this is one of my favorite quotes of all time

note: to calculate tarabala, you must count (inclusively) how far away a nakshatra is from any given nakshatra; for instance, magha is nine away from bharani — the ninth tarabala aspect is known as atimitra tara, akin to a best friend, the most beloved. after nine, the tenth nakshatra gets counted as one, and so on. in this manner, mula and ashwini are also considered atimitra to bharani and the other two vimshottari venus-ruled nakshatras.

the traditional planetary friendships and enemies are used in relation to the the twelve rashis or zodiac signs, and do not coincide with tarabala aspects. for instance, the sun-ruled nakshatras consider the venus nakshatras as atimitra, best friends, and sun nakshatras are sampat (providing ease and enrichment) to the venus nakshatras, making it a mutually beneficial relationship. whereas traditionally, sun and venus are considered enemy planets. tarabala can be used to look at the interplay & dynamics between nakshatras in a birth chart or in synastry

we can see if planets at birth or in transit will give positive or challenging results based on their tarabala (in reference to the moon's nakshatra); for example, planets in sampat tara (the 2nd, 11th and 20th nakshatra from the moon) will considerably amplify results delivered by said planet. the same concept applies to planets in transits as well as the other eight types of tarabala (star strength)

(in the following list '1' refers to the same nakshatra and the two nakshatras which trine it, '2' refers to the following nakshatra and the nakshatras that trine it, '3' refers to the third nakshatra away and its trine nakshatras, and so on and so forth. for venus nakshatras, the second nakshatra away (sampat tara) will be a sun-ruled nakshatra, for mars it will be rahu, etc)

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉﹉

the nine tarabala categories

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈ ┈

(1) janma tara; co-born, of the same kind, quality, nature. nakshatras which trine your janma (birth) nakshatra will give long lasting results as they are bound to you by birth

competition & rivalry may be present due to inherent similarities between these nakshatras

positive tarabala (2, 4, 6, 8, 9 nakshatras away)

(2) sampat tara; nakshatras of this tara category bring affluence, enjoyment, prosperity, wealth, good fortune to the original nakshatra; one meaning of sampat is 'the act of coming together'

(4) kshema tara; nakshatras of this category provide comfort, security, relief, protection; results here can be sudden/unexpected yet generally beneficial

(6) sādhak tara; progress, achievement or attainment of one's goals; worship, adoration. planets here support the fulfillment of one's goals & desires through willful consistently applied effort

(8) mitra tara; a friend, ally, companion to the original nakshatra

(9) paramitra or atimitra tara; best friend. the prefix para means supreme, highest or absolute & the prefix ati means very, extremely, exceedingly or beyond

atimitra = an extremely good friend or beyond friendship, a lover

challenging tarabala (3, 5, 7 nakshatras away)

(3) vipat tara; draining resources, spending, adversity, obstacles; vipat also means 'to be divided or separated'

(5) pratyak tara; moving backwards or in the opposite direction; against or contrary to - may seem attractive or promising initially

(7) naidhana tara; related to the 8th house of death, endings, destruction, transformation; there may be sudden and traumatic endings to the things signified by planets in this tara category

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉

ketu-ruled nakshatra tarabala

[ashwini, magha, mula]

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈

(1) janma tara — ☋ ashwini, magha, mula

positive tarabala

(2) sampat tara — ♀bharani, purva phalguni, purva ashadha

(4) kshema tara — ☽ rohini, hasta, shravana

(6) sadhak tara — ☊ ardra, swati, shatabhisha

(8) mitra tara — ♄ pushya, anuradha, uttara bhadrapada

(9) atimitra tara — ☿ ashlesha, jyeshtha, revati

challenging tarabala

(3) vipat tara — ☉ krittika, uttara phalguni, uttara ashadha

(5) pratyak tara — ♂️mrigashira, chitra, dhanishta

(7) naidhana tara — ♃ punarvasu, vishaka, purva bhadrapada

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉

venus-ruled nakshatra tarabala

[bharani, p. phalguni, p. ashadha]

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈

(1) janma tara — ♀bharani, purva phalguni, purva ashadha

positive tarabala

(2) sampat tara — ☉ krittika, uttara phalguni, uttara ashadha

(4) kshema tara — ♂️mrigashira, chitra, dhanishta

(6) sadhak tara — ♃ punarvasu, vishaka, purva bhadrapada

(8) mitra tara — ☿ ashlesha, jyeshtha, revati

(9) atimitra tara — ☋ ashwini, magha, mula

challenging tarabala

(3) vipat tara — ☽ rohini, hasta, shravana

(5) pratyak tara — ☊ ardra, swati, shatabhisha

(7) naidhana tara — ♄ pushya, anuradha, uttara bhadrapada

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉

sun-ruled nakshatra tarabala

[krittika, u. phalguni, u. ashadha]

