Welcome to the 2026 Whumperless Whump Event, where we celebrate all kinds of situational, accidental and environmental whump! If this is your first time, welcome in--if you've been here before, thanks for coming back!
FAQ and text version under the cut!
Frequently Asked Questions:
Q: Where can I find the prompts list?
A: @whumperless-whump-event on Tumblr.
Q: How are the prompts divided?
A: Each day has a "title" or a vague theme, followed by two tropes and one dialogue prompt.
Q: Can I use the title as a prompt?
A: Absolutely.
Q: Do I have to use all of the prompts?
A: Not at all.
Q: Can I use all the prompts?
A: Absolutely.
Q: If I'm writing a chronological story, can I swap days to fit the timeline?
A: Yes, just make sure you tag your days and prompts appropriately. If you're writing for day 6, but you post it on day 12, tag day 6, not day 12.
Q: Can I have early or late entries?
A: Yes. This is a very laid back event, and meant mainly to inspire lots of whumperless whump. It's not a strict writing challenge.
Q: Is there an Ao3 collection?
A: Yes! This year's collection is linked here. The parent collection also includes 2024 and 2025--make sure you select 2026.
Q: Can I write [insert anything here]?
A: Yes. However, this blog will not reblog certain topics (ex. nsfw or suicide), so please tag your works appropriately, so anyone can filter out anything they don't want to see.
Q: Can I use AI?
A: No.
Q: Can a whumper be included in the prompt fill?
A: The short answer is no. The long answer is that you cannot have the role of whumper in your prompt fill (aka: no whumper-on-whumpee); however, if the character you want to be a whumpee or a caretaker happens to be a whumper, then as long as they are not fulfilling the role of whumper, it's fine. Also, if there is a whumper, it must be totally impersonal and faceless. Here are some examples for clarification:
A character's drink is spiked at a party.
OKAY: The whumper who spiked the drink is never mentioned and is completely faceless, and the story is directly about whumpee recovering.
NOT WHUMPERLESS: The whumper who spiked the drink kidnaps the whumpee.
A character is left alone in a storm.
OKAY: The character is stranded or lost.
NOT WHUMPERLESS: Whumper tied them to a post and left them in the storm.
A character is mugged on the street.
OKAY: The whumper is a stranger, faceless, and the focus is on Whumpee.
NOT WHUMPERLESS: The whumper is a stalker and there to kidnap Whumpee.
All in all, if your goal is to fulfill the event, then try to avoid a whumper. If you're using the prompts elsewhere, then ignore this, but in the spirit of the event, no whumper roles please.
Q: How do I tag my posts?
A: Tag with #whumperless whump event, #wwevent 2026 and #wwevent day [x](Don't just tag wwe, that's wresting.) Make sure to tag the fill type (art, fic, music, etc) with #fic, #art, #et cetera. Then, tag triggers and content warnings. Please put these first in the tag order! It just makes it easier to reblog.
Q: How do I get reblogged?
A: Mention this blog in your post! It's the easiest way for me to find you. Otherwise, I won't reblog it. (This also means if you do not want your post reblogged to the event, just don't mention the blog, and it'll stay private.)
Q: I disagree with something/have an issue with a prompt/want to address a problem. How should I do it?
A: Send me an ask and we can fix it. I am more than willing to work through any problems--I am human, and not without fault.
I think that's about it. That's a lot, so if you've got any other questions that aren't on the list, feel free to shoot me an ask. I'm happy to help!
Plain Text:
Like a Baby Seal to Water: Fishtailing / Near drowning / "I thought I was going to die."
Somebody's Gotta Do It: Unexpected caretaker / Touch starvation / "You don't have to hide from me."
A Lull in the Chaos: Bedside vigil / Checking vitals / "Can you⦠sing? Until I fall asleep?"
How Are You So Oblivious: Unknowingly feverish / Falling asleep at work / "Can you drink some water for me?"
Wilderness Experts: Poisoned / Caught in a trap / "I don't know where we are."
Down The Wrong Pipe: Choking / Seizures / "Call an ambulance, tell 'em they're not breathing."
Wrong Place, Wrong Time: Panic attack / Overstimulated / "Get me out of here."
Are You Sure This Is Normal: Natural disasters / Scared of thunder / "We're safe in here, okay? I think."
Dropping Like Flies: Multiple whumpees / Caretaking while sick or injured / "I'll get some rest soon, I promise."
A Warm Welcome: Coming home from the hospital / Cuddle piles / "You scared me so badlyā¦"
Bodily Betrayal: Stomach sick / Carried to bed / "ā¦Yeah. I can call in sick for you."
You Make Me Lose My Breath: Wheezing / Altitude sickness / "You're not making sense."
Waking In A Cold Sweat: Midnight hospital visit / Allergic reaction / "I thought you were getting better."
The Final Straw: Grief / Mental breakdown / "You don't need to be okay right now."
This looks interesting! TAG or original Thunderbirds, CSaTM, Secret Agent 21, any of my AUs. Please include the whole prompt as well as any specific character's you want to see.
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Also like to point out that when her mother says āI was your mother much upon these years that you are now a maid,ā (translation: I had you when I was your age) you have to remember her fatherās words: āearth hath swallowed all my hopes but she,ā (translation: all the other children died.)Ā The whole plot point of Juliet being an only child is explained by her mother being a Margaret Beaufort type who had her first child too young and it damaged her past the point of being able to bear more children.
Margaret Beaufort died in 1509. She was a major player in the Wars of the Roses, the swirling on-again-off-again civil wars that consumed England from 1455-1487. Romeo and Juliet was written and first performed in the early 1590s. Your average English person of Shakespeareās day would probably have had at least a vague understanding of who she was and what happened to her, because she was a key figure in recent history and was still getting passed around as a cautionary tale.
