I really tried to tip the scales in your favor

if i look back, i am lost
Keni
I'd rather be in outer space đ¸
ojovivo
wallacepolsom

bliss lane

KIROKAZE
Stranger Things
đŞź

Product Placement
RMH
Misplaced Lens Cap
we're not kids anymore.
noise dept.
let's talk about Bridgerton tea, my ask is open
sheepfilms
TVSTRANGERTHINGS

PR's Tumblrdome
todays bird

seen from Singapore
seen from Singapore
seen from Bangladesh

seen from United States

seen from United States
seen from India

seen from Spain

seen from China
seen from Bangladesh

seen from Brazil

seen from TĂźrkiye
seen from Brazil

seen from Malaysia

seen from Chile
seen from United States

seen from South Korea

seen from Russia
seen from United States
seen from United Kingdom

seen from Philippines
@executeness
I really tried to tip the scales in your favor

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PHM spaceships gijinka
Do you need affordable sewing supplies? Do you want to help cut down on waste and fast fashion?
Do yourself a favor and check out Swanson's Fabrics! The physical location is in Turners Falls, Massachusetts, USA, but the online shop will ship to you!
I can't remember who first told me about Swanson's, but they're a textile thrift shop that collects and repurposes donations of unused sewing supplies. Their physical location, The Stash House, offers community sewing resources and a studio. For non-locals (such as myself), their online shop offers fabrics, patterns, and notions. The shop restocks on Thursdays, and they have a constantly-rotating collection of items. If you like thrifting secondhand craft materials, Swanson's is for you!
Via their official "about" page:
Swansonâs Fabrics and notions are gifts from retired sewing stashes. They are the fabrics and supplies that sewers and fiber-artists naturally accumulate. I had a suspicion that the reason we all collect so much is that we didnât have a place âgood enoughâ to take it. So I made the place. Turns out I was right, and thanks to my community (and yours) of makers and crafters, I can resell these fine materials at a low, approachable cost. ALL FABRICS ARE $5.00/yd, NO MATTER WHAT THEY ARE MADE OF. REALLY. I MEAN IT. I KNOW. UNBELIEVABLE BUT TRUE! As we come to grips with the climate crisis, interrupted supply lines, and our dependency on slave-labor in far away countries to produce our cotton and fiber goods, we need another way to approach the fabrics in our lives. We have a massive resource of textile goods in our country and it is time to tap into it. Our attics, basements, thrift-store donation bins, and dumpsters are brimming with discarded fabrics. It is time to start making and trading for the things we need, and stop buying so much new stuff we donât. We need to see ourselves as trash-rich. Customers at Swansonâs can pay for goods and services with goods and services. I accept trade of sewing and fiber supplies/materials, and trade for help in the shop. I hope to inspire you to make your own clothes, to mend the ones you have, to shop second-hand and alter things to your taste. There is a lot of power in dressing yourself. Custom is king, and you canât have a revolution in your masterâs clothesâŚ. â¤ď¸đŞđť -Kathryn
The CovidSafeCosplay blog and its admin are unaffiliated with Swanson's Fabrics, and are simply sharing the resource.
Do you have a favorite place to get your crafting supplies? Share in the comments or via a reblog! Bonus points for those that prioritize sustainability, accessibility, community, and trade.
Lots of cities / areas have stores who also sell repurposed or donated fabrics! Hereâs one directory of creative reuse stores. (Though âcreative reuseâ is usually the key search term)
I get most of mine at Scrap in Ann Arbor (they also sell some items online) and New City Sewing Center in St. Louis.
So every year, my aquarium does a captive lobster hatchery project (hence all the loblings). The reason weâre doing it is because in the wild, loblings only have a 1 in 25,000 chance of surviving their larval phase. Theyâre plankton as babies and everything eats them. Additionally, as the Gulf of Maine warms, they are having even lower survival rates because the blooms of copepods they feed on as babies are happening earlier in the year, and theyâre missing it.
Obviously, the goal of this experiment is to grow the lobsters until theyâre big enough to settle to the seabed and then release them, because they have a much higher likelihood of surviving to adulthood when theyâre able to hide. Ideally, captive lobster hatcheries can boost the wild population and keep things stable, so we donât have a major crash in a decade or two.
The first year we tried this was pretty bad. We had a lot of eggs, but very few babies. It turned out that the CO2 levels in the building spiked as more guests visited throughout the summer, and that settled into the water and threw off the pH and caused a chemical reaction that prevented a lot of the eggs from hatching. I think we ended up releasing three baby lobsters (which is still better than their wild survival rate but not great).
The second year was a little better. We added a de-gasser to the aquarium and got a ton of larval lobsters, but right as they were settling to the bottom we had a disease outbreak that killed most of them. We ended up releasing four babies at the end of the season.
But this year? Oh boy. We have so many lobsters that we had to release the first round early (usually we wait till September or October so guests can see them). We just released a total of FIVE HUNDRED AND TWENTY FIVE baby lobsters, and we still have over a hundred who havenât settled to the bottom yet. I genuinely donât even have words to explain how cool this is. OVER FIVE HUNDRED. We just added hundreds of lobsters to the wild population that wouldnât have been there otherwise.
Conservation is so fucken sick
I don't understand how cis people obsessed with gender norms think trans people are the weird ones. they're going around believing that your name has to correlate to your genitals. your fashion has to correlate to your genitals. your behaviours have to correlate to your genitals. your hobbies have to correlate to your genitals. who you date has to correlate to your genitals. whether you can put sparkles on your eyelids or not has to correlate to your genitals. and then people like me go "hmm. I might not do that. maybe I'll just do what feels fun and okay instead" and they LOSE their MINDS

