Tower and Louis Waite.
@ron_eisele via X
Battleship OREGON in Portland, Oregon.
Photographed in June 1924.
Clackamas County Historical Society: 2008.008.007.045

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The Forgotten History of the Worldâs First Transgender Clinic
I finished the first round of edits on my nonfiction history of trans rights today. It will publish with Norton in 2025, but I decided, because I feel so much of my community is here, to provide a bit of the introduction.
[begin sample]
The Institute for Sexual Sciences had offered safe haven to homosexuals and those we today consider transgender for nearly two decades. It had been built on scientific and humanitarian principles established at the end of the 19th century and which blossomed into the sexology of the early 20th. Founded by Magnus Hirschfeld, a Jewish homosexual, the Institute supported tolerance, feminism, diversity, and science. As a result, it became a chief target for Nazi destruction: âIt is our pride,â they declared, to strike a blow against the Institute. As for Magnus Hirschfeld, Hitler would label him the âmost dangerous Jew in Germany.â6 It was his face Hitler put on his antisemitic propaganda; his likeness that became a target; his bust committed to the flames on the Opernplatz. You have seen the images. You have watched the towering inferno that roared into the night. The burning of Hirschfeldâs library has been immortalized on film reels and in photographs, representative of the Nazi imperative, symbolic of all they would destroy. Yet few remember what they were burningâor why.
Magnus Hirschfeld had built his Institute on powerful ideas, yet in their infancy: that sex and gender characteristics existed upon a vast spectrum, that people could be born this way, and that, as with any other diversity of nature, these identities should be accepted. He would call them Intermediaries.
Intermediaries carried no stigma and no shame; these sexual and Gender nonconformists had a right to live, a right to thrive. They also had a right to joy. Science would lead the way, but this history unfolds as an interwar thrillerâpatients and physicians risking their lives to be seen and heard even as Hitler began his rise to power. Many werenât famous; their lives havenât been celebrated in fiction or film. Born into a late-nineteenth-century world steeped in the âdeep anxieties of men about the shifting work, social roles, and power of men over women,â they came into her own just as sexual science entered the crosshairs of prejudice and hate. The Instituteâs own community faced abuse, blackmail, and political machinations; they responded with secret publishing campaigns, leaflet drops, pro-homosexual propaganda, and alignments with rebel factions of Berlinâs literati. They also developed groundbreaking gender affirmation surgeries and the first hormone cocktail for supportive gender therapy.
Nothing like the Institute for Sexual Sciences had ever existed before it opened its doorsâand despite a hundred years of progress, there has been nothing like it since. Retrieving this tale has been an exercise in pursuing history at its edges and fringes, in ephemera and letters, in medal texts, in translations. Understanding why it became such a target for hatred tells us everything about our present moment, about a world that has not made peace with difference, that still refuses the light of scientific evidence most especially as it concerns sexual and reproductive rights.
[end sample]
I wanted to add a note here: so many people have come together to make this possible. Like Ralf Dose of the Magnus-Hirschfeld-Gesellschaft (Magnus Hirschfeld Archive), Berlin, and Erin Reed, American journalist and transgender rights activistâKatie Sutton, Heike Bauer. I am also deeply indebted to historian, filmmaker and formative theorist Susan Stryker for her feedback, scholarship, and encouragement all along the way. And Laura Helmuth, editor of Scientific American, whose enthusiasm for a short article helped bring the book into being. So many LGBTQ+ historians, archivists, librarians, and activists made the work possible, that its publication testifies to the power of the queer community and its dedication to preserving and celebrating history. But I ALSO want to mention you, folks here on tumblr who have watched and encouraged and supported over the 18 months it took to write it (among other books and projects). @neil-gaiman has been especially wonderful, and @always-coffee too: thank you.
The support of this community has been important as Iâve faced backlash in other quarters. Thank you, all.
NOTE: they are attempting to rebuild the lost library, and you can help: https://magnus-hirschfeld.de/archivzentrum/archive-center/
99 years of future for the Magnus Hirschfeld Society
pre-war modern apartment buildings // charleroi
maison mazurelle
architect: lucien mazurelle
completion 1936
2. maison grenier
architect: marcel depelsenenaire
completion: 1935
In the period following the first world war, charleroi saw the construction of many prestigious buildings as well as a large number of smaller residential buildings and houses with integrated commercial premises in the new sobriety. this was partly because charleroi was a prosperous industrial city at the time, enjoying a certain degree of affluence. the buildings were constructed in a wide variety of styles, some with expressionist elements and others more in the de stijl. belgian architects and commissioned artists were characterised by a high degree of experimentation in their designs. unfortunately, i was only able to find detailed information on the first two buildings.
in der zeit nach dem ersten weltkrieg wurden in charleroi neben vielen repräsentativen bauten auch jede menge kleinere wohn- oder häuser mit integrierten gewerbe im stile des neuen bauens errichtet. das lag auch daran das charleroi damals eine prosperierende industriestadt war, die ßber einigen wohlstand verfßgte. die gebäude wurden in den verschiedensten stilarten errichtet, sei es mit expressionistischen elementen oder mehr in richtung de stijl. wobei die belgischen architekt*innen und beauftragten kßnstleri*nnen sich durch eine hohe experimentierfreude bei der gestaltung auszeichnen. leider konnte ich nur fßr die beiden ersten gebäude genauere informationen ermitteln.
Junkers G.38. Love the windows in the wing root.