Entre

"don't assign human morality to non human things" is so true except when it comes to printers. they know what they are, they understand dilemmas and ethics and morality. they choose to be how they are, they choose to be evil, at their very core they are rotten

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I love how Robby says "we're a safety net, and nets have holes" but then the entire episode is a love letter to nurses and how they keep patients from falling through the cracks. Dana immediately goes and interferes to make sure that Gus is admitted to the hospital. Perlah has the most emotional response to Louie's death, and it's the nurses who are all mourning his loss together. When Roxie is struggling with her bedpan and humiliated, Princess kindly reminds her that that's what she's here for. Dana and Emma take care of Louie's body and Dana tells Emma's that it's the last thing they can do for patients. When Joy asks Robby how Kim "already knows all that" he responds that "she just does" because she's an experienced nurse who knows what she's doing. They can't get an ASL translator so Princess tries her best with her less than perfect ASL just so a patient can know they haven't forgotten her. Donnie is taking time to teach the med students how to suture because he's better at it than the guy who's been a doctor for a week. Jesse immediately goes and gets Gus a drink because he's starving and holds the drink and straw for him. Princess comforts and holds the panicked sister of a patient as she worries about "what's wrong with him". And then, at the end, Emma holds Louie's hand because there's no one else there to hold it

The Color Game. “Humans can’t reliably recall colors. This is a simple game to see how good (or bad) you are at it. We’ll show you five colors, then you’ll try and recreate them.” I scored 39/50 but got a perfect score on one color.

my students are really harshing on the romance in jane eyre and yeah whatever age gap but something is just not clicking for them that jane eyre is a sexual power fantasy FOR THE YOUNG WOMAN in the relationship. jane eyre shows us this young woman who has an older man so wrapped around her finger that he SOBS for hours when she rejects his love, that raises up a panicked storm when she chooses to leave him. and while you shouldn't get me and my crip studies self started on the ableism of the ending, i.e. that jane's mastering of rochester is complete only when he becomes disabled, the fact remains that jane eyre is about a young woman mastering an older man in every sense of the word. it is a sexual power fantasy in which a young woman is so desirable and so loved by an older man that he drives himself into (emotional) ruin when (for a while) he cannot have her—that the young woman has the upper hand to choose when and how and on what terms their relationship happens. so whatever, age gap blah blah blah (it's literally a victorian novel, come on), but they're truly just missing that the novel is not endorsing an older man preying on a young woman—jane always has some degree of agency (and eventually total control) over rochester. the sexual power fantasy is about and for (and told by) the young woman!!!

you're laughing. emerald fennell, a rich white woman, is adapting wuthering heights into a solely-for-shock-value film and ignoring all of the books themes on racism, cycles of abuse, and class. and casting heathcliff as a white man when he should be dark skinned. and casting edgar linton, the rich white man who holds immense privilege over heathcliff, as a man of color. this woman is racist and can't tackle class dynamics for shit but you're laughing