WE'RE BACK BABY

"her 'do some light stretching' channel point reward seems normal, but I heard a rumor that she's a masochist and she probably is getting off to the pain"

this is a story about how you can't keep chasing ghosts forever. there's alien/human mpreg.

holding onto the past is holding you back - you have to learn to let go and say goodbye. ed robertson from the barenaked ladies plays a guy who (jokingly?) tells his soldiers that if he weren't their CO he'd make them call him daddy.

family isn't always defined by appearances and you may find it in those you least expect. the aliens speak entirely in blargs and honks.

everything we do is driven by love - love for your current companions and loves that have been lost along the way. it has one of the most intense and longest running queer-baits i've ever personally witnessed.

veterans aren't given the proper support to be able to return to a civilian life, and this systemic issue causes problems for everyone in all levels of society. there's a homophobic bomb.

you can't change what's happened to you and the ones you love; you just have to find a way to keep moving forward. one of the main characters only speaks in poorly translated spanish.

everyone has the capacity to change and be better. it has two (completely unrelated) insanely complicated time travel plots, and they’re both only dubiously canon.

it's an incredible piece of media and proof that you can create something magical with the limited tools available to you. there are chunks of it that are borderline unwatchable.