
Love Begins
Not today Justin

titsay

⁂

Kaledo Art
KIROKAZE
Game of Thrones Daily
d e v o n
RMH
Sweet Seals For You, Always
Misplaced Lens Cap

if i look back, i am lost

izzy's playlists!

ellievsbear
Mike Driver
wallacepolsom
DEAR READER
taylor price
seen from United States
seen from United States

seen from Germany
seen from Malaysia
seen from Germany
seen from United States
seen from United States

seen from United States
seen from Sweden
seen from Switzerland
seen from United States
seen from Sweden
seen from United States
seen from Australia

seen from United States

seen from United States

seen from United States
seen from United States

seen from T1

seen from North Macedonia
@lumesar

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
just saw this on pinterest and it hit me like a truck
“I was good, i was really good”
I am the vampire Madeleine Eparvier. And my immortal companion is Claudia. My coven is Claudia.
Interview with the Vampire ❤️

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
what do you see? i see you.
watching hamnet like. wow. did you know that your art can express emotions unnameable to your audience? did you know that your audience's reaction to that same art can transform transmute elevate those emotions into something beyond your imagination?
I love how the film visualizes the interpretation of Hamlet used in the novel, which is pulling from the scene in the play where Hamlet asks the First Play to deliver part of Aeneas' speech to Dido about the death of Priam and the grief of Hecuba.
What’s Hecuba to him, or he to Hecuba, That he should weep for her?
--Hamlet, Act 2, Scene 2
Within the play, Shakespeare muses on the power of theatre that it can make an audience grieve for someone they've never known. Hamnet proposes that this is exactly what the play Hamlet is doing, and that's visualized beautifully in the film, with the entire audience weeping for and reaching out to the dying character Hamlet, Agnes in the midst of them, while backstage her husband weeps alone--you get a visual of grief so powerful that it can only be felt by a thousand people at once.
And four hundred years later, it's got me sobbing for the death of a child I never met, who would have died long before I was born anyway. Good job, Will, you brilliant bastard, we're still feeling your grief for you.
Hamnet (2025) dir. Chloé Zhao

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Orpheus, filled with grief, journeys to the underworld to take her back. He charms this three-headed dog, Cerberus. He beguiles Hades until finally… he’s allowed to take his love back with him to the world of the living but… under one condition. She must follow behind him, and he must not turn around to look at her. Now, as they begin their ascent, Orpheus can’t hear her footsteps, so he listens… and listens and listens and listens. But all he can hear is the sound of his heartbeat. And the rest is silence. And as he approaches the gates of the underworld… he can’t contain himself any longer. He turns around to look at her, and she is… trapped in the underworld forever.
Hamnet (2025) dir. Chloé Zhao
Work husband work wife
Heathers (1988) dir. Michael Lehmann
dry humping in its specificity as a term implies the existence of wet humping
not my best work
art history will be like "this is the most revolutionary painting of its time!" and you will look at it and is just a normal painting of a lady sitting under a tree and then an art historian will explain "this is the first time a painting ever used this specific shade of blue which challenged all understood conventions of how to depict light and launched a movement known as auzureism, and also the lady is looking at a sparrow which in its time it was a sign of fierce sexual liberation and it was considered scandalous" and then you find out the painter was expelled from the academy of art of stockholm because of the painting and that the king of sweeden paid three thousand marcs (equivallent to ten million dollars now a days) to have the painting in his room and the painting still looks like a generic painting of a lady under a tree

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
So, before I go further into tags of The Rose Field and they change my brain chemistry completely, here are my two cents.
The Book Of Dust had no way of being as good as His Dark Materials were for me. I feel like because so much of the magic in HDM was how unexpected it came in my life and hit me right in the feelings, and picking up BOD, I expected to have that, and that is such a high expectation to come into a trilogy already.
I love the worldbuilding of BOD and how it expands on the adult themes that HDM doesn't really touch on. I love the fantasy in HDM and everything about Lyra that adulthood in BOD doesn't touch on. HDM feels like childhood wonder, BOD feels like growing up and realizing the world is broken and losing yourself in the cynism, but also finding your whimsy again. I understand the themes, but I don't like how they are portrayed in BOD.
I disliked Malcolm for a good part of the trilogy and only started to tolerate the guy when he was with the gryffons.
I hate what they did with Serafina.
I hate that talk with the angel, in a way? Like why retcon it and then not give me Lyra telling Pan about it and they planning to go find Will or something?
Also why not put Will in the book. Why. They were my first OTP. I was so hopeful to see them again.
I feel like BOD is like a very well done fanfiction from the HDM universe with a very solid worldbuilding and really great writing and different aspects, but that falls short on how many loose threads there are.
I feel like it talks about propaganda and the sheep like mentality Roger Waters goes over in Animals, and criticizes capitalism and doomer culture. I like all of these aspects.
And yet, I don't give a crap about so many characters. And yet, I feel like the ending was missing something to it.
I honestly ended the book thinking it was a hook to a fourth one and Pullman was going to pull a Sarah J Maas on the fans. Because that's it? We are not going to follow those stories Lyra will live and tell?
I love so many little details and the imagination angle and everything. I love the Myorama, as a Tarot reader that got into Tarot due to being the closest thing to an alethiometer our world has to offer.
Overall I feel like there should be more, but I am relieved that I don't hate these books. I was so afraid of hating them. I definitely won't cherish them like I did HDM and think of it as a separated entity, really, but not hating it is enough for me.
So somewhat lackluster but with it's good moments. I cried everytime Lyra and Pan interacted so there's that.
But honestly I did not care about so much stuff. I really was expecting it all to tie together at the end, and when it didn't.... it just fell flat.
On second hand I won't mess around the tags here. I have a feeling it would shift my lukewarm contentment into something bitter, and I'm fine as I am right now.
my daily affirmation as an author