There are two great problems with what happened to Margaret (and that her parents are trying to do to Juliet). One is easy for modern people to spot (but was also a common response back in her own day). And thatās the moral implications of what was done to her. She was too young to be married, and it was horrifying that she was forced into it so young. Every one of the adults around her either acted immorally or failed to protect her. They were wrong. This is what modern people see, and itās important to remember that people back in her day mostly agreed with it. Youāre supposed to think itās fucked up! When girls were married that young (and it didnāt happen often!) it was a formality 99% of the time. It was for dynastic or financial reasons (the girl has lots of money and/or land and/or a title that her husband wants), but the ācoupleā donāt consummate their marriage for years. And itās not just that they would have separate bedrooms. They might not even live in the same country until the girl was in her late teens and physically and mentally mature enough to bear and raise kids. Hell, a lot of times they didnāt even meet until the girl was older! They had this thing called āproxy marriageā where you would have two separate ceremonies, in two separate places, with each party saying their vows separately, one in one city and the other in a different one. So, yeah, sure, the girl was technically married at 12, but she didnāt actually meet her āhusbandā in person until she was 17 and they didnāt start sleeping together until she was 20. That was a thing they did.
The other problem, the one that modern people donāt notice, is dynastic. See, marriage wasnāt generally because you loved someone. It was because you had the resources to support a family, and you or your family wanted to pool those resources with someone. Itās about āour family has these resources, and we want that to continue.ā Itās about continuity across generations. Itās about making sure that your children and grandchildren have the best possible resources to survive and thrive, whether those resources are land or a trade or a title or money or whatever. In order for this to work, you have to have kids! The family and the familyās resources depend on the married couple having children. If the couple doesnāt have children, the marriage is a failure. And that failure affects not only the couple, but both families. This is a really big problem. And you canāt have just one kid to pass on the family name, because half of all kids die in early childhood. If you want to be safe, you need several kids, to be sure at least one will survive to adulthood (when they can marry and pass on the family name and resources.
You know what happens when a girl has her first pregnancy too young? She is very likely to either die in childbirth, or have complications that destroy her future fertility. Just like Margaret Beaufort. Just like Julietās mother. In other words, the marriage is a failure, not just for her, but also for her family, and her husband (who canāt divorce her, itās not allowed except in extremely rare circumstances), and her husbandās family. So even the people who didnāt have a moral problem with adult men having sex with pubescent girls had a practical problem with girls married too young because you are very likely to destroy the entire purpose of the marriage by doing it. As Shakespeare reminds us in the play through Julietās mother having been married too young and only having one child.
Shakespeare is telling us āyeah, this is fucked up. but even if youāre the kind of awful person who doesnāt think girls marrying too young is morally wrong, itās also a problem for practical and dynastic reasons, donāt forget that by doing this wrong thing you are very likely to destroy what you most want out of it.ā
another thing i noticed, the year my local community shakespeare theater did r&j, and i made the costumes so i got to watch the show every night: part of why capulet is telling paris, take your time, get to know each other, no rush, is that he still has his nephew tybalt as his heir. as long as tybalt is in the picture, there is no pressure on juliet to go further with paris, than get acquainted. once tybalt is killed, then suddenly capulet needs an heir, he needs a husband for juliet, now, this week. (the role of capulet is best given to the actor in the company that can do over the top apoplexy, you need to believe his urgency comes at least in part by how clearly he could drop dead any moment from giving himself a stroke)
i feel like this play is often taught in middle schools as if it was somehow relevant to, or about, teen hormone storms. really it's got more to do with the social structures around family and inheritance. leaving that context out makes it confusing, why is capulet suddenly flipping from nice dad to evil dad?
I've been thinking about this play a lot lately. I really wanna highlight that Lord Capulet asks Paris to wait and get to know her, and to woo her, while Tybalt lives. While Tybalt is alive, Juliet has something of a reprieve, and her wellbeing as his only child matters more to Capulet. But once Tybalt has died, the gloves come off. Lord Capulet was worried about his daughter's wellbeing when he felt he had the space to care, but as soon as his dynasty is at stake, as soon as this becomes larger than Juliet's happiness, his consideration for her health and mental wellbeing get thrown away. Which also is due in part to the fact that Capulet's family is implicated in a brawl that has left several dead after the Prince's family EXPLICITLY told the Capulets and Montagues to stop fighting or face dire consequences, AND Capulet is trying to align himself with the Prince's family by marrying Juliet off to County Paris, a relative of the Prince. So to Lord Capulet, it is now less important that Juliet is happy, and more important than he reminds the Prince of his loyalty via this marriage and aligns his family with the Prince's before it's too late. And he believes this must be done, at any cost...until Juliet kills herself. And that's when he realises the devastating cost of treating his family as chess pieces. He realises his wrongdoing far too late.
Seriously Romeo and Juliet is HEAVY on the dynastic politics, and I think you can't fully understand the play without understanding how that all works, especially because the impact of dynastic marriages on women and girls is like. THE POINT of the play
1) do this even if you're under 40. seriously. I definitely should have been doing something like this for years and I only turned 40 a month and a half ago
2) if you're like me just now trying this going "oh god i've only done 15 and i think my hands are cramping" start lower than 30 and increase by 5 once whatever number you're doing no longer makes your hand cramp up. I can manage about 15 per exercise at the moment.
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Right, let's have a crack at this...
Literally biting you: Animal attack / Venom / 'Someone get a medic!'
With Gordon please!
I tried to do some research, but there really wasn't much to work with š
āSomeone get the medic!ā Gordon rushes through the crows of rescuees inside the cargo bay of Thunderbird Two with his hands full from two dazed children in the both of his arms. The panic in his voice flurries through the atmosphere, the other crew survivors having noticed, make way for the International Rescue Operative.
By the time he makes it to the end of the cargo bay where the door rests, he can feel the adrenaline in his system starting to fail. He stops by the door to take a heavy breather, gently placing the two kids down to unbuckle their harnesses before fiddling around at the line attached to his own in other to unclasp it from his own baldric.
