Hannah's visit. This is the same week. 75F and 31F
noise dept.
NASA
Interview Vampire Daily
taylor price
🪼
Not today Justin
cherry valley forever
Jules of Nature

roma★
EXPECTATIONS
I'd rather be in outer space 🛸

blake kathryn

@theartofmadeline
Doug Jones
occasionally subtle
Fai_Ryy
One Nice Bug Per Day
Xuebing Du
★
seen from France

seen from Netherlands

seen from Thailand
seen from United States

seen from Philippines

seen from Pakistan

seen from Malaysia

seen from China

seen from Luxembourg
seen from United States

seen from Malaysia

seen from T1
seen from United States

seen from Canada
seen from Portugal

seen from France
seen from Mexico
seen from France

seen from United States
seen from Germany
@midnighthayes
Hannah's visit. This is the same week. 75F and 31F

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Our log cabin in stunning Gig Harbor, WA. What a place. What a view.
In Freddy's. Well done Freddy's Jam session
Great night at Sunny's bar in #redhook last night. @thewoesband
Booker T. Washington White (Bukka White)
One of my favourite sets. Shown on the BBC back in the early eighties this set was really something special

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Late New Orleans jazz scene legend Lionel Batiste
lightnin’ hopkins - bring me my shotgun
Big Joe Williams - Meet Me Around The Corner
Recorded: Chicago, March 27. 1941 Joe Williams (g) (vcl), William Mitchell (imb)
Big Joe Williams (born Joseph Lee Williams, October 16, 1903 - December 17, 1982) was an American Delta blues musician and songwriter, known for his characteristic style of guitar-playing, his nine-string guitar, and his bizarre, cantankerous personality Born in Crawford, Mississippi, as a youth Williams began wandering across the United States busking and playing stores, bars, alleys and work camps. In the early 1920s he worked in the Rabbit Foot Minstrels revue, and recorded with the Birmingham Jug Band in 1930 for the Okeh label. In 1934 he was in St. Louis, where he met record producer Lester Melrose who signed him to a contract with Bluebird Records in 1935. He stayed with Bluebird for ten years, recording such blues hits as “Baby, Please Don’t Go” (1935) and “Crawlin’ King Snake” (1941), both songs later covered by many other performers. He also recorded with other blues singers, including John Lee “Sonny Boy” Williamson, Robert Nighthawk and Peetie Wheatstraw. Williams remained a noted blues artist in the 1950s and 1960s, with his guitar style and vocals becoming popular with folk-blues fans. He later recorded for the Trumpet, Delmark, Prestige and Vocalion labels, among others. He became a regular on the concert and coffeehouse circuits, touring Europe and Japan in the late 1960s and early 1970s, and performing at major U.S. festivals.
Big joe Williams
Blues TV | LOUISIANA RED - The Story Of Louisiana Red
R.I.P. Louisiana Red – March 23rd, 1932 to February 25, 2012
Louisiana Red. Terrific slide!

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Lightnin’ Hopkins
Albert King
Pipe and guitar, where have those days gone?
Belton Sutherland: Blues #2 (1978)
Otis Spann - Riverside Blues
Jimmy Dawkins
Jimmy Dawkins: 5 Albums Jimmy Dawkins - Fast Fingers - 1969 (1998) | The Jimmy Dawkins Band - Blisterstring - 1977 (1996) | Jimmy Dawkins - Blues And Pain - 1994 | Jimmy Dawkins - Hot Wire 81 - 1994 | Jimmy Dawkins - American Roots: Blues - 2002

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Stavin’ Chain, Lafayette, LA, 1937
Junior Wells and Buddy Guy - Snatch It Back and Hold It