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Archive of Our Own

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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🐾🐾🐾🍪🍪🍪
earlier this week Twitter user ppuccin0 tweeted about a fashion article that advised against tops with large floral patterns, saying the wearer was in danger of looking like a "ロマンティックおばさん," or a "romantic auntie." the tweet went viral with many agreeing that a "romantic auntie" sounded like a very nice thing to aspire to be, and some even posted illustrations or photos tagged with the trend
illustration by Toyota Yuu (author of Cherry Magic)
illustration by 141shkw/Sora Midori (author of Beautiful Curse)
photos by Takinami Yukari (author of Motokare Mania and Watashi-tachi wa Mutsuu Ren'ai ga Shitai or "We Want A Painless Romance")
illustration by m:m (mangaka of Matataki no End Roll)
illustration by ooinuai (mangaka of Onikui Kitan)
illustration by ma2 (mangaka of The Reason We Fall In Love)
BONUS:
Twitter user WomeGa55 drew some art of “Romance Auntie x Combat Auntie”
IT GOT BETTER
The RomCom Aunties!
Antique Pietra Dura Butterfly Pendant of 14k Gold

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This isn't very hard when you know some of the most genius strategies in human history were incredibly stupid, circumstantial events that led to victory by sheer luck of that strategy working.
Case in point: Tsun Zu's rival defended a city with 10 men against Tsun's army of hundreds by disarming his own soldiers, dressing them in plain clothes, INVITING Tsun's army to come in, and it only worked because Tsun knew the guy was an ambush master and thought "if we attack the city he's inviting us into, we will die." and left without even trying ON THE BASIS OF HIS RIVAL'S REPUTATION AND NOTHING MORE
Another example: Tsun Zu, on being told his soliders were out of arrows during a battle against a city across a river from them, had his men craft scarecrows, put them on a boat, send it out on a line, leave it there for half an hour, then pull it back in and used the arrows the enemy had fired at the boat to restock their own ammunition. It only worked because it was foggy and the enemy couldn't tell the difference between the scarecrows and actual soldiers.
Stupid things like that work INCREDIBLY WELL if the circumstances favor them, so you really don't need to come up with some multi-layered, Shikamaru-esque strategy. You just need to come up with a strategy you like for the characters involved, then write the circumstances (weather, environment, individuals involved) to favor it enough that it works.
unlike real life when writing you can always work backwards, too, which negates the need for genius (tho, like, normal smart helps)
so you can start with a thing like "nobody would expect an attack from underneath the castle!" and then design your castle with :
feature that allows this (catacombs from before the ancient cathedral was renovated into a full blown castle)
reason nobody would expect it (the renovators sealed off the catacombs, current occupants don't know the catacombs exist)
genius reason Our Great Hero thinks to make use of this (his common sense but deeply insightful assessment causes him to question where the rain water drains from the multiple terraced courtyards and grand balconies (the renovators did leave a drainage system that exits via the catacombs, which works so well that the current occupants never had reason to wonder about water drainage)
one or two additional things that help make it genius (Our Hero knows the castle used to belong to the original cathedral people, some of whom still live nearby and are bitter about losing the castle to the current occupants)
optional: additional improvised stroke of genius during the event (Our Hero finds current occupants legendary un-beatable foe [previous occupant's great grandfather] interred in catacombs and leads the invasion of the castle dressed as said legendary foe in his very recognizable armor that has clearly been sitting in a crypt for a hundred years.)
Note: the thing that makes this genius is that it succeeds, btw, so you write that everybody falls for it. If everybody saw through it right away, nobody would think it was genius, which is sort of how it works in real life too, there's a kind of survivor bias in the way we see strategic genius
Garak's venomous, feminine hiss, in 'The Wire' as he's trying to horrify Bashir with his stories, is so hot. I love the cruelty in his tone. The murderous stare that immediately becomes so vulnerable when it becomes obvious Bashir isn't leaving him. The obvious posturing trying to get Bashir's goodness to bend. Because if Bashir will leave him then what Tain has taught him about the ugliness of the universe is true. Then Tain will be right and it will be be what its he deserves.
But he doesn't. He stares down all that monstrous posturing and meets the monster with kindness. It doesn't matter if what he's saying is true - if this is his Shri-Tal then parts of it might even BE true. That's not what he's concealing. What he's really hiding is the guilt, the shame, the self-loathing. That secret part of him that doubts Tain and recognises what his actions for what they are. The monstrosity that even Garak can't face, because then he destroyed himself for nothing.
I know we talk a lot about the literacy crisis and the horrible anti-intellectualism happening rn but I think we need to talk more about how much of an entitlement complex the stupidest among us have developed
if you don’t know what a word means, look it up.
if you can’t look it up, use context clues.
Overuse of purple prose is a problem in Fantasy, but “scrying” is just, like, the word for a specific kind of magic. That degree of specificity and the vibe archaic arcane-sounding words lend to the magic they describe is a feature of the genre that readers expect & want. This is like getting mad a book about Egypt used the word Pharaoh or papyrus instead of “king” or “paper made out of reeds”.
Fuck your inability to use a gods damn dictionary!
I will NEVER stop using big words in my writing!
Grow a brain and use a dictionary! At the very least you can copy and paste a word into google and it'll define it for you.
sorry this was going to be a tags addition because I only get to use my coated pantone swatchbook like 6 times a year when i have a new enamel pin to design, but...
METALLIC GOLD PANTIES ????
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.

