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the red wedding in asoiaf, the trojan horse in the odyssey, the backstabbing leading to the bloody baptism in the nibelungenlied, even oppenheimer and his atom bomb…. all stories about how the violent breaking of a certain social norm or law of warfare breaks the whole world apart on the psychic plane to reveal the blood roiling underneath. but this can easily be levied into a conservative, great-man, one single man or choice can decide our destinies sort of idea, even with good intentions…. what’s crucial in these stories is not that That specific event is the original sin of the world from which all other sins emerge, but that it is only a (uniquely remarkable) byproduct of the *existing* systems of that world, which reward and feed off blood! that there is no Good society to return to, no law of warfare that would make war acceptable
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The theme of Anuradha nakshatra is to cleanse oneself from the collective unconscious and rise above the noise of social programming. The Anuradha native is the literal lotus flower born and raised in the mud — various religious groups and high-control individuals will seek to control the Anuradha native by making them submit themselves to their belief system. They will be told that their individual dreams and desires don’t matter and that pursuing your own path will lead to disaster and ruin. The Anuradha native is a victim of fear-mongering, as they’re constantly being preached to about actions and consequences which ultimately little by little, stifle their creative heat (the Mars rulership of Scorpio). The beautiful devotion that Anuradha displays in their daily life is almost fetishised by religious authorities; they see the native as a “pure flower” to keep to themselves and preach the “value” of submission to the Anuradha in order to win them over and keep them under their control forever.
The lesson of Anuradha the lotus then is to resist the social/religious programming that they have been raised with and rise out of the mud to blossom as an individual, self-directed and enlightened being, with the wisdom to guide others towards emancipation and free thought as well.
"The world is so complicated, tangled, and overloaded that to see into it with any clarity you must prune and prune."
-Italo Calvino, 'If On A Winter's Night a Traveller'
i hate how job interviews have turned into an AI recruitment program..
I confessed that I had the burning desire to be excellent but no faith that I could be.
Martha said to me, very quietly: "There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium, and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open."
-- Martha: The Life and Work of Martha Graham, Agnes de Mille
Yu-Gi-Oh! graffiti art, 2021-09-18

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Jackie Urbanovic, 1996
Is it a translating error or did Imu start talking in modern language midway through the chapter? At the point they started saying “we were foolish”
I need to hear from someone who reads Japanese and can confirm.
If it’s not translating, does that mean Imu speaks like that on purpose?! And the Mu and thou is them trying to sound kingly? Joyboy was coming up in conversation when Imu started speaking like a normally. Did Imu get distracted and drop part of the act? What was that?
In Japanese he uses 我々 (wareware) which is an archaic "we". So in Japanese he still sounds clearly old-fashioned.
I think it's just that there's no archaic version of "we" in English. The old version of "we" is just "we". Imu speaks roughly a sort of Elizabethan/Shakespearean era English (or at least the official translation is mimicking that kind of vibe even if it's not always 100% authentic), but "we" was already "we" back in Shakespeare's time. And so was "were", and so was "foolish".
"We were foolish" in Shakespearean English is just "we were foolish".
(Actually the official translation has already kind of been playing it loose with the archaisms, like overusing "thou" even when nobody would ever have authentically used it, like in plural. But I get why, it's exactly because they're trying to make it sound old, and people would be even more confused if Imu suddenly switched to "you". Personally I would have used "ye" at least, but I know I'm the weird one here because I'm a huge nerd... Also the conjugation is wrong sometimes but I'm not gonna get into it now)
If you do have ideas of how to make "we were foolish" sound more old-fashioned in English, let me know, because there might an option that I didn't consider and I wanna know if so
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they injected me with mental illness when i was a baby because they didn't like that i radiated moonlight and had stars inside my eyes. they were jealous of me.
a feast of color at the market