Normal Fucker

the problem with movie remakes is that they always remake something that was already good, meaning at worst you ruin it and at best your remake is largely redundant. to make a truly good remake you need to start with source material that is absolute dogwater. ignore the pull of nostalgia. redeem the sins of moviemaking past.

If any competition needed to be on Tumblr, it's this one.

sometimes people experiencing psychosis and/or mania will come up to you on the street and talk in confusing or upsetting ways. your job is to either have a regular human-to-human conversation with that person or politely leave. your job is not to call 911. do not call 911. you might kill that person if you call 911.

^ ^ ^

we need fewer songs about falling in love and breaking up and MORE songs about famous disasters of the sea

being told you’d cruise the seas for american gold you’d fire no guns, shed no tears, now you’re a broken man on a halifax pier might not be a universal experience, but like neither is the club. so a little perspective might be nice

Then the flour ship hit the explosives ship?

we need fewer songs about falling in love and breaking up and MORE songs about famous disasters of the sea

being told you’d cruise the seas for american gold you’d fire no guns, shed no tears, now you’re a broken man on a halifax pier might not be a universal experience, but like neither is the club. so a little perspective might be nice

watching massive franchises bomb at the box office while Backrooms has made $212 million on a $10 million initial budget has brought me hope for the future of cinema

is anyone else on this hill or is it just me and sisyphus and kate bush?

Remember: if they can regenerate it is completely okay to do as much brutality as you want because they'll just heal it away anyways ^_^

Analyzing the politics of a work that's meant to be apolitical is actually a really interesting exercise because it asks you to critically examine what the creator considers to be "political" in the first place. Which ideas are just How Things Are, and which ones are Political, and how is that influenced by the creator's beliefs?

Usually this just ends up with you looking like a moron btw

Angrily lashing out at the suggestion that it's possible to do basic media analysis was foundational to the ragebait ecosystem of the 2010s, from which we got basically the entire culture of modern far right politics, btw.

I genuinely believe myself and others are being so sincere and literal when we say TOUCH GRASS

I went outside and got an education, that's where I learned that you can obtain knowledge and insight through analytical methods, then noticed that some people who sit on the internet yelling at strangers get really mad about that constantly.

So actually if you really wanted to use your analysis skills you'd realize that what people are annoyed about is the implication that there's never a story or creative work they can create that can escape people like you attempting to assign political meaning to it when they just don't want that. That in fact people's presumptions about life are not, in fact, political (at best they are cultural, which is not an inherently facet of politics). And that by you people arrogantly pushing this idea you are intruding on the fact that a lot of people use fiction as escapism from politics and insisting that "urm no actually your favourite cartoon actually has politics cause no human being is 100% unbiased" is in fact, supremely fucking annoying

theo van gogh was the one who suggested that his older brother vincent start seriously painting. as soon as theo was gainfully employed he gave vincent around 15% of his own yearly salary for art supplies, lodging, and food. about 2/3rds of vincent's surviving letters were to theo (including vincent's earliest and last letters), all of which were found stored in theo's desk. theo's child, vincent willem, was born on january 31st, 1890, and vincent was so delighted by his nephew that he painted almond blossoms for him. vincent shot himself half a year later on july 29th, 1890. theo's distress at his brother's death worsened his syphilis symptoms and he died half a year after his brother on january 25th, 1891 (four days before vincent willem's first birthday). theo was reburied next to vincent in auvers-sur-oise at the request of theo's wife johanna.

This program had its funding cut during the DOGE cuts last year and now the parasitic worm they were trying to slow the spread of has officially arrived in the United States.