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I'm all about Ablaut reduplication
All A Glitter - Antonia Tyz Peeples
American , b. 1957 -
Oil on linen , 36. x 36 in.
I know we talk a lot about the literacy crisis and the horrible anti-intellectualism happening rn but I think we need to talk more about how much of an entitlement complex the stupidest among us have developed
Dear readers,
Please be ready to expand your vocabulary when you read books/fics - thank you
Yours truly - a writer who gained her big vocabulary from reading
one argument you often see about fanfiction is that it's like 'training wheels' writing? like 'oh it's fine to do that while you're still learning, it's easier than coming up with your own ideas'. and I have to say I have just never agreed with that.
in my experience it's actually pretty common for newbie fanfiction writers to gravitate towards coming up with OCs rather than writing about the canon characters (hence the infamous Mary Sue); this suggests that many people find that 'easier' than attempting to write about pre-existing characters.
I would say that recreating the characterisation, mood and general vibes of an existing work of fiction is in fact a skill in and of itself that's acquired via practice. A common compliment delivered to fanfiction writers is how well they have captured the spirit of the original work. Inexperienced fanfiction writers fail to do this.
When creating an original character you can, ultimately, say anything about them and now it's canon bcos you created them and you said so. conversely, well, if you are covering a well known song and start playing the wrong notes people will notice immediately.
In addition: a lot of fanfiction, IMO, is in actuality a form of metafictional literary analysis. a story where two characters sit down and talk about their feelings about a canonical event? literary analysis, which is of course a skill. Sometimes fanfiction is bad bcos the writer is not good at interpreting texts.
finally I have made this point before but you never really see anyone suggesting that fictional works based on existing public domain texts are on 'easy mode'. is it 'easier' to write something based on a copyrighted work than a public domain work? Of course it isn't.
I know I said 'finally' but I forgot a point:
A major strength of the transformative work is its ability to create dramatic irony. If a fanfiction's emotional resonance is dependent on being familiar with the source material that's not necessarily a bad thing. sometimes it's a sign that the author has done a really skillful job of engaging with said source material.

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In The Road to El Dorado there is only really one inexplicable thing within the plot. Miguel and Tulio plausibly bluff their way through or slip out of most situations. However, I’d never figured out why the volcano actually stops erupting when Tulio commands it.
The conclusion I finally came up with is that the actual gods were watching their big entrance go down, and thought “oh, this’ll be hilarious”
theres a lot of evidence throughout the movie to say that the armadillo (whose name is bibo) is a god.
they first find him in the jungle, where an armadillo has no business being
they find the entrance to the city, while being followed by him
he is present when the volcano starts to erupt (previous concept art also showed him in the background actually stopping the eruption)
miguel and tulio sucked ass at the ball game, so they used Bibo as a ball. He ricocheted himself all over the place and defied physics to get into the hoop every time
they come up with the flood plan to stop cortez when bibo pushed a glass over in front of them
YOUR TELLING ME THEY USED GOD AS A BASKETBALL?
I actually think the god wanted to be a basketball as a form of enrichment but yeah
Okay, as much as I love Rocky extending Grace's life without telling him, consider: Rocky *does* tell Grace, Grace just then somehow manages to like. Horrendously misinterpret what the treatment is actually for. Like.
Eridian Doctor: We went through the human genome and found a bunch of places with old broken DNA repair mechanisms so we came up with a gene editing therapy that fixes them in order to extend your lifespan.
Grace: *flashbacks to when Rocky found out that humans can experience long term effects from lower doses of radiation exposure and Grace wasn't being as careful as he should have been back when they first met because he still thought this was gonna be a suicide mission*
Grace (internally): Oh, so cancer prevention! Got it!
Grace: Sounds good!
*like 100 years later*
Grace: Hey Rocky, how am I not dead yet?
Rocky: ???