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈

(1) janma tara — ☉ krittika, uttara phalguni, uttara ashadha

positive tarabala

(2) sampat tara — ☽ rohini, hasta, shravana

(4) kshema tara — ☊ ardra, swati, shatabhisha

(6) sadhak tara — ♄ pushya, anuradha, u. bp

(8) mitra tara — ☋ ashwini, magha, mula

(9) atimitra tara — ♀bharani, purva phalguni, purva ashadha

challenging tarabala

(3) vipat tara — ♂️mrigashira, chitra, dhanishta

(5) pratyak tara — ♃ punarvasu, vishaka, purva bhadrapada

(7) naidhana tara — ☿ ashlesha, jyeshtha, revati

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉

moon-ruled nakshatra tarabala

[rohini, hasta, shravana]

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈

(1) janma tara — ☽ rohini, hasta, shravana

positive tarabala

(2) sampat tara — ♂️mrigashirsha, chitra, dhanishta

(4) kshema tara — ♃ punarvasu, vishaka, purva bhadrapada

(6) sadhak tara — ☿ ashlesha, jyeshtha, revati

(8) mitra tara — ♀bharani, purva phalguni, purva ashadha

(9) atimitra tara — ☉ krittika, uttara phalguni, uttara ashadha

challenging tarabala

(3) vipat tara — ☊ ardra, swati, shatabhisha

(5) pratyak tara — ♄ pushya, anuradha, uttara bhadrapada

(7) naidhana tara — ☋ ashwini, magha, mula

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉

mars-ruled nakshatra tarabala

[chitra, mrigashira, dhanishta]

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈

(1) janma tara — ♂️ mrigashira, chitra, dhanishta

positive tarabala

(2) sampat tara — ☊ ardra, swati, shatabhisha

(4) kshema tara — ♄ pushya, anuradha, uttara bhadrapada

(6) sadhak tara — ☋ ashwini, magha, mula

(8) mitra tara — ☉ krittika, uttara phalguni, uttara ashadha

(9) atimitra tara — ☽ rohini, hasta, shravana

challenging tarabala

(3) vipat tara — ♃ punarvasu, vishaka, purva bhadrapada

(5) pratyak tara — ☿ ashlesha, jyeshtha, revati

(7) naidhana tara — ♀bharani, purva phalguni, purva ashadha

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉

rahu-ruled nakshatra tarabala

[ardra, swati, shatabhisha]

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈

(1) janma tara — ☊ ardra, swati, shatabhisha rahu

positive tarabala

(2) sampat tara — ♃ punarvasu, vishaka, purva bhadrapada

(4) kshema tara — ☿ ashlesha, jyeshtha, revati

(6) sadhak tara — ♀bharani, purva phalguni, purva ashadha

(8) mitra tara — ☽ rohini, hasta, shravana

(9) atimitra tara — ♂️mrigashira, chitra, dhanishta

challenging tarabala

(3) vipat tara — ♄ pushya, anuradha, uttara bhadrapada

(5) pratyak tara — ☋ ashwini, magha, mula

(7) naidhana tara — ☉ krittika, uttara phguni, uttara ashadha

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉

jupiter-ruled nakshatra tarabala

[punarvasu, vishaka, p. bhadrapada]

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈

(1) janma tara — ♃ punarvasu, vishaka, purva bhadrapada

positive tarabala

(2) sampat tara — ♄ pushya, anuradha, purva bhadrapada

(4) kshema tara — ☋ ashwini, magha, mula

(6) sadhak tara — ☉ krittika, uttara phalguni, uttara ashadha

(8) mitra tara — ♂️mrigashira, chitra, dhanishta

(9) atimitra tara — ☊ ardra, swati, shatabhisha

challenging tarabala

(3) vipat tara — ☿ ashlesha, jyeshtha, revati

(5) pratyak tara — ♀bharani, purva phalguni, purva ashadha

(7) naidhana tara — ☽ rohini, hasta, shravana

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉

saturn-ruled nakshatra tarabala

[pushya, anuradha, u. bhadrapada]

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈

(1) janma tara — ♄ pushya, anuradha, purva bhadrapada

positive tarabala

(2) sampat tara — ☿ ashlesha, jyeshtha, revati

(4) kshema tara — ♀bharani, purva phalguni, purva ashadha

(6) sadhana tara — ☽ rohini, hasta, shravana

(8) mitra tara — ☊ ardra, swati, shatabhisha

(9) atimitra tara — ♃ punarvasu, vishaka, purva bhadrapada

challenging tarabala

(3) vipat tara — ☋ ashwini, magha, mula

(5) pratyak tara — ☉ krittika, uttara phalguni, uttara ashadha

(7) naidhana tara — ♂️mrigashira, chitra, dhanishta

﹉﹉﹉﹉﹉୨♡୧﹉﹉﹉﹉﹉

mercury-ruled nakshatra tarabala

[ashlesha, jyeshtha, revati]

┈ ┈ ┈ ┈ ୨♡୧ ┈ ┈ ┈ ┈

(1) janma tara — ☿ ashlesha, jyeshtha, revati

positive tarabala

(2) sampat tara — ☋ ashwini, magha, mula

(4) kshema tara — ☉ krittika, uttara phalguni, uttara ashadha

(6) sadhana tara — ♂️ mrigashira, chitra, dhanishta

(8) mitra tara — ♃ punarvasu, vishka, purva bhadrapada

(9) atimitra tara — ♄ pushya, anuradha, uttara bhadrapada

challenging tarabala

(3) vipat tara — ♀ bharani, purva phalguni, purva ashadha

(5) pratyak tara — ☽ rohini, hasta, shravana

Note: During the specified ages for each nakshatra, the nakshatra themes or the planetary themes residing in that nakshatras will be played out prominently.

