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@midnightmedicine

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tfw we’re all andy mientus

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*goes to a party/social function and consistently has a terrible time*
me: wow that was….not fun? guess im an introvert lol
*spends weekend with little interaction; struggling to not be overcome with anxiety and grief*
me: interesting that sucked…..as well.
i’d rather pretend i’m something better than these broken parts pretend i’m something other than this mess that i am
are these still a thing? part 1 of many, probably
LOOK AT HIM
that’s a good point…

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Love Will Come and Find Me Again | Laura Osnes | Bandstand Live on Billboard
Omg is there audio for Right This Way? I'm dying to hear the Act 1 finale song again.
No, I don’t think you understand what I’m saying. I NEED Bandstand bootleg NOW.
If there is not a video bootleg, do you know if there is an audio bootleg floating around the interwebs?
naponacott: Sometimes you stagedoor your Broadway heroes as a 16 year old and then they come watch you in your show. Life is pretty cool.
If anyone has full audio for Bandstand, can you please send it my way? I saw it and I'm dying to hear the songs again.
How did you meet?
Jonathan Groff: We met a couple of times that Sutton won’t remember, cause I was asking for her autograph.
Sutton Foster: I don’t remember the first time.
JG: Of course you don’t. I remember every time. (laughs) Now it’s the point where I’m standing next to Sutton and it starts to get awkward—it always happens—because the conversation goes to my sort-of-obsession with her. We met the first time at the [Thoroughly Modern Millie] stage door with my mom. It was the middle of January.
SF: I didn’t care what I looked like, because I was freezing, so he has this horrible photo of me with like an Elmer Fudd flap hat, tied with a scarf, and a jacket. Because I was like, I’m not gonna get sick, I’m not gonna get sick, but I looked like an idiot. JG: You were so nice, and so present. It meant so much to me. So then a year later you came through Philadelphia and you did a concert, and I had a list of questions that I had written down.
SF: You stopped me in the lobby. I remember this.
JG: (incredulous) You do?!
SF: I do.
JG: I’m shocked you remember that. I asked you so many questions, and I wrote down your answers.
SF: (laughs) Who knows what I said. JG: You said such good things. I’ve thought about you every time I’ve ever walked out a stage door—literally—because it was so life-changing to talk to you. You know the kids at the end of [the line at the stage door], the ones who have waited the whole time, who are so adorable? When I was doing Spring Awakening, I would take them on the stage and engage with them in such a serious way, because of the way you had engaged with me. SF: That’s very sweet.
Sutton Foster and Jonathan Groff at the Thoroughly Modern Millie stage door in January 2003. Talking OFF-CENTER with Sutton Foster and Jonathan Groff | New York City Center

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me: *takes deep breath*
me: i-
everyone within a 12 mile radius: love dear evan hansen. we know. you feel like it’s changed your entire perspective on the world. you love that it has really good mental illness representation. we know. it’s all you care about. you love the cast as if they were your own children. ben platt is the light of your life. we KNOW you would sell both your kidneys to go to new york and see it. we get it, you could go on about any one of the characters for 87 hours without stopping. we understand that you love the complexity and depth of the plot. we get it, the songs are playing nonstop in your head and you’re obsessed with the orchestrations. we understand that it’s all you want to talk about and it has been for months now. yes. we know. we get it. YOU LOVE DEAR EVAN HANSEN. WE KNOW.
me listening to words fail