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@yarol2075
Archive of Our Own

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"So, what would fandom etiquette for journalists actually look like?
At the very least, it means asking permission before embedding fan art or linking directly to fan fiction in coverage. It means thinking twice before asking actors or artists to react to ships or explicit fan creations. It means considering whether a fan reasonably expected their work to stay within the community it was made for. Most importantly, it means treating fandom spaces like real places inhabited by real people, many of whom seek out these spaces precisely because they offer a sense of belonging they may not find elsewhere.
Fandom does not need to remain in the margins to deserve respect. But if journalists are going to cover this subject, and we should, we have to be willing to approach these spaces with the same care, ethics, and nuance we would bring to any other community. Because behind every fic or piece of fan art is someone saying, 'This mattered to me.' Did it matter to you too?"
Crystal Bell - "The Pitt" fans aren't happy with journalists. We need real etiquette when reporting on fandom" Teen Vogue, April 9, 2026
Who else has thousands of ideas but unfortunately your mortal form is constantly at 'low battery' energy levels?
Reblog if Fan Fics are just as valid as Fan Art
Affirmation for writers, please!!
Likes do nothing!!
Hey someone suggested I use ChatGPT to figure out adulting today, and as I was going through the mental list of places I'd rather look, I realized "beloved strangers on Tumblr dot net" was on that list.
So if you have an aspect of adulting that you're really good at-taxes, budgeting, cooking, insurance, credit, time management, house upkeep, anything-please feel free to reblog with any tips.
Not me, but @bitchesgetriches has a lot of great resources for many of these topics on their website.
That's us! Professional internet adults, specializing in financial stuff! We recommend starting with our Grand List of All Articles, or one of our Masterposts:
MASTERPOST: Everything You Need To Know About Taxes
MASTERPOST: Everything You Need to Know about How to Increase Your Income
MASTERPOST: Everything You Need to Know about Retirement and How to Retire
MASTERPOST: Everything You Need to Know about Credit and Credit Cards
MASTERPOST: Everything You Need to Know about Investing for Beginners
MASTERPOST: Everything You Need to Know about How to Pay off Debt
MASTERPOST: Everything You Need To Know About Living Independently for the First Time
MASTERPOST: Everything You Need to Know about Repairing Our Busted-Ass World
MASTERPOST: Everything You Need to Know about Self-Care
MASTERPOST: Everything You Need to Know about Getting a Job, Raise, or Promotion
MASTERPOST: Everything You Need to Know about Saving Money and Being Frugal