Book : Timing of events using nadi nakshatras by Sunil John.

Ashwini - Ages 24, 46 and 62.

Bharani - 28, 33 and 51.

Krittika - 7, 14, 30 and 71.

Rohini - 11, 36 and 83.

Mrigashira - 25, 34 and 50.

Ardra - 15, 24 and 37.

Punarvasu - 30, 40 and 86.

Pushya - 24, 33 and 65.

Ashlesha - 17, 30 and 41.

Magha - 18, 31 and 52.

Purva Phalguni - 24, 29 and 37.

Uttara Phalguni - 9, 18 and 35.

Hasta - 6, 24 and 68.

Chitra - 5, 32 and 69.

Swati - 22, 30 and 55.

Vishaka - 33, 39 and 60.

Anuradha - 26, 37 and 44.

Jyestha - 7, 24 and 36.

Mula - 25, 30 and 64.

Purva ashada - 8, 30 and 64.

Uttara ashada - 12, 36, 44 and 72.

Shravana - 15, 35 and 41.

Dhanishta - 27, 45 and 73.

Satabhisha - 28, 35, 42 and 68.

Purva bhadrapada - 18, 24, 45 and 65.

Uttara bhadrapada - 19, 24, 64 and 75.

Mars in Pisces (especially Uttara Bhadrapada) was by far the MOST common placement

Mars in 7th house

Jupiter in Pushya or Krittika (goat yonis)

Ketu conjunct Venus or Ketu in 7th house

Jupiter influencing the Moon somehow

Sidereal Virgo on the Sun, Moon, or ASC; doesnt matter the nakshatra

Jupiter influencing Mars somehow

—

A lot of these placements make sense. For example, sidereal Virgo men commonly being gay because the planet Venus represents women and Virgo is the debilitation of Venus. So a simple interpretation of this is that the debilitating energy of Venus in Virgo on men quite literally makes them averse to women, especially in a sexual or romantic capacity as Venus is also a planet representing sex and romance.

AA verified Mrigashira Sun, Shravana Moon and Anuradha Ascendant Cameron Russell is an internationally acclaimed fashion model and she agrees with me. ⬆️

Indeed there is such a thing as "charisma" and there definitely is such a thing as "glamour". Those are means of attraction and seduction, respectively. Moths flock to blazing flames while prey become instantly still within a serpent's gaze.

That's certainly NOT beauty.

As a completely objective third party constantly observing the sexual dimorphism & physiognomical dichotomy that both men and women love to exaggerate in order to create tension/polarity, I can safely conclude that in most scenarios, people desire what they perceive to be their opposite. They're merely drawn to what they think they lack. It's honestly nothing special, when you think about it.

So, I would suggest you have FUN with your physical appearance instead. Why waste your time pondering anothers' "preferences"? Play with your gender expressions instead. Enjoy the process. Do it alone and not for anyone else's sake. Do what you will with your natural form and then see what that experience entails. It could even be newfound friends that complement your actual personality in all the right ways. Trust me, such a polarity is MUCH MORE fulfilling. It could even be eager new clients who benefit from simply being in your presence. It may be brand new networks/circles where you're accepted for who you truly are. Or other platonic connections that further enrich you.

You don't need to be known as beautiful to every pair of eyes you encounter. We already know it's not that serious but let's be real, it still remains a plague in our modern times. Just remind yourself that you are meant to always communicate your inner world, inspirations and internal essence outwards. Don't hide yourself. We're here to co-exist. That's all there is to it. We don't need accolades or titles to validate our appearances. Your body should obey your mind and your mind must obey your soul.

(But of course if you build your career around your looks, then yeah, you must absolutely prioritise it. Under such circumstances, "beauty" becomes serious business because it's your livelihood. It's WORK. Otherwise, just have fun with it and don't invest too much of yourself into it.)

Just in case, if it helps people, I'll also share that in the countries I've lived, Dhanishta women and Revati men are the ones always admired and adored for their physical disposition but NOT necessarily for their so-called "beauty". I'm talking about natives who are commonfolk everyday laypeople with no desire for fame or a following. Dhanishta women & Revati men may not even be conventionally attractive but you can always tell that they're tangibly embodying who they truly are from the inside. Everyone delights in their presence. Their gait, their smile, their quirks, their vocal tones... NONE of it is carefully calculated.

They're simply at ease. They don't try hard (or even at all) and yet, they garner so much public adulation. Even as a "regular-degular" person. Again, I'm referring to normies who aren't lauded as "beauty icons" (nor do they strive to be).

Perhaps, THAT is what beauty is. Authenticity. Hence, when people perceive you, they're noticing YOU. NOT your face or body but something beyond. The human anatomy is just a vessel, a tool we use to form external unions.

