It really kills me, cause the fact that she got married and had a kid basically as soon as she came of age is actually really important to understanding her character and specifically her reluctance to go back to the life she used to lead once she has her body back. It really is just a huge red flag for bad takes if a person reads her a middle aged, on top of being just kinda immature? Like, I do think if you can't fathom a young woman being a mother that that's peak teenager energy. That's genuine child brained shit, lol.

Have you seen this shit my liege? smh unreal

The thing was, he wanted to be touched. Queer, not queer, that didn't seem to matter now that they were all busy dying. All that mattered was McVries.

huh !

Margo Millet 1.04 | Margo's got money troubles (2026-)

So most of the strongest (in terms of characterization) CR and for that matter D20 and like, D&D module villains? Doing it for the power. The Chroma Conclave, Vecna, Avantika, Trent, and Asmodeus were all just in it because they loved being terrible and wanted to be terrible. They do not have noble political goals; they have evil political goals. That doesn't mean there's not nuance to be had nor sympathy in their backstories (notably Avantika's and Asmodeus's) but in a medium that is built to tell stories about power and agency you end up kind of fighting that medium if you try to tell a story about a villain who isn't profoundly hungry for power.

and now fucking. listen. i’m a huge fan of brennan’s dming always. robbie is an incredible fucking role player. the shit they’re doing with the like. unreliability of kattigan’s self perception and memory. concocted in a lab to make me rattle the bars on my bad times cage. i’ve seen a couple people talk about the parallels with mmiwg especially given robbie’s own indigeneity as they should and as i find so compelling but in addition to that like. the memory/fogginess shit robbie and brennan are playing with are also hitting me hard in that same vein of like. obviously large scale cultural memory is a huge thing that has been scattered by the fists of colonialism but also on the smaller like. family to family level like. the amount of family members i have who couldn’t tell you with any certainty thr details of why or how they ended up as the (oft addiction addled) version of themself they swore not to be. like. man that fucking knife blade scene will never leave me i fear like. the times i’ve had that moment staring at myself? the times i’ve watched my father and aunts and uncles have those moments of looking at themselves and seeing the person who they thought being raised by had taught them better than to become only to realize that the reality of their lives have denied them the simplicity of escaping a cycle that is perpetually kept from their hands. listen. this is a burger of a post but robbie daymond . the character you’ve created and the story you’re telling. head in hands

like this shouldnt be possible.

Its famous for recreating other world landmarks on a small scale. It uses this as a trap to bait people into making life ruining decisions. It's motto is essentially "never speak of what happened here". Fucked up

& the subreddit r/culturehustle is worth a look to get an idea of just how badly run his paint business is

I had a feeling something was up with him, but like, I assumed it was going to be something slightly sketchy, not...this.

But reading that... Yeah. I don't expect him to sell anymore stuff.

Cross-legged chair by Luiz Philippe Carneiro de Mendonça spotted at a Street antique market at Rio de Janeiro

a lick of yoghurt for the smallest and youngest animal on earth

little qifrey warmup ✨

ouch