The door suddenly barges open, a fuzzy blue and green blur makes itself known in a baritone shout āGordon!ā He exclaims, āwhat happened?ā Already kneeling down to grab the tired children
āSsstepped on sssomething,ā slurs the aquanaut, āmaybe a⦠Has venomā¦ā His eyes lazily blink, knees feeling lighter than they should.
With the two kids in his arms, Virgil mentally scans his little brother up and down, He nods stoically. āCome in.ā Lightly, he kicks the door open from behind him, bringing the young rescuees and Gordon into the medbay.
Thereās, conveniently, two medical beds situated by the walls of the medbay, the medic starts with the rescuees first, softly placing them one at a time onto the beds. Then, spinning around to grab the both of Gordonās shoulders and guide him to a nearby chair. Once all patients are settled and accounted for, he darts to a refrigerated cabinet that displays a red text in bold font stating āEMERGENCYā just above its latch.
He opens the refrigerator, dragging out a box that unfastens with a short click, fumbling through it until he finds a zip-locked plastic bag labelled in bold white: āANTIVENOMā. Inside it, are five small vials of cloudy white liquid. Virgil hurriedly unseals the bag, taking three of the said vials out, before packing the rest back into the container as they were before. The emergency unit closes faintly.
Swiftly, Virgil reaches for another storage cabinet between the two medical beds. Inside that, is a different small plastic bag, where tiny attachable needles rest within. Unzipping the bag, he places the needle onto the first vialā plopping the other two safely over the medical tableā then, he turns to the first child.
With no time left to waste, Virgil rushes to the first rescueeās side, carefully unveiling a sea soaked sleeve, her bare arm is revealed. He injects the antivenom while holding her arm steady and only letting himself breathe when the child finally relaxes, before then rushing to the next young child to repeat the process: Adding a syringe to the vial, turning to the childās side, pulling his sleeve up, and injecting the medicine. Then shortly, eyeing the two for any side-effects before whirling around to tend to Gordon.
āYou did good, Gords,ā he calmly reassures his little brother while bending to his side to slowly crank at a small lever that declines the backrest of the chair, turning it downwards until Gordonās eventually laying on his back. āItās gonna be okay, Iāve got it from here.ā He says while unzipping the back of the aquanautās wetsuit, subsequentially revealing a free shoulder.
To Gordon, there is nothing but a warm blue fuzz hovering over him, he smiles at the big brother, dozily nodding and trying to help by pulling the front of his suit down for the elder. Virgil doesnāt hesitate the second heās given space to administer the serumā kneeling to Gordonās side and pressing firmly into the shoulder with the vial, before watching the aquanautās muscles sag along with the lids of his eyes.
The medic smiles gratefully, stepping backwards so that he can keep the other two survivors in his sights. If anyone were to have an allergic reaction now, heād at least be on standby to act fast.
This was a prompt from my daughter XD she picked the pose, outfits and hair. I just wanted to practice with the brushes @sempaiko uses! Still need to play/practice more! They cute tho :3
Iāve been reading about werewolves on Wikipedia and I just have to say. āWerewolves are warriors that descend into hell to fight demonsā kicks unbelievable amounts of ass as a concept
For @call-me-casual whose Whumperless Whump prompt has inspired this multi-fandom fic, and @mariashades who suggested putting Colonel White on a train...
~
It wasnāt a mode of transport that Charles had often used, even when his life revolved around things on the ground and sea, but since his life was now lived up in the air it was much less likely.
So when World President Younger invited him as CIC of Spectrum to a security conference that was hosted on his private train.
Charles had blinked at that. Years before there had been Air Force Oneā¦but a train???
But the President was convinced that this would be a) easy to police and b) not easy to spy on and, as his position demanded, Younger got his way.
So Charles found himself on one of the most luxurious trains heād ever seen in the company of men and women who in general hated Spectrum and some even hated him personally⦠but there was one person who had smiled at him ā smirked actually ā and Charles had relaxed a little.
He and Sam Shore had some catching up to do when they had a moment.
But todayās session was really just a meet-and-greet for those invited to get to know each other a little. They were, after all, going to spend the next 10 days in close quarters discussing some of the most important information in the world.
There were many familiar faces present. Some Charles knew by name only, others heād worked with ā and on occasion against ā in his various roles.
Colonel Valerie Casey, present as representative of the GDF along with Captains Rigby and Foster. The two Captains looked to have different roles, Rigby standing by the Colonel wherever she went and Foster acting more like an aide than a bodyguard.
Charles looked across to his own āaideā. Ochre also stood beside him but, while he was in uniform he was relaxed as befit his role this time. Charles knew that with his close protection training Fraser had been the perfect choice for his aide, and while he couldnāt see Blue, Charles knew his Captain wouldnāt be far as his unofficial role was to blend in and hide in plain sight.
In the centre of the room Younger was talking to Lady Penelope Creighton-Ward, whose aide was a surprise to Charles in particular. Scott Tracy wasnāt the kind of man to play the role of āsecondā to anyone other than his Father, and Charles wondered what his old friend Jeff was up to, but that was a question for later, and as he watched the Ladyās well-known shadow detached from the wall and discreetly touched her shoulder. Lady Penelope inclined her head to him, they had a short conversation before the man left. Scott chose that moment to look over and cast a brilliant grin at Charles on seeing him, and once more he wondered what on earth the Field Commander of International Rescue was doing at a security conferenceā¦
Sam had not acknowledged him since the grin earlier, but Charles was aware of him making the rounds of the room. As he himself turned to greet Shane Weston, head of the London division of WIN Charles could see Shore and his daughter Atlanta heading towards Lady Penelope and Scott.
There were other players at the table, but Charles had yet to find out who some of them were.
The only organisations Charles had yet to lay eyes on was FAB ā although he was pretty certain that that was who Lady Penelope was representing ā and USS, though that was less of a surprise.