Fascinatingly, Venus's deepest exaltation is in Revati and Mars's deepest exaltation is in Dhanishta. Perhaps, assmiliating all that you believe to be your "opposite" into YOURSELF is what you should be focusing on -- instead of trying to further accentuate an already alienating gender duality. Mars is "masculine" while Venus is "feminine". Perhaps, breaking down these illusory barriers in our minds and trying out novelties or activities & approaches that we wouldn't even have otherwise considered is the ultimate solution (to heal our festering insecurities).

Becoming whole is what beauty truly means. A man who embraces his genuine vulnerabilty/sensitivity & passions (NOT his gigachad vanity) and a woman who awakens the courage of a lioness lying dormant within her are the people worth our attention.

Alice Walker has Dhanishta Sun.

What emerges then occurs in Aries, whose glyph also resembles a sprout but a sprout emerges from a seed, and a seed must first be planted before anything can grow from it. Semen is often called a seed and just as a seed is planted into soil, semen is “planted” into the egg of the fallopian tube and once that egg has been fertilized then it moves to the womb to gestate. Where is the fallopian tube, egg and womb all located? These are all located in women’s reproductive systems. The glyph of Aries happens to resemble the female reproductive system, which Bharani nakshatra can be found to be in the sign of Aries and has the Yoni (the birth canal, the yoni in the physical, a physical doorway, a physical portal) as one of its symbols.

Bharani’s yoni pair, Revati (who symbol is a fish swimming through cosmic waters), on the other hand, is located in Pisces. Revati’s deva is Pushan, the one who protects travelers, including souls journeying toward their destination. Remember how I mentioned earlier that semen (the seed, the fish, the soul) travels through the fallopian tube to the egg and the egg moves to the womb to gestate. Well in this symbolism, the womb becomes the destination in which the soul can birth into the world (the unseen to seen) through the yoni (physical doorway and portal).

This was a nightmare. It starts as excitement that there are so many different ways to classify the nakshatras, then it sort of turns into a bit of overwhelm. The big thing I'm missing is the deities, which I plan to add on later. I will have to do separate notes on all the deities/gods to make sure I'm getting the appearances right.

I will probably leave certain things out like the gender categorical system, birds, trees, gemstones. I probably didn't need to bother making a chart for the directions/movements. Might also expand on existing notesheets if needed.

I'm going to pull my hair out if I come to realize later that I messed some things up.

Alltogether:

Being an Uttarabhadrapada feels like arriving just a few seconds too late to catch a train and instead of expending energy by running to catch up, you watch it pass and walk or slow down and stay still, waiting for the next. Being a cow yoni and Saturn ruled nakshatra, our movement is slower than those around us (which is usually intentional anyways) so the sense of urgency that so many people feel naturally goes against our desire to go at a self-directed pace, internally and externally. I don't know if this has been correlated before so don't credit me, but cows are called "ruminators" because their digestive system needs to be processed multiple times before they can fully absorb what they’ve eaten. I think that fits well with how UBPs process their emotions and digests subconscious material.

Uttarabhradapadas witness life from a non-linear, somewhat “depersonalized” state. Our active participation is way more passive than those around us normally which is why we’re perceived as unreachable to others (there, yet not quite). We’re aren’t very overt people either, doesn't mean we're dispassionate or indifferent, we care very much which is exactly why we have to somewhat distance ourselves energetically. I think we also just tend to get swept up in feelings—Ours, others' feelings, your's, their's, the living, the dead, feelings from the past, feelings yet to come, etc. (never-ending feelings.)

When feelings and experiences (especially ones that brought pain) go unaddressed and becomes internalized, UBPs can act out in very volatile, corrupt ways—Our internal chaos externalizes pretty evidently. One of the biggest signs an UBP has not swam to the depths is when they do things to others in an unconscious attempt to make them feel the way others made them feel because those feelings and experiences haven’t been processed or “digested” yet—the same volatility can be self directed as well. AhirBudhnya tells us that in order to clear out a foundation that’s built on chaos, you have to swim down and then work your way back up and that the only way out of a burning basement is to go up.

Channeled Messages For The Collective

Take what resonates and leave what doesn't. These messages are timeless and may find you exactly when you need them.

You are standing between two versions of yourself right now. The person you were six months ago would not recognize the strength you've had to build in silence. Nobody talks about the grief that comes with outgrowing old versions of yourself. Nobody talks about how lonely healing can feel sometimes. How strange it is to wake up one day and realize that your old wounds no longer fit you the way they once did.This Full Moon is illuminating something important:

You are not who you used to be.

And Spirit wants you to stop looking backwards expecting to find yourself there. Some of you keep revisiting old memories, old relationships, old dreams, old disappointments. Not because you want them back, but because part of you is still searching for answers. You want closure, You want understanding and You want to know why things happened the way they did.

The message coming through is simple yet difficult to understand at some point???

You survived it(That is the answer)

Not everything was meant to make sense...Some things were meant to transform you. This moon carries an energy of emotional maturity. You're beginning to realize that peace is worth more than being right. Peace is worth more than winning. Peace is worth more than holding onto people who cannot meet you where you are. There is also a strong message about timing.Many of you feel behind. You look around and think everyone else has figured life out while you're still trying to understand where you're going.

Spirit is asking:Who told you that your journey needed to look like anyone else's?

B3cause Your path has never been ordinary. And keep in mind that the delays were not punishment..the detours were not mistakes. And Every experience was quietly shaping you into the person you're becoming.