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Y'ALL I ASKED FOR SKIPPY BABY PICS AND đđđđđĽ°đĽ°đĽ°
Hades Illustrations. Preorder the print set for $30 and get a free Dusa sticker. See artist page for details.
đ¨ Artist: Cypri
â Republished with permission
thanatos picks zagreus up after death by natural causes challenge
Is this anything?
Happy Hades II release day, yâall. Enjoy working through those granddaddy issues.
Grace making huge advencements in the Eridian medical field.
Turns out there's a childhood disease to the tune of measles that erodes the carapace, and the first symptom shows up about a week before any actual damage is caused.
Grace comments to Rocky that one of his students seems to be turning oxidisation-green. About a week later that student has to be hospitalised for this illness.
Eridian scientists realise pretty quick that Grace can detect the illness long before any of their equipment can, and when caught that early it is much, much easier and safer to treat.
Not only is Grace celebrated in the scientific field for his knowledge and for his part in saving the world, he becomes a beacon of hope for doctors and parents and children on Erid.
The first early diagnosis test involve the equivent of sending a polaroid of the kids to Dr. Grace, who can write "OKAY" or "GREEN" on it
Quickly after that, rocky's color gun can be found in basically any school or clinic. Turns out in the time they've been coming back home, they've accidentally invented a tool that can eradicate the disease
Except Rocky's gun isn't a color gun, exactly, it's a light gun, taking old Eridian camera-tech (likely developed for very niche scientific purposes, to study phenomena in Erid's upper atmosphere or in orbit) and modifying it for hand-held use. If I recall correctly, it wouldn't function in the pitch-dark that is Erid's typical environment, so the medical device that gets created to test for this disease would be Rocky's gun plus a little flashlight attached.
In the future, Eridian children would get regularly checked out with that device to confirm that their carapace reflects only the expected amount of "middle-rough" light frequency. Passing those checks is a prerequisite for the child to go to classes, etc.
And so eventually, the phrase "given the green light" becomes an idiom for "given the go-ahead" on two different planets, for two very different reasons.