It wasnāt as if the Supreme Commander of Earth Forces could just amble around the roomā¦although, as he thought that, one person in particular caught his eye. The man nodded and Charles reciprocated and Agent 21 melted away.
Interestingā¦
But then they were called to order and everyone moved to the larger carriage that had been designed for the conference. Charles took his seat with Ochre sat behind him to the side.
And they began.
By the end of the first day Charles was so glad he was able to keep a passive face. He knew that it was only the outlining of what they were going to discuss for the rest of the time, but some of the others obviously didnāt know that day one was not the time to be questioning thingsā¦
Ochre and Blue joined him for a late drink and to discuss their own observations of the attendees. They all agreed on some of the unexpected delegates and there were some discussions around what to expect going forward. They also discussed if there were any signs of outside influences likely to make a playā¦
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17.Ā Recommission
(verb)
to formally choose someone again to do a special work
āOur doubts are traitors,
and make us lose the good we oft might win,
by fearing to attempt.ā
ā William Shakespeare, Measure for Measure
Two hours and a RoS nap later, Charles was sitting on one of the couches in his quarters with an old Frederick Forsyth spy novel and taking a very much needed break now that they were stood down from āactive crisisā. There were a multitude of things that he could have been attending to, especially in the face of Jeff Tracyās death in the cells at Spectrum New York, but he was at an age where heād learned to take a moment to rest. The current bevy of problems were all ones that could wait a bit as reports were drafted and examinations were completed. WP Younger had already been informed of what he needed to know, and that would be enough until the facts had been established and the sequence of events clearly defined.
Heād gotten a good three chapters and two cuppas into his book when his intercom chimed for attention.
Charles was not surprised by it. He had strong suspicions about who this would be, knowing the man, heād expected this would happen sooner or later, and āsoonerā was the ideal. Laying aside his book, he went to the door and poked the intercom. āYes?āĀ
āSir, um, itās me,ā Cobaltās voice floated through the speaker.Ā
One button press got the door unlocked, revealing a young man having a hard time keeping his inner turmoil off his face and clearly second-guessing himself.Ā
āSir,ā Cobalt started.
Before he could go any further, Charles interrupted with a gesture at the kitchenette. āTea or coffee, Scott.ā This wasnāt an officer needing to speak to his CO, this was a younger man needing guidance - and reassurance. āThis is something he should have been getting from his father, but Iāll gladly stand in his stead.āĀ
The use of his name got a startled blink out of him, his train of thought abruptly derailed. āUh, coffee please, black.āĀ
āGood. Sit down.ā Charles waved at the pair of couches while he went to boil the kettle.Ā
A nod and Scott did as he was bid, the tension in every line of his body betraying his agitation.Ā
Charles used the time needed to brew himself an Earl Grey and a cafetiĆØre of plunger coffeeĀ to order his thoughts. He had a reasonably good idea of what might be troubling the younger man, and derailing him by using the name his mother had given him had been a deliberate choice. āHe is so like Scarlet,ā Charles mused as he poured milk into his cup. āBoth of them can logic themselves into corners and get lost in trying to do the right thing for those around them while ignoring their own needs and wants, but hopefully this will mark the start of a new chapter for Scott.ā Ā
Once the drinks were ready he brought them over, placed the coffee before Scott and sat down opposite him, holding his own cup in both hands as he waited for Scott to figure out what he wanted to say and how he wanted to say it.Ā
ā...I donāt know if I can leave Spectrum.ā Scott was sitting with his elbows on his knees, shoulders hunched and fingers intertwined to keep himself from fidgeting. Staring into the depths of his coffee, his voice was very soft. āSpectrumās been a haven for me and for Xanthic. It gave me a job, a purpose, it let me do good⦠and if we both go⦠youāre going to be short handed again.āĀ
āScott, look at me.ā The order was voiced kindly, but it was still an order and Scott automatically obeyed. āYou do not have any sort of debt to repay, not to me, not to the others and not to Spectrum,ā Charles informed him. āYou and Gordon will be missed, do not get me wrong on that, but it is well past time you chose something for yourself, not for others.āĀ
Charles sat back and sipped his tea while waiting for Scott to finish being astonished at how quickly heād divined the underpinning thoughts and reasonings that had him tied up in such complicated knots - the legacy of that man and how heād raised Scott to see himself as a liability and a hindrance with an eternal debt to repay for having the temerity to exist.Ā
āButā¦āĀ
The protest drew a fond smile out of him. Scott simply would not be Scott if he didnāt make another attempt at putting those around him first. āScott, you are a first rate Colour Captain, but you are a better Thunderbird. Your family needs you out there with them, not here with us, and yes, I know the War is still on, but what point is there in us fighting if there is nothing left to save?ā Charles took a sip of tea to wet his throat. āI like to think that in this, Spectrum and International Rescue can be two sides of the same coin: oneās work gives the other a world to save.āĀ
āIā¦ā Scottās mouth worked for a moment as he mulled it over, little shifts in his thoughts betrayed in his little movements as he adjusted his perceptions around the new perspective heād just been given. ā...that⦠yeah, that makes sense.ā A shy sort of smile played about Scottās face, his shoulders dropping by increments with the realisation that yes, he could go home and he had Charlesā full support, full blessing, and full encouragement to do so.Ā
āGood.ā Charles nodded his approval. āDrink your coffee and weāll discuss your new orders. Unfortunately there is bureaucracy to satisfy and the sudden disappearance of Captains Cobalt and Xanthic, timed with the sudden reappearance of the original Thunderbirds One and Four, will raise questions.ā White made a face. āIāve been advised that similar to the āThunder-spottingā community, there is a similarly dedicated group who report on sightings of Colour Officers, so a transition period is needed to cover things.āĀ