And yes, I keep hearing this:"Stop preparing for the worst."

I feel like some of you have spent so much time surviving that you've forgotten what it feels like to expect something good. You anticipate disappointment before joy can even arrive. You assume things will fall apart before they've had a chance to come together. Spirit wants you to know that not every chapter is meant to hurt you, not every door is meant to close AND mot every person is meant to leave. You are entering a season where receiving will become just as important as giving.

Let people love you...Let opportunities find you and Let blessings arrive without immediately questioning whether you deserve them----Because you do!!!(Period)

And here's the One final message:

There is a dream in your heart that refuses to die. No matter how many times you've doubted it. No matter how many times you've tried to convince yourself to let it go. It is still there.that dream is still there because it is still connected to your path.Maybe it won't happen exactly how you imagined.Maybe it won't arrive through the door you expected.But Spirit has not forgotten what it placed inside you.Neither should you.The next chapter is asking for faith, not certainty.

Keep moving.

Keep trusting.

Keep becoming.

The moon is reminding you that even in darkness, you are still growing.

Love and Light

Her being practically mute (Pushan was mute because he had his teeth knocked out), her impish and Mercurial features and trickster behavior, her devotion to her ageless male companion Peter Pan (agelessness, which is a Bharani archetype; think of Edward in Twilight who is a Bharani native; also The Evil Queen in Snow White is Bharani, and Tuck in Tuck Everlasting is also a Bharani native and Revati and Bharani are yoni counterparts so they often share storylines in their archetypes), she also took on the role of an adopted mother figure for all of The Lost Boys and Wendy Darling which is another archetypal quality to Revati. Also, her jealousy and vindictiveness towards the female characters who try to take Peter’s attention from her.

( Note: a lot of people say Alexis Bledel is an Ashwini Moon but it’s very possible she has a Revati Moon. Her character in Tuck Everlasting is basically the same as Bella in Twilight, played by Revati Sun Kristen Stewart. They are two young and naive girls who accidentally stumble upon a family of immortal, beautiful creatures one day and she proceeds to fall madly, and dangerously, in love with one of the sons [played by a Bharani man in both films] and begs him to make her immortal too so she can be with him and his family forever due to her love and devotion to him as her companion and protector. She then has to make the life-changing choice of whether or not she wants to be mortal or immortal.)

I’ve also noticed a theme of Revati women being the biological mother or metaphorical mother to sons (specifically male) that grow up to be powerful, great leaders or historical figures. Angelina Jolie, an AA verified Revati Moon, played the mother of Alexander The Great in the 2004 movie Alexander. Annette O’Toole, who has a Revati Sun, played the adoptive mother of Clark Kent/Superman in the hit television show Smallville. Kseniya Rappoport, who can have a Revati Moon, played the mother of Oedipus in a play rendition of the fable Oedipus Rex. This nakshatra is about nourishment of children and animals via providing a safe and welcoming environment for them to grow up without prejudice, fear, and shame, etc. This is why this nakshatra is one of the nakshatras common in adopted families and “found families”, as adopted children are more vulnerable and susceptible than other children to experiencing hardship and suffering. Interestingly, Revati Sun Annette O’Toole also played Lana Lang, one of Superman’s love interests, in the original Superman movies from the 80s and 90s. Possible Revati Moon, Margot Kidder, also played Lois Lane, the main love interest of Superman in these same movies. This goes along with how I pointed out that Revati women tend to be the female companion of an ageless and protective male figure (representing the Bharani energy she is unconsciously seeking due to it being her yoni counterpart).

In the Marvel film, The Eternals, Angelina Jolie and Bharani Moon Ma Dong-Seok play immortal, superpowered magical beings that are also in a time-defying romantic relationship. Her character is an elite cosmic warrior and his character acts as her cosmic protector to take care of her when she succumbs to a magical illness that eats away at her memory. These are also two common archetypes of Revati women and Bharani women. Revati women tend to play supernatural warrior types and Bharani men tend to play fatherly figures who look over a “herd” or group of people in need; similar to Ma Dong-Seok’s character in Train To Busan.

Some Revati women who play this celestial warrior types includes Aya Hirano (Revati Moon) as the hypersexualized Lucy Heartfilia in the anime Fairy Tail, whose character quite literally has a celestial key system that allows her to magically conjure up astrology/zodiac-based protective figures to protect her and fight with her in battles; she also has a magical whip (another pattern for Revati women). Lynda Carter, Revati Moon, played a sexualized version of Wonder Woman on TV from 1975 to 1977, an ageless, celestial warrior with a magical whip. Revati Sun Naoko Matsui voiced the hypersexual character Rem in the anime Dream Hunter Rem, where she played a supernatural warrior who could enter the dreams of others to help kill their demons and change their emotions and lives by manipulating their personal dream plane. She had an array of weapons to kill the demons, which included a celestial pistol and sword and occasionally a whip-like magical entity that she could strike them with. In the anime Trese, the titular character (voiced in Tagalog by AA verified Revati Moon Liza Soberano and in English by Revati Sun Shay Mitchell) is a supernatural detective that solves crimes that involved paranormal and mythical creatures and entities that are bringing suffering to people. The character is able to jump between the human world and the supernatural world and she has two ageless male companions that are tasked with the mission of protecting her during her journey. One of my favorite childhood animes, Sugar Sugar Rune, also starred two Revati voice actresses as the main characters of Chocolat and Vanille; two celestial witch sisters that are heirs to a magical throne in a parallel world full of celestial and supernatural beings foreign to the human world. They are competing with each other to become the next Queen Witch of their world by collecting “energy” from young boys their age in the human world. The more loving and protective the young males are to Chocolat and Vanille, the more successful and abundant the two girls become in their magical skills and power.