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Wow NASA has a what did Hubble see on your birthday
Let me just open up that bad boy to my birthday and see my cool space vis---
Sure. Sure yeah. Okay. That's Fine. That's really fine and good. Really normal.
Hubble explores the universe 24 hours a day, 7 days a week. Take a look at what cosmic wonders Hubble observed on your special day!
Oh yeah if you want to see yours or just look at cool space pictures.
Mitch McConnell has been sent to a nice farm out in the country where there's lots of open space to run around and lots of other senators for him to play with
can we send him to the glue factory instead
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersâand every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed itâher husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"âessentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official historiesâthose same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gageâa 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structureâcredit went to Watson and Crick.
Lise Meitner, who explained nuclear fissionâomitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomesâreceived little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenâinitially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
This is an important concept, but the piece is written by AI.
There are a number of tells, but this is an excellent example to talk about em-dashes, which people often either take as permanent AI tells or run the other way and say "humans use em-dashes and that's why AI does, too! they're not tells!" Both are kind of right and both are kind of wrong.
What you'll see if you look closely at this text is that it ONLY uses em-dashes. Every time it needs to put in some kind of break or set off some text, it goes for the em-dash. There are no phrases in parentheses. There are commas, but only in places where the absolute rule is to use a comma (like in a series, for instance). There is one colon, again placed where the absolute rule is to use at (at the top of a list). Whenever there's an option, where a human writer would be actively making a choice about what punctuation to use, the AI defaults to an em-dash.
On top of that, look at the content. The AI bot people are obsessed with feminism, ironically. I suspect it's because very basic feminist narratives about women pushing back against barriers or doing something heroic are popular and gets shared widely. So, first of all, you should be on your guard when you see a "what this woman did CHANGED HISTORY!" kind of piece. (I wonder if the twitter/tumblr trend of BUCKLE UP history posts has affected the AI ...) And then you should check out the specific claims.
She kept finding women in laboratory photographs from the 1800s. Then she read the published papersâand every single woman had vanished. Someone had erased them from history.
I can't find this anywhere else. The paper "The Matthew Matilda Effect in Science" doesn't talk about photos! The Wikipedia page doesn't talk about photos! This Smithsonian article doesn't talk about photos! Her piece on her career in Writing and Revising the Disciplines (2002) (good read) DOES mention photos, in that she got the Mount Holyoke archivist to send her a few from the 1880s showing women doing scientific work as a nice illustration that "epitomized" what she was already aware of.
Rossiter started with textual primary sources that documented women as named individuals contributing to scientific discoveries. The idea of her being confused by photos is a hallucination.
Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There's definitely something to be said about the framing of this bit as shocking!!! but since I'm talking about facts and sources, it's clear to me that the AI recognized the botany-Wellesley connection from the paper but could not parse that the reference was to a female botanist who taught at Wellesley. There is also nothing in the paper about Vermont geologists, so I have no idea where the AI got that; I would suspect it's another hallucination attempting to create a pattern from the first reference.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing. Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams. But when she read the published papers, the award citations, the official historiesâthose same women had disappeared. Their names were missing. Their contributions erased.
Again, back to the mysterious photographs. But the rest of this text is an issue as well: what Rossiter describes in the paper is not a complete absence of these women in any official documentation, but that these women were amply documented and known to be working within the scientific community and yet did not receive public credit or awards. It's not a complete smothering out, but a sort of complacent back-burnering, which is too nuanced for the AI to be able to handle when told to "write a post about the Matilda effect that will get engagement on social media". She didn't prove that discoveries attributed to male authorship actually had women involved and only she knew their names: she collected many stories that people already knew of overlooked/underplayed female scientists and put them together to say, "This is a pattern and we should have a name for it." Some of her examples were even recent enough (1970s-80s) that she was able to point to a feminist backlash.
And again ironically, the AI itself engages in the Matilda Effect by presenting this whole thing as utter silence -> Rossiter gets curious -> the case is blown open. Rossiter actually refers to the work of other female historians and social scientists! In fact, she started this line of research after noticing the female biographies in American Men of Science when her housemate, Cynthia Thompson, recommended that she keep track of them.
Her research helped restore recognition to scientists who had been erased: Rosalind Franklin, whose X-ray work revealed DNA's structureâcredit went to Watson and Crick. Lise Meitner, who explained nuclear fissionâomitted from the Nobel Prize. Nettie Stevens, who discovered sex chromosomesâreceived little credit. Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogenâinitially dismissed. And countless others whose names had nearly vanished.
Rossiter did not claim to be rediscovering these women. She refers to Franklin and Meitner as having been famously denied credit, in fact! Meitner specifically is "one of the best-known examples of the phenomenon". Stevens she uses as one in the list of examples in the paper, and Payne-Gaposchkin actually just gets a reference at the end that's doesn't even tell you the specific field of scientific study. (To be fair, there may be more about them in her other publications.) This was not about Badass Historian of Science Tells the Establishment What's What. Everybody knew about the concept of female scientists being publicly ignored as collaborators by 1993 â and women's history as a field had been around for 15-20 years. She was not working in a vacuum where nobody else thought that it was important to study these topics until she forced them to see the light.
Please, please, everyone, be on the lookout for bad feminist history written by AI. If you're not with me on the tells and hallucinations here, then at least be on the lookout for bad "feminist" history regardless of the source. If it sounds like it's sensationalizing, it probably is.
it seems like insult to injury on the photographic point to note that the photo from this tweet is not in fact Margaret Rossiter (picture of her below):
but a different missing scientist that doesn't appear in the text of the tweets, Dr. Jocelyn Bell Burnell.
also, I think it's fascinating (read: typical, disappointing) that not a single one of the scientists mentioned in the LLM content wasn't white. Like say, Marie Maynard Daly, who did pioneering work in heart disease and cigarette smoking:
Jewel Plumber Cobb, one of the first to study what would later be termed "precision medicine" or how different people respond differently to chemotherapy in oncology:
or Chien-Shiung Wu, experimental physicist and Manhattan Project contributor.
and lest anyone think I had to dig hard for this information somewhere obscure, all three of these examples are from a single article in Smithsonian magazine, on the first page of results in DuckDuckGo (non-AI version). Literally less than a minute to find.
I don't mean to shame people using LLMs because they don't trust their own abilities. But if you're out there doing that I want you to know there is nothing about them smarter or better than YOU and YOUR BRAIN because LLMs can't question themselves. They're very large magic 8 balls that can't generate new content, only thoughts someone else has already had. So if people out there are making obvious mistakes based on bias and you use LLM trained with that (read: all of it other than a few very carefully curated and proprietary models not the ones easily there for consumer use) you ARE going to repeat those mistakes. There's no way to stop it.
I made printedsoot Calvin and Hobbes style Leverage OT3 fanart for Christmas. Tiny, grumpy, upside-down Eliot Spencer might be one of my favorite things Iâve drawn all year.

