Getting #BlackRock to change/exit the real estate market in NYC is a massive win for New Yorkers and #ZohranMamdani.
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@localtiredtruthwatcher
Getting #BlackRock to change/exit the real estate market in NYC is a massive win for New Yorkers and #ZohranMamdani.

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Data centers have a very limited lifespan but their consequences will be felt for generations.
a surprising number of people see the term "social construct" and think that it means something is not real when it actually means something is so very real because it was created by us and is constantly enforced, often violently
had to share this
In every way this is set up to be a joke like any other short video, it even uses the trope of main character in a wig to represent their mom, but it isn't funny at all. It's just sweet and nice
did you have to use that photo for that
i mean good on them...? still paired with that image thats uh. interesting
I respect the fuck out of this. The whole site is trying its hardest to go against every selling point the dog robots have as its selling points.
The dog robots are supposed to be autonomous, threehalves is explicitly only for being piloted by a human. The giant horns make it difficult for this machine to enter through doorways, and that is the point. Coupled with the built-in weak points, it is very easy to disable this thing, so it can't be used by the police or the military effectively.
OP alluded to how unsettling the machine looks, and I believe that it was a concious decision; the robot dogs have garnered sympathy due to their apperance, which makes it easier for the police to morally justify their use. This thing? You're not gonna get many people to sympathise with it. The only people who would are monster and-or robot fuckers, and I believe these circles generally understand that a machine cannot be trusted (though of course many would willingly approach it for pervert reasons (positive) knowing full well it's a bad idea).

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Power Mac G4 (1999-2004)
We’re talking terashits. We’re talking megafarts.
ask and you shall receive.
I love it when a classicist has clearly gotten so lost in the BCE sauce that their perception of time has become deeply warped. Case in point: the article I’m currently reading just described the Byzantine era as “a period relatively modern.”
Stop that’s too funny
discovered my aunt uses generative AI, day ruined