> Mae Whitman, who has an AA verified Revati Moon, voiced Tinker Bell in the Disney Channel movies for years. Yara Shahidi, also an AA verified Revati Moon, played the live-action version of Tinkerbell in 2023’s Peter Pan & Wendy. <

This was a nightmare. It starts as excitement that there are so many different ways to classify the nakshatras, then it sort of turns into a bit of overwhelm. The big thing I'm missing is the deities, which I plan to add on later. I will have to do separate notes on all the deities/gods to make sure I'm getting the appearances right.

I will probably leave certain things out like the gender categorical system, birds, trees, gemstones. I probably didn't need to bother making a chart for the directions/movements. Might also expand on existing notesheets if needed.

I'm going to pull my hair out if I come to realize later that I messed some things up.

Alltogether:

Rohini men have broken-looking noses. Rohini women have boxy torsos with very long arms and legs, large bobble head, and average neck length. Their hair is usually extremely long and poofed or curled heavily outward around their body instead of being straight.

Vishaka women usually have cankles for some reason.

Mrigashira women have very large natural breasts. Rohini women tend to get large implants (compared to their more petite frames).

Ashwini women also tend to have large and sometimes unnatural looking breasts implants.

Dhanishtas have very large mouth areas and jaws that can kinda jut out and overwhelm the lower half of their face. Can make their head look quite large as well.

Pushya nakshatra men are the gigachad-looking dudes. Like, literally. Very hairy beards (typically very dark hair on their beards as well, even if the rest of their body hair is lighter in color), large, wide natural torsos with broad shoulders and a sort of “lurching” gait due to them typically being quite tall. Also very muscular in the torso and arms but also paradoxically quite plump and rounded skin that can make their torso look even larger than it already is. Super large, muscular heads, like that jaw be going crazyyy. Their lower body tends to be quite average actually, they don’t really bulk up in their legs as much for some reason. Ironically though, Pushya men tend to be ass guys in relationship 🤣. They love if their partner has super toned legs/lower body as well, they might even force you to go to the gym with them because lmao.

Anuradha men have long/narrow rectangular faces. Bushy eyebrows and kind of beady eyes, very little facial hair but it’s typically lighter in color than the rest of their hair. Can be short or average height. They always look worried or like they’re gonna cry tbh.

Shravana and Hasta nakshatra men have very strong dimples. Interestingly, the women of Shravana and Hasta also seem to reflect this.

Chitra women have extremely conveniently attractive features naturally, especially their noses, hair, and hip-to-waist ratios, but for whatever reason they are usually insanely nitpicky about their looks and get a lot of cosmetic procedures done throughout their lives. They also wear an insane amount of makeup, but they don’t need it. People tend to say they look worse after and unfortunately i agree; their natural looks are very desirable and modelesque. They are super obsessed with modifying their bodies, it’s actually quite sad.

Ketu nakshatra women tend to be very vigorous and dedicated to skincare routines from a very young age, because they don’t like wearing a lot of makeup and rarely get cosmetic work done as well. As a result, their skin is usually ridiculously shiny and smooth head to toe. They be wearing sunscreen all day everyday from a young age and always scrubbing their body down in the shower. Their skintone is usually quite even across their bodies as well, they are the types who rarely have hyperpigmentation and ingrown hairs/excessive hair growth because they stay on top of stuff like that. You will never see them looking scruffy and unkempt. Ashwini, Magha, Mula.

Moon nakshatra women and Cancer women always have boob jobs tbh. So Rohini, Punarvasu, Pushya, Ashlesha, Hasta, Shravana.They are obsessed with their titties and seem to have fetishes related to their chests. Makes sense because some astrologers associate the torso and chest with Cancer and the Moon. In their defense though, these women also tend to have naturally very, very flat chests so it makes sense that they become obsessed with getting implants and making them look bigger because of how society says “you’re not a real woman” if you dont have large breasts. Which is obviously not true.

Jupiter nakshatra women also tend to have quite flat chests naturally as well. It’s exalted in Cancer so makes sense. Punarvasu, Vishaka, Purva Bhadrapada.

Punarvasu men tend to have “super corny but very nice friendly white guy that says ‘oof, behind ya! ahaha!’ when they’re trying to squeeze by you in a tight grocery aisle” energy in their faces somehow even if they’re not white and i don’t know how else to explain this. Sorry, don’t ask further because I genuinely won’t know what else to say.

Jyeshta men are always wearing jet black sunglasses and chewing gum like douchebags. Have stank look on their faces.

Vishaka women can have noticeable lazy eyes.