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some years ago, the nyc met opera produced wagner's parsifal where the entire stage was ankle-deep in the blood of parsifal's wound.
and like.
who among us has not felt that?
i'm bleeding but not dying.
the blood is pooling and poisoning.
it's about the pain of grief and how it spreads to others.
by the second act, everyone you love is up to their knees in your blood stains.
they had to invent ways to keep the stage blood clean and warm enough for the cast to act in it safely.
anyway,,
So we all talk about being in fandoms for things that are charmingly bad, and being able to acknowledge that theyâre charmingly bad. But of course some people are in fandoms for things that are Actually Amazing. There are people out there who write fanfiction for The Best Science Fiction Novel Of The Twentieth Century. Or who draw fanart exclusively of The Best Movie of All Time. And there are even more people who are in fandoms for things that are Actually Pretty Good, which is not quite amazing but is closer to it than to Charmingly Bad.
And sometimes, you have a string of fandoms that are Actually Pretty Good. And the danger of thisâthe very great dangerâis that when you have a string of Actually Pretty Good and even Actually Amazing obsessions, you start to believe that maybe you have taste. Perhaps you are now immune to the indignities of losing it over something mostly bad.
And then it is shattering to discover that no, bad things can still stick a fork in your brain. đ
So I understand why the âtransformative fandom gathers around things that are not good because there being a problem makes people desire to fix itâ model is popular. I even agree that itâs accurate in many if not most cases. However it is not what this post is about. Plenty of people do transformative and creative fandom activities for things that are very, very good. Simplified models do not encompass everything.
And frankly, itâs starting to really get on my nerves when people read âI think this thing is good. I wouldnât change a thing about it and frankly I donât even think there should be more canon added to it, but I am still going to write thousands of words of fic, make a cosplay, and draw fanartâ and then completely misunderstand and respond with âyes I agreeâI like things that are good too. But I never feel the transformative/creative fandom instinct for them because they are too good.â
Some people do not feel it. Other people do. Stop misreading me to avoid having to adjust your mental model of how fandom works.
one of the ways a Canon work can be fandom bait is by missing something that fans want to fix, i.e. "it's bad", but i think this is only one way out of multiple that something can be fandom bait.
compelling worldbuilding (invites interaction with the setting)
interesting gimmick (see: daemons, drift compatibility. subcategory of compelling worldbuilding)
shipping bait (duh)
original character bait (in-universe categories/factions and design elements that make it fun for people to create their own characters)
compelling narrative (invites interaction and tweaks to the storyline: AUs and fixits and so on)
basically anything that invites interaction and recombination. but fandom also has a sort of multiplying effect: the larger the interactive audience of fandom is, the more likely it is to generate ideas and works that draw in more participants. so:
network effect (the larger the established fandom, the more likely it has subfandoms and infrastructure that appeals to niche audiences)
Yes this exactly, thank you bless.
Things that have space to play in are fandom bait, but space to play in does not equal holes.