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Doctor Who Advent Calendar —Day 9
i am half blind. on my eighteenth birthday, a freak accident left me with a slashed retina, a temporary eye patch and a permanent loss of 86% on my right eye. i don't talk about it much, and apart from the inability to drive a car, placing my notebook next to the desk instead of on it once in a while, and making me truly abysmal at beer pong, it has not impacted my life much.
except for the bittersweet fact that i can never show people how breathtakingly beautiful the world looks when you eyesight is fractured straight through the middle. i close what my opitician calls my good eye and the world explodes in colour, every pinprick source of light spreading out into iridescent flares into all directions culminating in bright circles at the edge of my vision. every star, every streetlight, multiplying into a tenfold symphony of colour and light. it's so overwhelmingly beautiful. how can i ever explain this to people? that when they find out and look at me with pity they should be envious instead. what an immense privilege, to be able to look at the world and see it too.
call me terminally academia-brained but i do think a lot of the fun of character analysis is figuring out how to build a compelling argument for a particular reading using lines of evidence from canon as well as meta/intertextual support
and you could say that what i’m saying here is basically “a lot of the fun of doing character analysis is doing character analysis” but let’s be real a lot of fandom character analysis is pretty heavily vibes-based. and i think that’s where i really chafe up against the traditional thought-terminating fandom attitude of like, everyone’s opinions hold equal weight and any interrogation of that is inherently hostile. because i think it’s fascinating to dig into where others are coming from in terms of their views on characters or dynamics or whatever, especially when they differ significantly from more commonly expressed views, and part of that digging is asking people okay what parts of canon are you drawing from to support your opinion? what parts of canon are you disregarding or downplaying? how does this argument hold up in the light of how race, gender, class, ability, etc. operate both in the piece’s in-fiction and real world contexts?
it’s simple: when I like an adaptation, everyone complaining about changes to the text is a whiny baby who needs to get over themselves and accept that sometimes you have to change the story to enrich the experience/work within the medium. when I don’t like an adaptation, it’s because nobody else understands the core themes of the original work and would be better off just creating a story independent of what they’re trying to adapt.
i feel like a lot of people-- and tumblr especially-- are seriously sleeping on Paris Paloma! even if you don't recognise her name, it's very likely you've heard her voice before: she's the artist behind the song labour.
what you may NOT have known is that she also has a whole bunch of other bangers about other current and social issues: primarily related to women and feminism, but also covering other topics.
i'd like to introduce just a few of my favourites that i feel are as good as "labour" (if not better), and should definitely be just as popular:
feminist topics
good girl - in her own words: "this year I reached my limit with diet culture, anti-ageing culture, cosmetic surgery culture, and overall culture of policing women’s bodies."
last woman on earth - a grim rumination on how women are sexualised, objectified, and often violated from the moment of birth to even beyond death
as good a reason - about subverting beauty standards for women, set by a male-led industry to make a profit off of our insecurities
good boy - turns the gendered idea of "submission" on its head by pointing out that nobody is more submissive than a man to the billionaires (other men) at the top of our capitalist and patriarchal society, in the hopes that they too will be rewarded (they won't)
pre-raphaelite - in her own words: "pre-raphaelite is a love letter to the female gaze. it speaks about being mesmerised by feminine beauty without sexual attraction. the way you look at a cool girl and appreciate her like a painting: alive, beautiful, and full of depth."
knitting song - about solidarity and kinship between women and girls, the passing down of traditions between generations of women, and sharing in and celebrating a valuable craft and custom often derided for being feminine/female-dominated
boys, bugs and men - how boys realise at a young age that they can use physical and emotional harm towards women as a form of domination and power
drywall - about the double standard regarding men's and women's emotions: how men as seen as "logical" and women as "emotional", despite the fact that men are allowed to throw tantrums at simple inconveniences
other topics
miyazaki - anti-AI banger of all time! about paris' (and humanity's) natural need and desire to create art, and how soulless AI will never replace that (she will never let it)
triassic love song - the most beautiful and sad song about the triassic cuddle ever created. in the top 3 paris songs for me personally
hunter - about someone fighting-- and learning to live peacefully-- with the spectre of the mental illness they suffer from. in paris' own words: "hunter is a reckoning and a reflection on all the times I decided to keep living instead of giving up."
stem the flow - how it feels to love someone and realise they have hurt you extensively, and being unable to forgive them while also hoping they will change so that someday you can. begging them to prove they love you while also being angry at the realisation that maybe they don't know how. aka: toxic family song that breaks me every time
notre dame - sung from the pov of the hunchback: a figure who is both exiled from society but still wants to bear witness to people's loneliness, and give them comfort by existing invisibly in the rafters of the cathedral and being "a higher power, in case there isn't one"
it's called: freefall - a cover of the Rainbow Kitten Surprise classic, given a new haunting vibe through paris' classic folk sound
yeti (feat. Old Sea Brigade) - a song about the aftermath of a relationship, where two parties who were once obsessed with each other now no longer are. described via a metaphor of yeti sightings, and an explorer who no longer cares about them
anyway... these are all amazing songs, and you should definitely check them out! she has a new album coming out on sep 4 that i am veeery excited for (and no, she did not pay me to write this and promote it lmao), so now's the perfect time to get into her music!

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Imagine being trapped in a disaster zone, delirious and starving and injured and seeing a 6ft tall evil goat monster with a chainsaw walking jerkily towards your position where you cannot run or hide
My woke take, as someone who has worked in both a public library and a school library, is that we desperately need both more books that are at a higher reading level but a less mature subject matter, and more books that are at a lower reading level but a more mature subject matter, because 8 year olds who are advanced readers are still 8 year olds and don't want to read about graphic violence and torture, and teens and adults who have learning difficulties or who are just later readers for whatever reason are still teens and adults and don't want to read about Billy the Bunny going to school or whatever the hell.
Shoutout to people in the notes also mentioning people learning the language, I should've mentioned that really, given that I've been stuck reading German picture books myself while learning German.