Mercury nakshatra women always wear a bold red lipstick to any and every event, no matter what. Ashlesha, Jyeshta, Revati. Especially Jyeshta women and Revati women.

Shatabhisha women have very large (in terms of mass and height, not really fat) physiques with muscular but toned and slim look. Super wide hips, some of the widest hips on women I have ever seen were Shatabhisha women. Their ribcages are also very narrow and so enhances the width of their hips. Also have super tiny but squared heads and the ridiculously long swan neck.

Rahu nakshatra women tend to have very large foreheads for some reason. Ardra, Swati, Shatabhisha.

Mrigashira and Chitra women usually have lots of natural beauty marks on their faces that enhances their sultry looks. Dhanishta women have beauty marks as well but they are sometimes faked or excessively enhanced with cosmetics.

Shravana women have large, healthy, pearly white natural teeth that frame their more angular jaws in a very aesthetically pleasing way.

Venus energy seems to give people very unattractive and severely damaged teeth that they have to get fixed at some point. I mean like snaggleteeth, bad gums, crooked teeth, yellowing or chipping, etc not something like gaps or mild imperfections.

Bharani women’s facial features are usually quite dainty and impish. Their skin is also very tight-looking, either naturally or because they get work done to make it look extremely tight and pulled. Sometimes they look like theyre struggling to smile because of how tight their skin naturally is.

Shravana women tend to have very long and very thick, luscious hair, similar to Rohini women. The difference is more that Shravana women’s hair is usually very straight and coarse compared to Rohini’s more curly and wavy hair.

Cancer rashi people, Moon nakshatras and people with debilitated Moons seem to have issues with their hands, like very dry skin, stubby fingertips, and clubbed fingers. Moon and Mercury are enemy planets so that could be why, as Mercury is the hands and skin.

Scorpio rashi usually looks like they’re wearing makeup 24/7 because of how dark their eyelashes are. They have very strong, contrasting coloring.

Purva Phalguni men have very piercing eyes in very vibrant coloring. You can see their eyes from a mile away and its either very beautiful or kind of scary. Imagine a rat eye flashing in the pitch black darkness of night.

Magha nakshatra men have very deep voices.

Anuradha nakshatra men also have very deep voices.

Magha men always look like theyre about to cry or like they just got done crying. And they do cry a lot in real life.

Chitra men have extremely large noses and close-set beady eyes.

Saturn nakshatra men have very bad eyesight and need glasses pretty early into their adulthood.

Uttara Ashadha and Uttara Phalguni women usually have very large breasts. Can be natural or fake.

Rat yoni women also tend to have very large breasts. Can be natural or fake. Magha and Purva Phalguni.

Rohini women tend to have downturned eyes. Hasta and Shravana can them as well. Downturned eyes heavily show the bottom whites of the eyes, which can give a moony appearance that alludes to the moon waxing and waning.

Magha women have very bulging eye sockets.

Rahu women have very upturned eyes, especially Shatabhisha nakshatra.

Dhanishtas have huge, bushy eyebrows and large teeth.

Dhanishta women also tend to be very hairy on the arms and legs.

Mrigashira men are very classically handsome and even men tend to call them handsome or beautiful lol.

Krittika women tend to suffer from weight issues and are usually either very bone thin or very fat. In both cases, they are often adamant in maintaining their figure regardless of what people think.

Shravana women can have crooked faces or jaws.

Moon men are some of the hairiest men in both the face and body. Their body hair also tends to be quite dark and coarse/wavy so they look like wooly mammoths when they grow it out. I dont think they really like being hairy though so they maintain a more clean shaven look. Mars men are also very hairy but they tend to keep the more rugged and scruffy look.

I really appreciate your content ❤️‍🔥

Mars in the 8th house

Warning! 18+ content! Trigger warning: mentions of violence and s*x

Strong drive that could make you appear heated

Ability to channel your energy strongly

Strength is directed towards power and influence

Very alluring aura

Interested in paranormal or psychic phenomena and/or studying the occult

Feelings and desires are strong, high energy

Could have a talent in practising s*x magic,

High s*xdrive

Extremely intense emotions

Can successfully manage other people’s money

Possibility to inherit money

MAY BE prone to violence or aggressive emotion

Illnesses can begin suddenly

May experience true passion later in life

Fears of betrayal and loss

Good and researching, analysing and investigating

High interest in psychology (be careful not to use it against others)

Powerful intuition

Strong survival instinct

Tends to be quiet about problems. Needs to learn to open up and talk about problems, fears and emotions! This is important for the wellbeing of themselves.

how pathetic it is to never gain what you want. even worked hard for it but it's strangely refused to come within your grasp. a tragic reality for some natives is that they never get what they desired or wished for. it's like no sincere prayer is heard and they feel as if a curse has trapped them in a dusty box. close environmental circumstances constrict them whether it's academic failure, poverty, arranged marriage or a hectic job.

punarvasus at their lowest are miserable and suffering from claustrophobia since their life is caving in on them (their house, office etc). tendencies of escapism accelerate to become an instinctual habit at some point and this includes losing ourselves in those pleasurable daydreams. such detrimental coping mechanisms become a self-imposed aphrodisiac for the senses. it's why the movie vanilla sky (2001) captures the malefic expression of this nakshatra aptly to me.