āYessir.ā Cobalt nodded, picking up the mug. āFive and EOS can help generate fake sightings to muddy the waters.ā
āVery good, Iāll speak with them later about a plan around that.ā White took another sip of tea. āOfficially, I will be sending two officers to Tracy Island to begin the investigation there, along with some additional officers to help scan and transport anything uncovered. Copperās latest report is that they are still finding caches at Tracy Tower, so I imagine it will take some time to conduct a thorough search of the Island, enough time for the next Mysteron threat to occur. The aftermath of that event will be used to announce that two Spectrum officers were killed in action. With the subsequent lack of sightings of āCobaltā and āXanthicā, the online groups will draw the conclusions that we wish them to make. Ideally International Rescue will be in the air before the reports are made, but due to the, ah, āoutside factorsā in play, weāll make do with whatever happens.āĀ
Cobalt nodded, sipping his coffee as he tested the plan and found it solid. āS.I.G. Iāll get you a timeframe as soon as I can. Five and Two reported that the terrestrial Thunderbirds were pretty securely locked down before they evacād. Between that, peopleās conditions, and straightening out the mess of TI, itāll take us a while to get everything sorted out and get iR operational again. Iām not going to have an estimate until we can see the damage.āĀ Ā Ā
āQuite understandable,ā White nodded. He placed his half empty mug down and drew in a breath. āI know it isnāt official yet, but let me be the first to say it.ā He held out his right hand. āWelcome back, Commander Scott Tracy of International Rescue.ā
Scottās blooming smile was broad as he reached out to accept the firm handshake. āThank you, Colonel White.āĀ
T H U N D E R F A L LĀ
At roughly the same time, the Officerās Lounge had their own guest: Alan. With John and Virgil sleeping, Gordon visiting with Penelope, Scott dealing with something else, and Kayo having a strategy session with Brains, Rigby, and Dosela over their next moves, heād been left at a bit of a loose end. After āfindingā Alan in the Promenade (Cloud may or may not have been involved and neither of them were going to confirm or deny it) Scarlet had brought him to the Lounge with the brief explanation of āhe needs to be around people, but not general-public people.āĀ
All present had immediately understood that and immediately shifted into āOperation Distractionā mode, welcoming the youngest Tracy into the fold with a hot cup of coffee, a prime spot on the couch, and the offer of plenty of stories - something which Gordon and Scott gleefully joined in on when the younger dropped in after visiting with Lady Penelope and her household and the elder stopped by after whatever heād been up to. The rest of the team automatically included the older Tracys in the rhythms and patterns of the active operation without saying a word. They knew their brothers-in-arms more than well enough to know that some pleasant distraction was very well needed by them too.
But as the conversations ebbed and flowed, there was something that Magenta noticed that the others missed.Ā
Scarlet could read a field of combat like a picture book. If you wanted to know what a person did, you asked Ochre. But Pat was the master of body language, with his background he'd had to be. So he was the one that saw Alanās tiny shifts of position, the shape of the lines around his eyes, and the twitch in his fingers. He moved over to sit next to Alan, leaned over and barely moved his mouth to ask "Al, you okay?"
The fact that Alan didn't start spoke volumes, and he gave an almost invisible shake of his head.
Pat shifted closer and showed Alan something on his tablet. "What do you think?" Meanwhile, 'what wrong how help' was tapped out on Alan's leg. Pat wasn't that good at Morse, but he'd been practising since Scott and Gordon had shown how useful it could be when words were too hard or silence was needed.
Alan gave him a side eye look, took the tablet, and moved his fingers over the open notepad. 'I need to do something, anything.'
"Huh, you're right." Pat took the tablet back, looked the people in the foreroom over and sent a message to Gordon. 'Taking Three for walk, needs air.'
Gordon checked his watch and nodded, never looking at their direction. He then jumped into the conversation. "Oh man. That's nothing, you should see it when Cobalt and Five play cribbage. We've had to lay down tarps for the blood bath." Which set off a spirited discussion on card games. Which gave Pat the moments he needed to get Alan out of the foreroom.
He waited until they were around the corner. "So what kind of something? A couple of rounds in the gym? Maybe run laps? What?"
Alan rubbed the back of his neck. "Um⦠cookies? Maybe make some bread? Kneading is pretty soothing for me."
"Help you bake? Gladly!" Pat grinned and guided Alan towards the commissary. This was going to be a unique variation on the usual āOperation Distractionā. "I'm sure the cooks won't mind the help."
Perhaps an hour later, āOperation Distractionā was slowly winding down when Blue looked around. "Where's Magenta?"
"Better question," Scarlet said, scanning the room. "Where's the Madman?"
Xanthic cleared his throat. "Mags told me he was going to take Three for a walk, something about air." He looked at his watch. "But that was ages ago."Ā
"Cloud?" Cobalt called.
Yes?
"Can you tell us where Magenta and Thunderbird Three are?"
They are currently in the base kitchen. They have just finished their second batch of cookies and Three is showing Captain Magenta how to do a five strand braid with the cinnamon bread dough.Ā
"Well, stress baking is good for something," Grey grinned.
Cobalt tilted his head. "What kind of cookies?"
"Theyāre cookies, unless he's making Grandma's special ones, who cares?" Xanthic stood up and made sure his uniform was ship shape and Bristol fashion.Ā
Double chunk chocolate chip and chocolate with white chocolate chips and macadamia nuts.
There was a moment of silence, then Paul stood and grinned. "I think we should retire to the kitchen, gentlemen." He looked at Scott and Gordon. "You do both realise that if White, Fawn, or any of the Angels samples those, Three is never leaving Cloudbase, right?"
