I’m a patron of the arts (I leave nice comments on aO3).
I'm a patron of the arts (I reblog on Tumblr dot com)
Misplaced Lens Cap

Origami Around
Sade Olutola
TMBGareOK. The Official They Might Be Giants tumblr
occasionally subtle
EXPECTATIONS
Cosmic Funnies

titsay
h
Cosimo Galluzzi
hello vonnie

❣ Chile in a Photography ❣
official daine visual archive
Xuebing Du

oozey mess
The Stonewall Inn
Not today Justin
$LAYYYTER
seen from Peru
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seen from United States

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@localteaaddict
I’m a patron of the arts (I leave nice comments on aO3).
I'm a patron of the arts (I reblog on Tumblr dot com)

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you used to be able to get a job just by circling a listing in a newspaper in red pen
rip to the guy who posted his very expensive yixing teapot to r/tea, only for the comments to be not compliments on his taste as he expected, but instead GREAT GOOGLY MOOGLY and I SHOULD CALL HER. he then crossposted it to r/gongfutea, which is ordinarily more dignified and self-serious, but was it? was it?? of course not, because this is reddit, and this was the teapot
Went in with the idea of making Vessel look like he’s from a video game/ and or dnd style character sheet :) !!

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i love when i see something and i'm reminded that i really am not a person who has even engaged with "forgive and forget" as an ideology. my philosophy on life is more like Remember and Hate
the thing about mothers in fiction is that a lot of fandoms seem to be under the impression that the worst thing a woman can possibly do is be a bad mother. like they can forgive deadbeat dads easily but the moment a woman is a bad or even mediocre mother she's the devil incarnate to them. and then you're like "i like her and i think she's interesting" and they immediately go "oh so you think it's okay to be a bad mother (which is the most evil thing a woman can be)". and don't even get me started on how they react to female characters who are bad stepmothers
Unironically I think this is why Medea by Euripides is so heavily misinterpreted as a character assassination on its protagonist or a misogynistic smear against women everywhere when the original text itself challenges the idea that Medea is a villain. A lot of modern (and even some ancient) people talking about the play or the character refer to Medea as an archetypal example of a horrible evil crazy mother because they fundamentally misunderstand the premise of the play and it’s because its protagonist isn’t the typical self-sacrificial suffer-in-silence martyr for her kids that people expect mothers to be. Medea is not called to be a doting mother, she is called to be an instrument of divine punishment for Jason’s crimes against her and her children and she fulfils the role that better suits her.
The play makes it clear that Medea loves her kids, that she wanted to see them grow up to be heroes and achieve greatness before Jason robbed their sons of that future with his abandonment. Everything she does is in response to the horrific circumstances JASON put them in. Jason expects Medea to capitulate because he’s holding their children over her head and a “typical” mother is supposed to drop everything for her children. But a trapped fox gnaws its leg off, and a starving sow eats her young, and Medea is explicitly not a typical Greek woman, she is the blood of gods and an instrument of their justice and she tells us who she is in her own monologue: Her identity aligns with and is every bit as inclined to greatness and savagery as the lauded, blood-soaked male heroes of epic tradition. And when she is forced to prove it, she does.
And she is implicitly justified by the narrative. She occupies a role in Greek tragedies traditionally reserved for the gods, and their conspicuous lack of intercession implies that their judgement is already being carried out by the semi-divine Medea.
The whole play is a reflection on the roles women are forced into and how thankless and dangerous it is to be at the mercy of men. Medea did everything right by her husband and was thrown to the wolves, if she had played the part of a “good” mother she and her sons would have suffered. It was Jason’s failure to fulfil the role of a good Greek man who takes care of his family that forces Medea to abandon the role of a good Greek woman if she wants to survive. But people miss this point because they can’t absorb Medea with any nuance past her choosing herself over her children, and so the whole work is reduced to “man isn’t it scary when women go crazy? So evil!!”
Imagine Yasha, seemingly out of nowhere, just squinting playfully and smiling at Molly and saying, "... I'm gonna get you~..."
And he gets all cute and mildly flustered, and tries escape, dodging through their friends, and running away giggling.
He's not really trying that hard though, and she can always catch him.
And she holds him up under the arms like he's a kid, not an almost 30 year old man, and she smiles up at him full of affection. And he's breathy and panting, and laughing, and trying in vain to scold her, like, "Yasha-Love, put me down! This is terribly undignified..!" But he can't even try to keep a straight face. And then she just pulls him in close to give him a big smooch on the cheek.
Jumping off the theme of this post, I also believe that, in a Mighty Nein modern AU, there is no chance Essek owns a cool car. He’s driving around a gaggle of seven fools (plus The Traveller✨) at any and all hours of the day under wild circumstances - he needs a van.

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There being like twice as many sub Caleb fics as dom Caleb fics is tragic to me. Like he wasn’t having the time of his life slapping fjords tits. As if “if you’re a good boy we can do this every night” just didn’t happen. Sad. Ridiculous. Missed opportunities everywhere
living a monk lifestyle but like if that monk had a 14 hour daily screentime
essek(s)
Data centers have a very limited lifespan but their consequences will be felt for generations.
Man currently trying to balance being his at-war country's spymaster, hiding his theft of a religious artifact from said country's government (this started the war), managing his contacts with the people in the country his country is at war with whom he gave the artifact to, herding a bunch of random chucklefucks who returned one of the artifacts he stole, and keeping a handle on a cult apparently opening portals to the Abyss: I am spinning a lot of plates at any one time
Also said man: Time to drop everything I'm doing to go teleport the chucklefucks again

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Do you guys ever think about Yasha, wandering the plains, feeling half dead, wondering if she is dead, wondering if she cares if she's dead, plagued with nightmarish scenes that she's pretty sure were her own doing, hardly knowing why, not having any home to go to, still mourning her wife, And the only thing that brings her any kind of comfort is those little purple flowers...
And the first sign of hope she sees, the first person, is who?
A bright, colorful, friendly tiefling, pretty and purple as any flower, wanting to take her home, and be best friends forever.
Molly. ❤️
Canon or not, I’ve been really vibing with the idea that, while Essek may be older than Verin, this is his soul’s first life, and while Verin is younger than Essek, this isn’t his soul’s second or third. His soul probably isn’t particularly old, but it wasn’t born with him.
Essek is highly intelligent, but solitary, down to the very core of him, and when the Nein comes along, their kindness isn’t something he easily understands. He knows only what he learned himself, and has relied very little on others for much of his life, having no prior lives to pull wisdom from.
Meanwhile, Verin, though not all too respected by his den, nor regarded as highly as Essek, understands the value of unity, and connection because of his soul’s experiences. So, when it comes to caring for and protecting people, it’s something he’s known even longer than he himself has been alive.
Something about Essek being the mind, Verin being the heart, and what can bring them together or push them apart being the soul really gets me.