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Love Begins

tannertan36
Not today Justin
Three Goblin Art
let's talk about Bridgerton tea, my ask is open

titsay
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć
we're not kids anymore.
Peter Solarz

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Discoholic šŖ©
Claire Keane
sheepfilms
tumblr dot com
Stranger Things
macklin celebrini has autism
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⣠Chile in a Photography ā£
occasionally subtle
trying on a metaphor
seen from Netherlands

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@yarol2075
Archive of Our Own

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bro i LOVE indigenous fusion music i love it when indigenous people take traditional practices and language and apply them in new cool ways i love the slow decay and decolonisation of the modern music industry
I WILL !!! I WILL DO THAT
some of my favourite indigenous artists, in no particular order:
Inuit artists:
the jerry cans (esp their album Inuusiq)
beatrice deer
twin flames
MÄori artists:
jordyn with a why
Indigenous australian artists:
tilly tjala thomas (i particularly love ngai yurlku nhiina)
kardajala kirridarra (srlsly check out ngajabu (Grandmother's Song))
i've also heard good things abt Baker Boy, but i haven't checked out his stuff yet
Another one for Inuit artists is Piqsiq! Two sisters whoāve been doing traditional throat singing since they were kids. They make some really gorgeous, eerie, atmospheric stuff. Highly recommend watching this video of them performing live a cappella using a looping machine, because they might be the coolest people on the planet actually
(Jo March nearly in tears voice) women,,,,
For anyone into North Asian and Central Asian folk music, there's this incredible Siberian folk-pop band called Otyken! The group is mostly women and they're from multiple indigenous groups in Siberia, with songs being sung in their range of different languages. They're so much fun and their music videos are amazing!
i'll go ahead and recommend The Halluci Nation (formerly known as A Tribe Called Red), an EDM group from First Nations Ontario that do really cool fusions of First Nations music with dubstep, moombahton, and hip hop.
I really really really appreciate people who share videos on posts like these, because almost without a doubt every time I love the music but Iāve never got the spoons to click on links and look through a bunch of music or worse google the artist I always end up too overwhelmed to start and I hate that
Haven't seen Belle Sisoski here yet so here we go: she's the current Artist of Year for BURO impact Awards. She's from Malaysia and knows how to play an insane amount of ethnic instruments and mixes them with her own voice. She does covers and her own songs, mixes ethnic instruments with Techno and shows the process. And she's also a live DJ at 19!
And one of her own:
Oh and of course there's also the HU and Bloodywood for people who like more rock and metal mixed in:
1876 is a Pow Wow punk rock band from Portland, Oregon
Alien Weaponry is an awesome MÄori metal band
Darkaside is a Papuan metal band
Shepherds Reign is a Samoan metal band
Ts'msyen (pacific northwest coast) black metal
I also want to recommend King Stingray here! They describe their work as YolÅu surf rock
Lenin Tamayo, Quechua pop singer.
And of course I can't not add Mari Boine (SƔmi) to a post like this:
And Arvvas, who I think have moved on to other things but did mashups of SƔmi traditional singing and jazz:
funforahermit requested: Kerr Avon + Profiles
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersāand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itāher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"āessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesāthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageāa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureācredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionāomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesāreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenāinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Images that go fucking hard part1
These images for Himistu Sentai Gorenger and JAKQ Dengekitai probably drawn by Shotaro Ishinomori
These images go fucking hard

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I think about this like once a day
I have heard a variant on it that I really like: "You cannot hate yourself into someone you can love."
you should get a second evening for reading fan fiction. And you should get an extra day in the week to do arts and crafts.
it would suck being a new immortal. like itād be 2109 and people would go,Ā āwhat was it like seeing ancient civilizations rise and fall like that? seeing the pyramids being built? watching the expansion and growth of the new world?ā and iād just be like,Ā ānoā¦no i was born in 1991. so like, wow iām gonna see some cool stuff, but, i mean iām not that much older than just a really, really old person, you know? phones were big back then. so big. but only for like ten years, then they got like, as good as they are now. uh. rhinos existed. donāt think i ever saw one in person. cool, good talk.ā
even worse, imagine being an immortal who keeps missing stuff.Ā āWhat was it like seeing the pyramids being built?ā āFuck if I know, I was in Madagascar.ā āOh, okay. Well, how was the Renaissance?ā āI fell down a hole in Scotland and people thought I was an enchanted well for four hundred years, it was over by the time I convinced someone to get me out.ā
And now, a lesson in biases:
We barely know anything about Madagascar pre-500CE. We donāt even know whether the island had a permanent population before then, despite finding a bunch of much older signs of temporary human presence.
Malagasy mythology makes mention of the vazimba, a āprecursorā ethnic group that might or might not be distinct from Madagascarās current population.
The point is, we do not know.
So you were in Madagascar when the pyramids were being built in Egypt, i.e. during one of the most obscure, most undocumented parts of Madagascarās human history?
Oh, buddy, you better go and make a bunch of anthropologists and archeologists really happy RIGHT NOW instead of feeling bad about missing everyone elseās pet Major Event.
Itās been a decade since we left that comment and you have the best reply anyoneās left to it.
why I mostly write one shots š I donāt always remember all the details of the things I wrote in my previous chapters
Doā¦do you not reread your own fic before updating it?