āWeāll have to reserve some for the Angels,ā Blue warned, ātheyāll be irritated if word gets out the Madman did some baking and we ate it.āĀ
āYeah, āHappy Angelsā and all,ā Ochre chimed in.Ā
āGood point. Weāll reserve some for the Angels and Green, then destroy the rest of the evidence before the Old Man or the docs catch wind of things.āĀ
āIāll go on ahead and box up some for them,ā Xanthic volunteered, getting up to do just that, with Scarlet and Blue on his heels with offers to āhelpā - though if it was with the boxing up, the evidence destruction, or a bit of both was left very ambiguous. Cobalt just shook his head and strode out after them.
Meanwhile, Grey snagged Ochre to help fill the dishwasher - it was their turn - waited until the door was fully shut, then turned on Rick. He had a lingering question that needed answering and now was the perfect opportunity.
āOkay Rick, time to spill.āĀ
āSpill what?ā Rick bluffed as he put down his handful of mugs, frantically trying to figure out exactly what he was supposed to be spilling.
āBack in Medical when we brought everyone in, what had your radar pinging when Lady Penelopeās cook called Parker āAloysiusā?āĀ
Rick considered trying to fudge the issue, then gave up. There was no way Brad would let this go. āI'm almost certain he's Aloysius āNoseyā Parker, the best safe cracker and getaway driver of his generation. He completely vanished from the scene about fifteen years ago.āĀ
āAnd you think that he became Lady Penelopeās bodyguard?āĀ
āI did a little looking overnight, the timeline checks out, he starts showing up as her bodyguard at roughly the same time.āĀ
Wise eyes took his measure. āYou gonna do anything about it?āĀ
Rick shook his head. āHell no. One, I donāt have any proof, and two, if Kayo doesnāt do something to me, Lady Penelope will, or Cobalt will, or Xanthic will. As far as Iām concerned, if heās been working for iR, heās balanced the scales.ā He finished loading the dishwasher and washed his hands. āAnyway, we have evidence to deal with. Cāmon, letās get down there before itās all gone.ā He grinned, a teasing expression. āUnlike you lot, I havenāt had any of the Madmanās cooking. Iām not missing out a second time.āĀ
Brad laughed at that and pushed Rick in the appropriate direction. āThen get a move on, I can tell you just how fast it vanishes!āĀ
āMoving!ā Laughing, Rick was already on his way to the door at something just below a dead run.
T H U N D E R F A L L
The sun was on its way to the horizon when Alan finally stopped in front of Rabbi Azureās door, having been guided there by Cloud since all the others were busy ādestroying the evidenceā in the commissary and he was quite happy to leave them to it: this was one mission he needed to complete on his own.
This was, he had to admit to himself as he checked the time, the root cause for why heād needed to stress-bake. Booking the appointment at something around zero-dark-thirty last night had been the easy part, but thatād just been all theory. This? This was the practical, and heād have been lying if heād said he was completely comfortable with it all. āBut she works here with Orchid, and I like Orchid and Virgil trusts her, and sheās been recommended by Paul. That has to count for something, right?āĀ
The numbers rolled over on his watch and Alan pushed the chime on the intercom. He was still very unsure about this, but Pau - no, Captain Scarlet, had suggested this. āSo Iām at least going to try it. I can do that. I can try. If it doesnāt work out, no big, but I tried.āĀ
The door slid back to reveal a woman in dark clothes, with white blonde hair in a braid that looped all the way around her head. Green eyes narrowed for a moment before filling with warmth. "Mr. Tracy?"
"That's my older brother, I'm just Alan." He held out his hand.
"Rabbi Azure," her grip was warm and firm. " Please come in."
"Thank you." Alan wasn't sure what to expect, Cloudbase kept surprising him. It was a small room and held a comfortable looking chair, a couple of throw pillows, and some assorted other bits of furniture, all in warm shades. A one armed daybed made his eyebrows go up, but he sat down on the foot of it. Azure settled in the chair before the wall desk. Yes, it was an office, but it was a relaxed and restful one.
The rabbi herself was also relaxed in jeans, boots, and a long sleeved shirt in deep blue. Alan would be willing to bet it was 'azure'. The thought brought a grin.
"May I offer you something to drink? I have tea or water?"
"Water would be nice."
"Cherry, peach, or blood orange?"
"Huh?"
She smiled at him. "I have cherry, peach, or blood orange flavored water, carbonated."
"OH! Peach, please."
She got one out of a small cabinet, mostly hidden by her chair, that turned out to be a miniature refrigerator. Alan downed about half of it in three gulps. The ice cold liquid felt so good on his throat.
"So, Alan, what brings you to my door?" She sipped from her own bottle.
"Uh - what did Captain Scarlet tell you?"
Her smile was gentle. "That you needed to talk, or not talk, to someone, and that I should clear a block of time if you did want to talk."
"Oh." He had no idea what to do with that.
"The good captain couldn't betray a confidence even if he wanted to." She settled back in her seat. "How about I start, and tell you what I know about you?"
"Uh, that's fair." This wasn't like any therapist he'd ever tried to talk to. But then again, Gordon did say that the people here had the interpersonal skills of a box of rocks, which was understandable since they were professional spooks and other flavours of secret-keepers.
"So, I know that you are the youngest of five -"
"Six. Can't forget our sister." At her eyebrow, he added. "She was adopted."
She nodded. "The youngest of six," she waited for his nod. "You've kept a low profile in a high profile family, surrounded by over-achievers, yet quite at ease in your own skin. You know who you are. You've also had your share of bad luck, not the least of which is having," the calm mask dropped for a second and showed a flicker of rage before concealing it again, "Jeff Tracy as your father."
"S.D. isn't my father. That's my brother Scott."
She tilted her head. "Not unreasonable, but what does 'S.D.' mean?"
"Sperm Donor," he drained the bottle. "Could I have another one, please?"
She gave a bright laugh. "Oh, that's perfect. Of course, what flavor?"
"Cherry this time, please."
The new bottle handed over, she once again sat back. "So I've given you an outline of what I know, why don't you tell me what I don't know." Azure held up a hand. "No judgements or anything like that. Just tell me what you want to, or we can talk about hockey. Don't ask me about soccer/football. If it doesn't involve ice and a stick, I'm hopeless."