Les Yeus clos, 'Closed Eyes', by Odilon Redon

Over the past many years I noticed the same pattern in sidereal Sun in Jyeshta (tropical Sagittarius) natives. They all tend to have trauma and issues related to their father. This is influenced not only from the sidereal Jyeshta Nakshatra but also from the sign of Sagittarius (tropical) itself.

Since the sign of Sagittarius is ruled by the planet Jupiter, it comes with it's mythological themes. Jupiter (Zeus) himself is a figure who has deep rooted father issues. His father (Saturn) Cronos devoured all his children alive, fearing they would all one day kick him off of his throne, just the way he did to his own father Uranos (Uranus). Cronos was scared of his future Karma, this is the reason why Saturn represents Karma and Time. Jupiter therefore shows a figure who experienced fatherly abuse, neglect, rejection and absence, especially for the placement of Sun. I have seen this play out through the entire sign of tropical Sagittarius but much strongly for the part of sidereal Jyeshta Nakshatra, because Jyeshta itself also carries the archetype of the neglected child.

Jyeshta is the very opposite of Rohini. While Rohini represents the favorite youngest one, Jyeshta is in a position where it envies all the attention and priviledge that Rohini receives as the youngest.

In real life this doesn't even need to be an eldest vs. youngest dynamic. The Jyeshta native can even be the younger one and still have an emptiness when it comes to the father in forms of distance, absence, neglect, trauma, abuse etc. Therefore Jyeshta natives learn to become self-relient at a very young age by moving out very early, persuing career goals at young age so that one day their family relies on them financially. But as adults the emptiness regarding the father is mostly there I've seen.

With Moon in this placement, it can be related to the mother, either the native could have mother issues or the natives mother could have father issues.

These themes are as well applicable for spouse analysis

There is this system in kpop that assign animals to idols because they look like one or behave like one ("energetic like puppy", "cat eye" etc). Representative animal emojis are used for fan translation and in general content to efficiently designate the idol without writing their full name, also used in merch. Basically, just one part of building personal brand for the idol. (categorizing by animals is fairly popular all over east asia in general. People even recommend makeup styles based on which animal you look like)

I was curious if those assigned animals had any correlation with idols' nakshatras (but some idols have animals like jellyfish, penguin, otter😑). Luckily, one of the most popular animals is bunny.

I was pleasantly surprised to find out that a lot of 'bunny' idols had moon ruled nakshatras (rohini, hasta, shravana) because moon has always been associated with rabbits and hares around the world.

According to texts like the Brahma Vaivarta Purana, this "rabbit mark" is viewed as a cosmic scar. The myth states that when Chandra committed a severe moral transgression by eloping with Tara (the wife of his guru, Brihaspati), he incurred a karmic stain. When he repented and sought refuge, dark mark in the shape of a rabbit appeared on his pristine sphere to serve as a permanent reminder of his vulnerability, impulses, and the subsequent fall from grace.

But also 'Moon Rabbit' is a mythical animal that figure in cultures all over the world (especially in asian and indigenous american folklore). In East Asian mythology, the rabbit is seen as pounding with a mortar and pestle, but the contents (various types of rice cakes, elixir of immortality, medicine, mooncakes) of the mortar differ among the countries folklores.

Other idols who have been associated with bunnies had jyeshtha, anuradha nakshatra placements, yoni animals of which are male and female deer and mrigashira nakshatra placements, mrigashira is explicitly symbolized by the head of a deer or searchlight. And deer is another animal that has been prominently linked to moon.

In Vedic iconography, Chandra is almost always depicted riding a chariot pulled by ten white antelopes or deer.

Both rabbits and deer are alike to moon. Rabbit is sensitive and alert (also rabbit's pregnancy is almost like moon phase - 28-32 days), while deer is curious and swift.

Rest of the idols had prominent placement or stellium in cancer (sign that is ruled by moon) and krittika nakshatra - the ultimate exaltation of moon.

harua (&team) - shravana moon, fuma (&team) - rohini venus/mrigashira mars/mercury in cancer, sunghoon (enhypen) - jyeshtha sun/anuradha ketu/jyeshtha or anuradha asc/rohini rahu

jeonghan (seventeen) - hasta sun, mercury/shravana moon, doyoung (nct 127) - shravana sun/mrigashira moon, wonho - rohini moon/rahu jyeshtha/ketu mrigashira

soobin (txt) - jyeshtha sun/anuradha mercury, onew (shinee) - jyeshtha sun/anuradha mars, leeknow (stray kids) - jyeshtha moon

jaemin (nct dream) - sun, mercury, mars in cancer/scorpio asc, suho (exo) - krittika sun and asc/mars, jupiter in cancer

Few notes while doing this post:

idols who are associated with deer might have moon nakshatras (e.g. Yoona (girls generation) - rohini sun, Joshua (seventeen) - shravana venus) + (it's fueling my feelings about heeseung being hasta moon

Surprisingly, in kpop bunnies, deers, and hamsters are very close. (Heeseung is associated with both hamsters and deers, Sung Hanbin - hamster and bunny, Moonbyul - bunny and hamster)