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This photo should give you a good idea of the massive scale of the Destroyah suit.
I want one for my next birthday.
"Don't bother opening the door, I'll make my own."
WRATH OF DAIMAJIN (1966)
I don't know I'm not done talking about it. It's insane that I can't just uninstall Edge or Copilot. That websites require my phone number to sign up. That people share their contacts to find their friends on social media.
I wouldn't use an adblocker if ads were just banners on the side funding a website I enjoy using and want to support. Ads pop up invasively and fill my whole screen, I misclick and get warped away to another page just for trying to read an article or get a recipe.
Every app shouldn't be like every other app. Instagram didn't need reels and a shop. TikTok doesn't need a store. Instagram doesn't need to be connected to Facebook. I don't want my apps to do everything, I want a hub for a specific thing, and I'll go to that place accordingly.
I love discord, but so much information gets lost to it. I don't want to join to view things. I want to lurk on forums. I want to be a user who can log in and join a conversation by replying to a thread, even if that conversation was two days ago. I know discord has threads, it's not the same. I don't want to have to verify my account with a phone number. I understand safety and digital concerns, but I'm concerned about information like that with leaks everywhere, even with password managers.
I shouldn't have to pay subscriptions to use services and get locked out of old versions. My old disk copy of photoshop should work. I should want to upgrade eventually because I like photoshop and supporting the business. Adobe is a whole other can of worms here.
Streaming is so splintered across everything. Shows release so fast. Things don't get physical releases. I can't stream a movie I own digitally to friends because the share-screen blocks it, even though I own two digital copies, even though I own a physical copy.
I have an iPod, and I had to install a third party OS to easily put my music on it without having to tangle with iTunes. Spotify bricked hardware I purchased because they were unwillingly to upkeep it. They don't pay their artists. iTunes isn't even iTunes anymore and Apple struggles to upkeep it.
My TV shows me ads on the home screen. My dad lost access to eBook he purchased because they were digital and got revoked by the company distributing them. Hitman 1-3 only runs online most of the time. Flash died and is staying alive because people love it and made efforts to keep it up.
I have to click "not now" and can't click "no". I don't just get emails, they want to text me to purchase things online too. My windows start search bar searches online, not just my computer. Everything is blindly called an app now. Everything wants me to upload to the cloud. These are good tools! But why am I forced to use them! Why am I not allowed to own or control them?
No more!!!!! I love my iPod with so much storage and FLAC files. I love having all my fics on my harddrive. I love having USBs and backups. I love running scripts to gut suck stuff out of my Windows computer I don't want that spies on me. I love having forums. I love sending letters. I love neocities and webpages and webrings. I will not be scanning QR codes. Please hand me a physical menu. If I didn't need a smartphone for work I'd get a "dumb" phone so fast. I want things to have buttons. I want to use a mouse. I want replaceable batteries. I want the right to repair. I grew up online and I won't forget how it was!
glad this post is resonating with the local populace fr
bro i LOVE indigenous fusion music i love it when indigenous people take traditional practices and language and apply them in new cool ways i love the slow decay and decolonisation of the modern music industry
I WILL !!! I WILL DO THAT
some of my favourite indigenous artists, in no particular order:
Inuit artists:
the jerry cans (esp their album Inuusiq)
beatrice deer
twin flames
MÄori artists:
jordyn with a why
Indigenous australian artists:
tilly tjala thomas (i particularly love ngai yurlku nhiina)
kardajala kirridarra (srlsly check out ngajabu (Grandmother's Song))
i've also heard good things abt Baker Boy, but i haven't checked out his stuff yet
Another one for Inuit artists is Piqsiq! Two sisters whoāve been doing traditional throat singing since they were kids. They make some really gorgeous, eerie, atmospheric stuff. Highly recommend watching this video of them performing live a cappella using a looping machine, because they might be the coolest people on the planet actually
(Jo March nearly in tears voice) women,,,,
For anyone into North Asian and Central Asian folk music, there's this incredible Siberian folk-pop band called Otyken! The group is mostly women and they're from multiple indigenous groups in Siberia, with songs being sung in their range of different languages. They're so much fun and their music videos are amazing!
i'll go ahead and recommend The Halluci Nation (formerly known as A Tribe Called Red), an EDM group from First Nations Ontario that do really cool fusions of First Nations music with dubstep, moombahton, and hip hop.
I really really really appreciate people who share videos on posts like these, because almost without a doubt every time I love the music but Iāve never got the spoons to click on links and look through a bunch of music or worse google the artist I always end up too overwhelmed to start and I hate that
Haven't seen Belle Sisoski here yet so here we go: she's the current Artist of Year for BURO impact Awards. She's from Malaysia and knows how to play an insane amount of ethnic instruments and mixes them with her own voice. She does covers and her own songs, mixes ethnic instruments with Techno and shows the process. And she's also a live DJ at 19!
And one of her own:
Oh and of course there's also the HU and Bloodywood for people who like more rock and metal mixed in:
1876 is a Pow Wow punk rock band from Portland, Oregon
Alien Weaponry is an awesome MÄori metal band
Darkaside is a Papuan metal band
Shepherds Reign is a Samoan metal band
Ts'msyen (pacific northwest coast) black metal
I also want to recommend King Stingray here! They describe their work as YolÅu surf rock
Lenin Tamayo, Quechua pop singer.
And of course I can't not add Mari Boine (SƔmi) to a post like this:
And Arvvas, who I think have moved on to other things but did mashups of SƔmi traditional singing and jazz:

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funforahermit requested: Kerr Avon + Profiles
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersāand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itāher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"āessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesāthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageāa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureācredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionāomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesāreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenāinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Images that go fucking hard part1
These images for Himistu Sentai Gorenger and JAKQ Dengekitai probably drawn by Shotaro Ishinomori
These images go fucking hard
I think about this like once a day
I have heard a variant on it that I really like: "You cannot hate yourself into someone you can love."
you should get a second evening for reading fan fiction. And you should get an extra day in the week to do arts and crafts.

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it would suck being a new immortal. like itād be 2109 and people would go,Ā āwhat was it like seeing ancient civilizations rise and fall like that? seeing the pyramids being built? watching the expansion and growth of the new world?ā and iād just be like,Ā ānoā¦no i was born in 1991. so like, wow iām gonna see some cool stuff, but, i mean iām not that much older than just a really, really old person, you know? phones were big back then. so big. but only for like ten years, then they got like, as good as they are now. uh. rhinos existed. donāt think i ever saw one in person. cool, good talk.ā
even worse, imagine being an immortal who keeps missing stuff.Ā āWhat was it like seeing the pyramids being built?ā āFuck if I know, I was in Madagascar.ā āOh, okay. Well, how was the Renaissance?ā āI fell down a hole in Scotland and people thought I was an enchanted well for four hundred years, it was over by the time I convinced someone to get me out.ā
And now, a lesson in biases:
We barely know anything about Madagascar pre-500CE. We donāt even know whether the island had a permanent population before then, despite finding a bunch of much older signs of temporary human presence.
Malagasy mythology makes mention of the vazimba, a āprecursorā ethnic group that might or might not be distinct from Madagascarās current population.
The point is, we do not know.
So you were in Madagascar when the pyramids were being built in Egypt, i.e. during one of the most obscure, most undocumented parts of Madagascarās human history?
Oh, buddy, you better go and make a bunch of anthropologists and archeologists really happy RIGHT NOW instead of feeling bad about missing everyone elseās pet Major Event.
Itās been a decade since we left that comment and you have the best reply anyoneās left to it.
why I mostly write one shots š I donāt always remember all the details of the things I wrote in my previous chapters
Doā¦do you not reread your own fic before updating it?