"What about curling?" He had to grin.
"Ice and a stick, I can talk about curling just as long as I can talk about hockey."
Alan nodded and rolled the bottle between his palms, thinking. She didn't know him, other than the superficial level, Paul had recommended her and Alan was fairly certain that Paul trusted her. This was also a chance that might not come again: not having one of his siblings breathing down his neck, trying to 'help'.
He took a deep breath to center himself. "Let's talk about ice and sticks later. Right now - I need help. I need to know if I did the right things, if I made the right choices."
"Of course. I won't pass judgement on anything you tell me. That's not my place. My place is to help you with what happened."
She leaned forward in her chair and Alan was struck by the fact that she wasn't much older than Scott. Which made him feel better for some reason. "After the announcement about Kat's story coming out, Lady Penelope and Parker got me out of the press's way. . ."
Welcome to the 2026 Whumperless Whump Event, where we celebrate all kinds of situational, accidental and environmental whump! If this is your first time, welcome in--if you've been here before, thanks for coming back!
FAQ and text version under the cut!
Frequently Asked Questions:
Q: Where can I find the prompts list?
A: @whumperless-whump-event on Tumblr.
Q: How are the prompts divided?
A: Each day has a "title" or a vague theme, followed by two tropes and one dialogue prompt.
Q: Can I use the title as a prompt?
A: Absolutely.
Q: Do I have to use all of the prompts?
A: Not at all.
Q: Can I use all the prompts?
A: Absolutely.
Q: If I'm writing a chronological story, can I swap days to fit the timeline?
A: Yes, just make sure you tag your days and prompts appropriately. If you're writing for day 6, but you post it on day 12, tag day 6, not day 12.
Q: Can I have early or late entries?
A: Yes. This is a very laid back event, and meant mainly to inspire lots of whumperless whump. It's not a strict writing challenge.
Q: Is there an Ao3 collection?
A: Yes! This year's collection is linked here. The parent collection also includes 2024 and 2025--make sure you select 2026.
Q: Can I write [insert anything here]?
A: Yes. However, this blog will not reblog certain topics (ex. nsfw or suicide), so please tag your works appropriately, so anyone can filter out anything they don't want to see.
Q: Can I use AI?
A: No.
Q: Can a whumper be included in the prompt fill?
A: The short answer is no. The long answer is that you cannot have the role of whumper in your prompt fill (aka: no whumper-on-whumpee); however, if the character you want to be a whumpee or a caretaker happens to be a whumper, then as long as they are not fulfilling the role of whumper, it's fine. Also, if there is a whumper, it must be totally impersonal and faceless. Here are some examples for clarification:
A character's drink is spiked at a party.
OKAY: The whumper who spiked the drink is never mentioned and is completely faceless, and the story is directly about whumpee recovering.
NOT WHUMPERLESS: The whumper who spiked the drink kidnaps the whumpee.
A character is left alone in a storm.
OKAY: The character is stranded or lost.
NOT WHUMPERLESS: Whumper tied them to a post and left them in the storm.
A character is mugged on the street.
OKAY: The whumper is a stranger, faceless, and the focus is on Whumpee.
NOT WHUMPERLESS: The whumper is a stalker and there to kidnap Whumpee.
All in all, if your goal is to fulfill the event, then try to avoid a whumper. If you're using the prompts elsewhere, then ignore this, but in the spirit of the event, no whumper roles please.
Q: How do I tag my posts?
A: Tag with #whumperless whump event, #wwevent 2026 and #wwevent day [x](Don't just tag wwe, that's wresting.) Make sure to tag the fill type (art, fic, music, etc) with #fic, #art, #et cetera. Then, tag triggers and content warnings. Please put these first in the tag order! It just makes it easier to reblog.
Q: How do I get reblogged?
A: Mention this blog in your post! It's the easiest way for me to find you. Otherwise, I won't reblog it. (This also means if you do not want your post reblogged to the event, just don't mention the blog, and it'll stay private.)
Q: I disagree with something/have an issue with a prompt/want to address a problem. How should I do it?
A: Send me an ask and we can fix it. I am more than willing to work through any problems--I am human, and not without fault.
I think that's about it. That's a lot, so if you've got any other questions that aren't on the list, feel free to shoot me an ask. I'm happy to help!
Plain Text:
Like a Baby Seal to Water: Fishtailing / Near drowning / "I thought I was going to die."
Somebody's Gotta Do It: Unexpected caretaker / Touch starvation / "You don't have to hide from me."
A Lull in the Chaos: Bedside vigil / Checking vitals / "Can you⦠sing? Until I fall asleep?"
How Are You So Oblivious: Unknowingly feverish / Falling asleep at work / "Can you drink some water for me?"
Wilderness Experts: Poisoned / Caught in a trap / "I don't know where we are."
Down The Wrong Pipe: Choking / Seizures / "Call an ambulance, tell 'em they're not breathing."
Wrong Place, Wrong Time: Panic attack / Overstimulated / "Get me out of here."
Are You Sure This Is Normal: Natural disasters / Scared of thunder / "We're safe in here, okay? I think."
Dropping Like Flies: Multiple whumpees / Caretaking while sick or injured / "I'll get some rest soon, I promise."
A Warm Welcome: Coming home from the hospital / Cuddle piles / "You scared me so badlyā¦"
Bodily Betrayal: Stomach sick / Carried to bed / "ā¦Yeah. I can call in sick for you."
You Make Me Lose My Breath: Wheezing / Altitude sickness / "You're not making sense."
Waking In A Cold Sweat: Midnight hospital visit / Allergic reaction / "I thought you were getting better."
The Final Straw: Grief / Mental breakdown / "You don't need to be okay right now."
This looks interesting! TAG or original Thunderbirds, CSaTM, Secret Agent 21, any of my AUs. Please include the whole prompt as well as any specific character's you want to see.
