“Retrato Deshonesto S-03″ 03/08/2016
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❣ Chile in a Photography ❣
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d e v o n
PUT YOUR BEARD IN MY MOUTH
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Jimmy Eat World
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“Retrato Deshonesto S-03″ 03/08/2016

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“La desgracia sólo alcanza su punto más alto cuando hemos visto, lo bastante cerca, la posibilidad práctica de la felicidad.” - Michell Houellebecq
“Distorsiona más allá de la apariencia, como si sólo a través de la dislocación de lo real, las cosas volviesen a nosotros con una imagen primordial. Lo cual aparece, por supuesto, en virtud de un artificio. Dicho artificio obra una distorsión en el retrato, pero esto no implica en ningún caso una ofensa para el modelo, sino que el instinto nos enseña que hoy no se puede registrar lo que nos asalta como un hecho sin hacer una profunda injuria a la imagen. Además, «uno presenta la sensación y el sentimiento de vida del único modo que puede. No digo que sea un buen modo, pero lo haces lo más hondamente que puedes» “ - Guillermo da Costa Palacios, Radiografías de la distorsión
“Pero ¿se puede pintar un grito sin que el que mira se sienta espantado? ¿Hay una violencia inocua?”
Intervención en Poema de Mariela Malhue Moreno

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“Bailarinas en verde” (pincel de tinta negra y acuarela) Mayo 2015 Bocetos para proyecto escénico multidisciplinario DIS de la Escuela Superior de Música y Danza de Monterrey.
Retrato Passarinha (Tinta y acuarela) - Febrero 2015
Passarinha (Retrato boceto a lápiz Dic 2014)
"Fíjate en su rostro, sus ojos servirán de comentario a lo que haya de confuso en el libro de su persona"-W.S.
Passarinho,Octubre 2014 (Lápiz y tinta en madera)

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"Architecture can not do anything that the culture does not. We all complain that we are confronted by urban environments that are completely similar. We say we want to create beauty, identity, quality, singularity. And yet, maybe in truth these cities that we have are desired. Maybe their very characterlessness provides the best context for living." - RK
"The aim of art is to represent not the outward appearance of things, but their inward significance."
"Ours is the century of enforced travel of disappearances. The century of people helplessly seeing others, who were close to them, disappear over the horizon."-JB
“Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders.” WF

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“Every man's memory is his private literature.” AH
“If you want to keep your memories, you first have to live them.”-BD