The autopsy theater near the morgue in the basement of New Orleans Charity Hospital.Ā
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@makebreakfastspooky
The autopsy theater near the morgue in the basement of New Orleans Charity Hospital.Ā

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iām also thinking about how one of the only characters who does NOT turn the death of laura palmer into a personal symbol is albert - which is ironic in the sense that heās trying to perform her autopsy, something we think of as requiring a perspective of objectivity, possibly dehumanizing the body in order to take it apart. however, heās the only person who sees her as a young girl who was tragically murdered, who may be the precursor to more murders of other young women that he may be able to prevent if he does his job well.Ā
the rest of the town wants the funeral to happen immediately. they want her buried, they want the family to get closure, they donāt want to have to think about it anymore. this is emblematic of the problem in the first place - itās a town full of people who knew there was something wrong who looked the other way. thatās why it makes sense that the funeral is where bobby calls out how everyoneās complicit in her death (poetic cinema dot jpeg)
cooper is swept up in the symbol of laura palmer and the romanticized version of twin peaks from the very first episode, and thatās ultimately his fatal flaw. by preventing albert from performing the autopsy completely, he gives into the nostalgic impulse to memorialize laura instead of focusing on stopping her killer. and thatās like the second fuckin episode or something lmao
A little older...from summer 2022, actually. The impetus behind it still resonates.
Art by Alessandro Amoruso.
Lorenzo Mattotti - The Raven: Lou Reed's Adaption, 2003

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vinnifantastic
What kind of wishes are they making? š»š¤
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Jason Mowry
ā± dark ā±

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By clayshaper.
Sight Pencil and digital by Rosalie Lettau tumblr | twitter | instagram For Month of Fear 2018 - Blindness
when two musicians sing into the same microphone and lean in very close to each other⦠like omg are you guys gonna kiss now to relieve the homoerotic tension?š³
THIS IS NOT ABOUT ONE DIRECTION I DONāT KNOW WHO THIS āHARRYā PERSON IS GO WATCH BRUCE SPRINGSTEEN AND CLARENCE CLEMONS KISS ON STAGE RIGHT NOW
op is the only valid person iāve ever met. everyone else needs to come to the light
Okay, but this is really important: Bruce Springsteen occupied this really weird place in music history. His songs were all from this pessimistic, nihilistic view of an America that had let him down:
Just like the anti-Vietnam War protest songs that we associate with the 1960s, or the early nihilism that spawned punk music in the 1970s. But he didnāt *sound* like a punk anarchist; he sounded like a country rock singer. When he released Born in the U.S.A. people completely misinterpreted (or possibly ignored) the lyrics in favor of the tone of the music.
Politicians used his music to promote their āMurica Yes! brand, and he had to literally explain that that was not what he was about. Heās over here asking when weāre going to have jobs and heathcare, not stanning the politicians who werenāt helping the people.
It was also kind of a big deal that he had an integrated band, because even as late as the 1980s music was still kind of segregated and MTV was straight up racist. They refused to play and promote black artists and then claimed that were no black artists in the first place. Michael Jacksonās record company had to threaten a boycott of their white artists to get MTV to play his Thriller video.
Plus, the first black/white interracial kiss on TV was in 1968 (OG Star Trek). Also it took us until the 70s to get sympathetic gay characters on screen, and the 90s to get gay characters to kiss onscreen. And all of those firsts were met with outrage.
So keep that in mind when you see Bruce Springsteen not just playing with an interracial band, but engaging in an interracial, gay kiss on stage repeatedly.
Passages from American Popular Music by Larry Starr and Christopher Waterman
I used to think that Bruce and Clarence kissing onstage was exuberance, showmanship, and telling racist homophobes to fuck off. Like, they picked up a certain kind of audience and went āRacist homophobes? Not in our house!ā And started the kissing then but then I actually looked it up and
https://www.gq.com/story/this-fucked-me-up-bruce-springsteen-singing-about-clarence-clemons
It was a story where⦠we remade the city. We remade the city, shaping it into the kind of place where our friendship and our love for one another wouldnāt have been such an exceptional thing. - Bruce Springsteen
It wasnāt about showmanship or rejecting bigots or anything it was just. Damn right that was one of the loves of his life and damn right he was going to kiss him onstage
It gets me a little that Bruce has had a divorce, that heās been married twice, but he loved Clarence for the rest of Clarenceās life and will presumably love him the rest of his own
Clemons said in one interview. āBruce and I looked at each other and didnāt say anything, we just knew. We knew we were the missing links in each otherās lives. He was what Iād been searching for.ā In another version of the story, Clemons says āHe looked at me, and I looked at him, and we fell in love.ā
Iām having some emotions about it!
āHe was elemental in my life,ā Springsteen adds, āand losing him was like losing the rain.ā
Not just! I love you pure and deep and true but! I am going to love you like that in front of the whole damn world!
We have fewer narratives about taking risks and making statements for platonic love rather than romantic and supposedly it would be easier to downplay this onstage than romance and! They refused! They fucking refused! In front of hundreds of thousands of people, over the course of years! In the spotlight, in word and deed, I love you!
God Iām not okay about it
Now Iām mad that this is not among any of the things I was ever told about this artist.
I knew about this in general (& via all those fabulous photos), but this just adds even more beautiful context <3
Just to add to the pile: this was the cover of Springsteenās break-through album Born to Run, in 1975:
I mean, will you LOOK at this:
This was the pic chosen for the album cover from an extensive photoshoot, too. A few others:
Thereās a lot more online if you search. Theyāre all pretty amazing. But the photographer is right, the one chosen for the album cover just pops.

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Greater Morula, Photoshop painting by Dariusz Kieliszek