Beneath it all, we could be a great distance away.

Murderbot chronically finding new scientists/travellers to claim as “clients” (whether paid or not) like one of those sheepless herding dogs that goes around finding sheep (or anything else they can herd like a flock of sheep). Like it clearly has a protect humans instinct and a desperate need for enrichment.

Guillermo del Toro’s spellbinding take on one of the most enduring of all modern myths, Mary Shelley’s Frankenstein, imbues the classic tale with new depths of humanity while pushing it toward dazzling heights of gothic grandeur. Shifting between the perspectives of the brilliant but callous Victor Frankenstein (Oscar Isaac) and the creature (Jacob Elordi) he fashions from flesh and then cruelly mistreats, del Toro movingly reframes the legend as a story of fathers and sons struggling to break free from cycles of trauma. A decades-in-the-making triumph of darkly ravishing visual invention and operatic storytelling, Frankenstein is a deeply personal statement from a director who has long been drawn to the realm where men and monsters merge.

DIRECTOR-APPROVED 4K UHD + BLU-RAY SPECIAL EDITION FEATURES

4K digital master of the theatrical version of the film, with Dolby Atmos soundtrack

4K digital master of Frankenstein: The Reborn Cut, a new 158-minute extended director’s cut of the film, with Dolby Atmos soundtrack

Two 4K UHD discs of the films presented in Dolby Vision HDR and two Blu-rays with the films and special features

New audio commentary on The Reborn Cut, featuring director Guillermo del Toro

The Anatomy Lesson: Director’s Cut, a new documentary on the making of the film

The Parlour, a collection of conversations on craft featuring del Toro; actors Jacob Elordi, Mia Goth, and Oscar Isaac; cinematographer Dan Laustsen; production designer Tamara Deverell; costume designer Kate Hawley; and creature designer Mike Hill

Q&As moderated by filmmaker Martin Scorsese and musician Patti Smith

Interview with composer Alexandre Desplat conducted by film-music scholar Jon Burlingame

PLUS: An essay by scholar and author Christopher Frayling

This is harder and harder for audiences to grasp, and I sympathize, honestly, because we have become more keen over the last couple of decades, and we've noticed how many stories have been sold to us as an ideal we should reach for that would be harmful to us if we did so - stories intending to propogandize values centered around control or subjugation

but you have to learn to recognize when that's what is happening and when a work is simply clumsy, indulgent fantasizing shared with others, and how to settle your jerking, trigger-happy reflex when you notice something in a work of fiction that shouldn't be emulated in real life. That's not what fiction is. That is not, at base, its purpose or intent.

recognizing that a situation would be abusive if it were real does not mean that all stories where those situations happen are inherently ABOUT abuse. Unless we have reason to believe the writer is indeed trying to propagandize societal control on some level, then the story is about what the writer says it's about, because it's not real

there's no one with agency involved, there is only what the fictional fantasy writer wanted to happen in their fictional fantasy world. You being able to identify "if these two people existed this relationship would be abusive" doesn't change the intent of the text. It's GOOD that you can identify that! It's actually excellent! It's a necessary component to experiencing fiction and keeping yourself safe in the real world, but it doesn't change the intent of the text

You are absolutely, Capital R Right: if these people existed and treated each other this way, it would be abusive. But they don't exist. They are Anne Rice's Barbies, and she makes them kiss rough and mean and murderous and underage and incestuously, but through it all they remain Barbies, and she had zero responsibility to explicitly designate those Barbie relationships as abusive for the benefit of a reader who feels like they can't trust a fictional text unless it spells things out for them in real-world morality parables.

I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.