The Tragedy of Captain Scarlet and the Mysterons, Paul Strikes Anew, Act 5, Scene 3 (Episode 3, Shakespeare style)
We bring another episode to a close! Today, Captain Blue explains the difference between the speed of light and sound - but for a 1607, not 1967 audience! With love, as always, to Andersons and Shakespeare both, join me as we ask what Captain Scarlet would have been like if written 350 years early!
SCENE III. A private room within a tavern, oāerlooking Paulās.
Enter SCARLET, BLUE and MELODY and DESTINY Angels.
MELODY
A prospect grand a maiden here enjoys,
One Paul through window Melody doth spy,
Belike a fairer Paul herein doth see.
BLUE
And both, belike, more foul could have appearād!
SCARLET
Ay, verily, but riddle this remains:
How did you quintessential casket find?
BLUE
Attending patient hath this Captain been.
SCARLET
This patient hath a full recovāry made,
And patient doth this Captain no more stand,
Good Doctor Fawn, not Captain Blue I thank.
BLUE
Good Captain, nay, with patience I attend.
SCARLET
And such a patience did this Captain show,
To Lady so distressād in yonder street?
BLUE
Good Scarlet, peace, lest face of mine doth burn,
With self same colour of your tunic red.
By Saint and Captain Paul do mock me not.
For midnight, black, as enemy we seek,
Doth Captain Blue so patiently attend.
Poor Macey within Duttonās Yard was trappād,
But yards away from hence doth that yard lie.
Full sure that thirteen tolls of Paulās he heard,
And chance so rare can only hope to chance,
A statute mile from where good Paul doth toll,
And Paul a statute mile from Paulās now sits!
SCARLET
I follow you in all but one respect:
I see not still how he did hear thirteen.
BLUE
Around this table pilots four there be,
Ere Spectrum, Paul did with the kingās guard fly,
And I did prototypes once test and break,
And Angels fair in skill exceed us both.
In all things that do chance and come to pass,
A pair of messengers our senses note.
Our eyes do fix upon a sight to see,
And ears attend upon a sound to hear.
Divided in their speed these heralds are,
And one doth fast outpace his leaden friend.
When bombards from your viper-bird unleashād,
On what did all your senses first make feast,
When bomblet found its target on the ground,
What marked you first, the spectacle or sound?
SCARLET
Iāfaith, first spectacle then sound report!
BLUE
Where light doth almost instantly arrive,
More leisurely a route doth sound select.
To far-speak Macey said he did attend,
But cross anew for riddle this creates.
At distance of a statute mile from thence,
Doth sound full seconds four and half take time,
Anon we shall as Macey now react,
A copy of his evening so enact.
Paulās chimeth the hour. BLUE opens a far-speak. A bell from the instrument.
āTis apt that Paul this Paul is reckoning.
SCARLET
Anon.
A bell from the instrument.
Thatās two.
A bell from the instrument.
Three.
BLUE
Of far-speakās wonders, sevāral and divine,
Is that it carries sound as fast as light.
No matter whether there or half orb hence,
At instant same same sound doth your ears mark.
Belike tis better that I word it thus:
A bomblet seen is same time bomblet heard.
A bell from the instrument.
The far-speak here doth stand, and Paulās oāer yon..
A bell from the instrument.
DESTINY
Your reasoning, reasoning sound, is sound!
Methinks our minds do jump in one accord.
A bell from the instrument.
BLUE
āTis well. Two-hundred-fifty leagues in but
an hour can sound make way unto our ears.
A bell from the instrument.
And from the far-speak seventh chime have heard.
But nought but six from Paulās your ears attend.
A bell from the instrument.
Full statute mile from hence doth Paulās knell toll,
Full seconds four and half Paul is behind.
A bell from the instrument.
DESTINY
This far-speak full one chime ahead doth call!
A bell from the instrument.
SCARLET
Ten.
BLUE
Attend!
A bell from the instrument.
SCARLET
Eleven.
A bell from the instrument.
Twelve.
A bell.
Thirteen!
BLUE
From steeple Paulās did this twelfth chime arrive,
But near five seconds this far-speak behind!
SCARLET
Thirteen! They say there is divinity in odd numbers!
Exeunt SCARLET, BLUE and MELODY and DESTINY Angels. Enter BLACK and WHITE, above.
The snark! I love it! I also love Blue's speech about his flying days - flying and breaking aircraft- the little note about the Angels being superior, and how he explained it, that was perfect!
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These are from //checks the file dates// last August, so- a while ago, but I'm going through stuff I drew last year and never posted. These were my first attempts at drawing the Captains as humans instead of ponies!
Getting likenesses right is not one my skills but hey, I tried my best and I think I did alright. I don't know why Blue is holding Scarlet like that though, I just thought it would be funny I think ghjkl Get fireman carried idiot.
One acting tip I got taught during my old drama classes was āAdd an adverb to every line, multiple if you have to, and deliver the line based off of that adverbā
So if the line was āBless your soulā, and the adverb I chose for it was āsadlyā, I would get a much different vibe than if I chose ācondescendinglyā. And Iād have to show it in my body language too
And I think thisāll help for writing as well; for every line your character says, assign an adverb to it, and from there see if you can come up with body language that encompasses that. Have a few examples:
āIām not scared.ā <ā defiantly
She scoffed as her eyes locked onto his. āIām not scared.ā
āIām not scared.ā <ā fearfully
āIām not scared,ā she murmured, voice shaky as she forced herself to not look away
āIām not scared.ā <ā soothingly
She set a steady hand on his chest, feeling the rapid beating of his heart beneath her palm. āIām not scared,ā she promised
See the difference? Exact same line, completely different deliveries with completely different emotions, meanings, and implications for the character. It also prompts you to consider body language and actions much more, which can help people like me who can over-rely on dialogue sometimes
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