I wish I was still in college just so I could go around asking all the annoying film bros their thoughts on clock imagery and themes of the fleeting futility of building a legacy vs living a life in Scorsese's Goncharov (1973)
As a current college student and film major, I would pay you to come in to one of my classes and do a presentation on this topic, and then give everyone a pop quiz on the plot of Goncharov (1973) where we have to write an essay describing how our favourite character's life is influenced by or influences the themes of the film
brb buying a plane ticket it's time to harass some film bros 😌🫡
Rolling up in my sugar mama's fanciest work clothes with an ipad that's actually just my phone taped to a clipboard and being like "okay everyone so I hope you've all seen Martin Scorsese's Goncharov (1973) already, because judging by how well cultured you are I expect there's not a single person in this room who hasn't seen it. So anyway, who wants to get up here and talk about the homoeroticism of Sofia and Katya in the cocktail scene, and how that later affects their dynamic in the boat scene?" And then literally anything you say @hamartia-grander I'd be like "EXACTLY!! THATS WHAT IM TALKING ABOUT!!" And keep doing that until at least one film bro passes out or runs out crying
YOU ARE LITERALLY PERFECT YES!!!
My professor himself is an Annoying Film Bro™ he'd be pissed if we showed him up on a film. You'd say "Martin Scorsese" and he'd immediately be like "yes I've seen all of his films and-" but you'd interrupt him with a single hand raised and be like "But have you seen his most legendary film, Goncharov (1973)?" and he'd shut up so fast.
Also FHDKSJS THE PART ABOUT ME ANSWERING YOUR QUESTION I CAN PICTURE IT SO CLEARLY PLEASE
Me: I've seen people argue that Sofia's lipstick being such a deep shade of red in the cocktail scene was out of character for her, but personally I think it was entirely in character, both because of how it symbolically connected her and Katya so naturally, but also because she knew that Katya would try to take a sip from her drink, and the closest Sofia could get to kissing Katya was by having both of their lips touch the same part of her glass. Sofia's red lipstick was actually a declaration of love for Katya, whose colour is primarily red, as well as a way to mark her glass for Katya to drink from. And, since their lipstick matched only in this scene, it looked as though only one person supped from the glass instead of two, both to hide their love in plain sight and to symbolise them slowly becoming one person, for better or for worse, which the cocktail scene marked the beginning of.
You: That's absolutely correct, an excellent analysis. Does anyone else have anything to add?
The class: *dead silence*
You: That's disappointing. I'd hate to fail the rest of you for not seeing such a classic and profound work of art that was Martin Scorsese's Goncharov (1973).
















