Windows 95 Plus! for Kids - Bugs theme

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Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her

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TVSTRANGERTHINGS
taylor price
h

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$LAYYYTER
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he wasn't even looking at me and he found me

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Windows 95 Plus! for Kids - Bugs theme

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Permindar Kaur
You & Me, 1997
Polar fleece
52 pairs of figure
Dabin Ahn (Korean, b. 1988)
Fireworks (detail), 2023
Oil on linen
by Kristyna Kulikova
see this is exactly what I'm talking about. this labour is so incredibly invisibilised that there are real human beings, walking about amongst us, leading normal lives, etc., who earnestly believe that machines can make an item of clothing from start to finish.
Hey just in case someone on here doesn’t quite understand how labor intensive making a garment is, here is a list of things that (to the best of my knowledge) cannot be done by machine alone, from a costumer/tailor in training
Cutting - in my opinion, the most labor intensive part of the process. The amount of time/effort needed varies depending on the pattern and if seam allowance is included or marked separately, but no matter what this process can not be done by machine. Each and every panel and piece of fabric that goes into a garment must be cut by hand by a person.
Pinning/clipping - pinning (or clipping) is the stage at which you align the pieces you are going to be stitching together and hold them together with — you guessed it! — either pins or clips. This can not be done by machine.
Stitching - the actual sewing. This can be done by a sewing machine, but that machine still needs to be operated by a human being.
Ironing/pressing - two words that mean the same thing. The iron itself is a machine, but once again, it needs to be operated by a human being.
Finishing - depending on the technique you use, there are certain finishing techniques that can only be done by hand. But, let’s assume we’re talking about fast fashion, which is usually just finished with a simple overlock/serger. Once again: these machines need to be operated by people.
These are just the basic steps to making a garment, and don’t include textile arts that I am not as knowledgeable about, such as weaving, knitting, and crochet. Also, it is important to note that there are a lot of things that can only be done by hand, such as certain stitches and decorative techniques.
Also, the machinery being operated in textile factories is not equivalent to a domestic sewing machine. We’re talking about one of these guys:
See that gray cylinder under the table, behind the knee pedal? That’s the motor. These machines can sew through your fingers bones and all and not even stop. The people in these factories and sweatshops are operating heavy machinery, and are subject to all the risk that comes with that in addition to all of the work I mentioned above.
Please respect textile workers and continue the fight to eliminate the use of sweatshops and exploited labor in the fashion industry!

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Not finished yet, but my latest crochet project
William Teason - book cover for "We Have Always Lived in the Castle"
by Shirley Jackson

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Unidentified artist, The Black Hours, Burges, 15th century, New York, Morgan Library & Museum, ms. M.493, f. 14v.-15r.
Ribbons from 19th century France
Diary. 1914.
Internet Archive
Memory of an Oak I Never Saw, Georg Wilson
20x25.5cm, oil on panel, 2024

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Rest in peace Akihiro Miwa (1935-2026)
I haven't seen anyone talking about this and just wanted to make a quick post on here.
Akihiro Miwa recently passed away peacefully june 20th, and was not only a drag queen and a queer icon, but also the japanese voice of Arceus in the movie Arceus and the jewel of life, as well as the witch from Howl's moving castle and Moro from Princess Mononke.
Rest in peace and thank you for the wonderfull impact you made in this world.
Charles Bridge, Prague, Czech republic. by Marek Kijevský