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The person I reblogged this from deserves to be happy.
When ranchers in Utah's Rich County found eighteen sheep killed in March 2022, they assumed coyotes. USDA Wildlife Services flew a plane over the kill site and found something feeding on the carcasses that had only been confirmed in the state eight times in forty years. It was a wolverine. Utah sits at the extreme southern margin of the wolverine's North American range. The animal is built for the deep snow and high alpine of Montana, Idaho, and Wyoming, country above ten thousand feet where the winters last eight months and the terrain rejects everything that is not specifically engineered to survive it. A wolverine showing up in Utah's ranch country was not a routine predator complaint. It was a biological event. State wildlife managers had no protocol for it because they had never needed one. Biologists set specialized barrel traps near the sheep carcasses. Catching a wolverine in a live trap is considered one of the most difficult captures in North American wildlife management. The animal is trap-smart, solitary, covers enormous distances daily, and operates almost exclusively in terrain that humans struggle to access on foot. The odds of a wolverine walking into a barrel trap were close to zero. The next morning, a sheepherder found one of the trap doors dropped. Inside was a healthy, twenty-eight-pound male, estimated at three to four years old. It was the first wolverine ever live-captured by biologists in Utah's history. The team sedated him, packed his body in ice to keep his core temperature stable during the examination, fitted him with a GPS tracking collar, and released him into the deep snow of the Uinta Mountains. For researchers who had spent careers studying an animal they almost never got to see, that collar was the first real-time data source on wolverine movement the state had ever produced. The data that came back over the next twenty-five days confirmed what wolverine biologists in other states had documented but Utah had never been able to verify on its own ground. The animal logged over 195 miles of travel in less than a month. He did not drift south toward lower elevations or leave the state. He locked into the high peaks of the Uintas above ten thousand feet and ran massive looping circuits through avalanche chutes, rocky ridgelines, and snowfields deep enough to bury a man standing upright. The daily distances he covered would qualify as an endurance event for a human athlete on flat ground. He was doing it through the most physically punishing terrain in the state, in winter, alone, at elevation, without stopping. The eighteen dead sheep that started the whole sequence were never repeated. The wolverine moved into the high country and stayed there, operating in a landscape so remote and so hostile that the only evidence of his existence was the GPS signal pinging coordinates from ridgelines that no person had visited in months. The collar proved what the forty years of scattered sightings could only suggest. The wolverine was not passing through Utah. It was living there, quietly covering nearly two hundred miles of frozen alpine rock in less than a month, completely invisible to every human being in the state.
Source: Utah Division of Wildlife Resources / USDA Wildlife Services
@elodieunderglass
Wolverine - the relentless! Greatest of all mustelids, kindly childā¦
Joy and whimsy detected! This post is joyful and whimsicalš«§
(Source)
Guys, heās at it againā¦
19. Equilibrium (noun) a state in which opposing forces or influences are balancedĀ Ao3 link here A/N: This is the last chapter that I will be posting, the 20th and final chapter will be posted by Sineater. Thank you so very, very, very much to everyone who's been commenting and reposting. I cannot tell you how valuable and how encouraging those comments have been - both on this story and everything leading up to it - from the wonderful paragraphs of break downs and delving into the themes, to the howls and wails and key-smashes with generous lashings of exclamation marks that had us giggling with sheer glee. Thank you so very much for all of them. I also want to say thank you to my darling Hubby for his support (and wide-eyed looks when I've cackled over something), to @the-original-sineater for letting me lure her into what was supposed to be her 'first and last' CSaTM story and for the many, many hours of plotting, scheming, cackling, and writing together we've had since, to Womble1, Tikatu, and AmosAcker for so gleefully adding to this tapestry, and most of all to @janetm74 for listening when the muse first nibbled, then weaving together this saga, and letting us come and play in it. None of this would have existed without you, so thank you so very, very much.
š„¹
Awh!

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An important tweet
This is such a "common sense" way of putting it. Everybody memorize this for spitting it back out whenever needed.
Never thought I'd have the opportunity to say this again: Reducing women and girls to their vaginas and then forcing them to show those vaginas to strangers is not a feminist ideal.
This is the Candlelight Sculpture (you can see the candle here) in Guanzhou Yuexiu Park, a sculpture garden in Guanzhou, China.
And that is an orange kitty sitting EXACTLY how Polk props herself up on my chest to sleep every night.