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and she let us use this one for our Facebook page <3 Thank you!
Noah Kahan

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2025 on Tumblr: Trends That Defined the Year

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EXPECTATIONS
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@louisck-official
A place to sit.
and she let us use this one for our Facebook page <3 Thank you!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Nikola Tesla - Map to multiplication.
Naomi Campbell (British, b. 1970) for Vogue Italia
July 2008
âŚspending my day off comparing The X-files to SeinfeldâŚ
OH MY GOD
WHATâS THE DEAL WITH ALIENS?!

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NBC has Declared that Colorado goes to BERNIE!!!!
by @gl.y on Instagram http://ift.tt/21rbcrw
Some people turn sad awfully young. No special reason, it seems, but they seem almost to be born that way. They bruise easier, tire faster, cry quicker, remember longer and, as I say, get sadder younger than anyone else in the world. I know, for Iâm one of them.
Ray Bradbury (via hazelweatherfield) (via sandysays) (via igotosleeptodream) (via takaakik, cobscookbay) (via classics) (via adsertoris)
americasgreatoutdoors
Millions of stars erupt in the night sky over Mount Rainier National Park, creating this dazzling pic of the Milky Way and Washingtonâs iconic mountain. Photo courtesy of Kevin Shearer.
#NowPlaying Concerto No. 2 in F Major for Piano and Orchestra, Op. 102: II. Andante by Esa-Pekka Salonen, Yefim Bronfman, Los Angeles Philharmonic, Dmitri Shostakovich

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A year in space, Scott Kelly
dating is supposed to be empowering. itâs supposed to make you feel good. it should be about two people, enthusiastically wanting to get to know each other and spend time together. itâs supposed to make you feel good and add joy and fun to your life
if talking to/dealing with/dating/getting to know a person isnât like that, itâs probably a waste of time
Contrary to the fictions of the white labor apologists, âthe hard side of racism generally appeared in the nineteenth-century America as a corollary to egalitarianismâ. Whiggery was shaped, above all, by class position; within the Whig social hierarchy, âracial difference could be viewedâŚ[as] simply one among manyâ. Northern Whig employers felt the greatest threat from the insurgent immigrant population, while their attitude toward nonwhites was often one of tolerant condescension. For the Jacksonians, needing to cement a coalition based on white egalitarianism, racial distinctions were central. âTheir natural proclivity was to the hard side of racismâ. Accordingly, âclass differentials dissolve into a sentimental oneness of the white herrenvolkâ. David Roediger also explores the problem of white ideology, with specific attention to the working class. He asks âwhy the white working class settles for being whiteâ and finds the answer in Du Boisâs notion of the âpublic and psychological wage.â The âpleasures of whiteness could function as a wageâ which led âmany workers [to] define themselves as whiteâ. To trace the evolution and effects of that wage is the task of The Wages of Whiteness. although Roediger locates himself within the âbroad traditionâ of the New Labor History, and uses Marxist tools, he acknowledges that âthe new labor history has hesitated to explore âwhitenessâ and white supremacy as creations, in part, of the white working class itselfâ and that âthe main body of writing by white Marxists in the United States has both ânaturalizedâ whiteness and oversimplified race, reproduc[ing] the weaknesses of both American liberalism and neo-conservatism.â
Noel Ignatiev, How the Irish Became White
Carl Friedrich Deckler. Detail from Vestal With Ivy Garland, 19th Century.

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âthere is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock. people so tired mutilated either by love or no love. people just are not good to each other one on one. the rich are not good to the rich the poor are not good to the poor. we are afraid. our educational system tells us that we can all be big-ass winners. it hasnât told us about the gutters or the suicides. or the terror of one person aching in one place alone untouched unspoken to watering a plant.âÂ
â Charles Bukowski, Love is a Dog from Hell
Romeo + Juliet (1996)