"you don't know what you have until you lose it" works for things that suck too btw. sometimes you need to experience life without something for a while to realise oh damn that was some bullshit
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@livqueer
"you don't know what you have until you lose it" works for things that suck too btw. sometimes you need to experience life without something for a while to realise oh damn that was some bullshit

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songs used to have a bridge and a third chorus
let’s get you to bed grandma
autism tests are so funny. I'm extremely literal most of the time, but people don't tell me that generally, so I'm inclined to answer disagree. because I'm taking the statement too literally
^not my post but same sentiment
alright guys. time to vote on which symbols to use for the pride buttons.
which symbol goes with the rainbow flag?
ionizing radiation
hand crush
health hazard
which symbol goes with the wlw flag?
gear crush
submerged objects
which symbol goes with the mlm flag?
press brake crush
surf craft area
which symbol goes with the bi flag?
body crush
hand crush
which symbol goes with the pan flag?
non-ionizing radiation
high surf
moving blades
which symbol goes with the trans flag?
battery charging
corrosive substance
rapid movement of press brake
which symbol goes with the ace flag?
sharp implement
industrial vehicles
which symbol goes with the intersex flag?
run over by remote operator controlled machine
oxidizer
emergency stop button
falling objects
The fact that antisemites are using the word "noticing" and "noticing patterns" as dogwhistles is annoying because I do actually notice a lot of stuff, patterns included, and one of the most obvious patterns I've noticed to date is that all antisemitic rhetoric makes no sense if you think critically about it for 5 seconds. Often less
A TERF liked this post so I just want to clarify that another pattern I've noticed is the massive overlap between anti-trans rhetoric and antisemitic rhetoric

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violet was so fucking funny for this
I had a good day so I’m just going to preemptively have a breakdown, okay?
the hill I die on re: griddlehark characterization is that gideon is canonically tidy and harrow is not. Because gideon needs some small sense of agency over her own life. similar to how she's always working out because she needs control of something about her own body. Harrow isn't as careful with things that belong to her
don't get me wrong harrow is living by a set of strict rules that keep her functional but those rules are not legible to anyone else and they don't involve taking care of her body or doing her laundry
“This is what happens when you aren’t happy with what you’ve got! Someone’s husband eventually gets it!”
- Chilli (from Bluey s02:e02 Hammerbarn)

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snoopy of the day
I just wanted to add this quote from the peppermint patty peanuts wiki page about Charles M. Schulz and his relationship with his gay cousin. The source here leads to a book that I did not read but the original source is Schulz's wife who confirmed this in an interview. If I can find the interview again I will link it here but uh. just in case someone tries to claim Schulz was a homophobe on this post again.
lol first time seeing "AI" written in yiddish
I read this as an expression of woe
There are multiple chapters that are set in hospitals where the characters are attempting to recover from injuries that never fully heal. I must once again stress that my experience in WWI was perfectly normal.
There is a giant horrible mudplain full of unrecoverable and perfectly preserved dead bodies that the characters have to walk through in a land where the air is poisoned gas, and on a compLETELY UNRELATED NOTE: WWI WAS TOTALLY FINE AND NORMAL!!
Uh??? Tolkien did not claim that???
"One has indeed personally to come under the shadow of war to feel fully its oppression; but as the years go by it seems now often forgotten that to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918, all but one of my close friends were dead."
He talked about how WWI affected his writing all the time, he was not in denial for how it affected??? Am I missing something????
https://www.tolkiensociety.org/blog/2017/09/tolkien-as-war-novelist-another-way-of-dealing-with-trauma-through-writing/
what Tolkien was adamant about, which has been confusing people for several decades now, is that he wasn't writing about World War Two
He was also very clear that he was not writing allegory. Now, some people are not very clear on what allegory means. "Allegory" and "symbols" are not the same thing. Allegory is a type of symbolism, but there are a lot of ways of doing symbolism that aren't allegory ... and a lot of people are kind of fuzzy on that. The way allegory is most commonly used in literary and religious analysis is that there is a direct, almost 1:1 correspondence between the literary figure and what it is standing in for.
So, for example, Pilgrim's Progress is an allegory of Christian salvation. It's sort of a novel? There are characters who do stuff? but also they are very one-dimensional. The main character is a guy named Christian--yes, really!--who is journeying from his hometown ("the city of destruction") to the Celestial City (heaven). There is not much subtlety to it. It is pretty much what it is. There is no slippage, no playing around with the theme, no places where the symbolism is ambiguous. John Bunyan, the author, is hitting you over the head every step of the way with the Meaning That You Are Supposed To Be Getting From The Story.
Not all allegories are that crude or simplistic; the Narnia books are also allegory for Christianity. They have a lot more subtlety to them and a lot more nuance, and there's a lot of stuff in there that isn't allegorical, but on the crucial matters there is still a 1:1 correspondence. Aslan is Jesus. He's not like Jesus, he's not a character that has some similarities to Jesus or takes themes from the stories of Jesus, he is Jesus.
Tolkien is not doing allegory. Tolkien is taking the material of his life--his faith, his experiences in WWI, his linguistic and historical knowledge, his favorite books--and using them as the building blocks of his story. The themes and imagery and symbols draw heavily from all of that, the characters and settings draw heavily from all of that, but they are too complex to be allegorical. There's a lot of symbolism! It's not allegory.
So, for example, let's take the Dead Marshes referenced above. Does the experience of walking through this muddy wasteland with corpses all around that are rotting but still look like people draw from Tolkien's WWI battlefield experience of dead bodies in the trenches? Of course it does! but there are also a lot of differences. These dead are not from the current war, they are from a previous one--they are a reminder of old conflicts, of the ways the systems and powers of the current war have not come out of nowhere, there is history here. There is meaning that is not drawn from the Somme. And they are also drawing from literary references Tolkien was familiar with--primarily William Morris. Modern readers don't get the references because we have generally not read The House of the Wolflings, but that doesn't mean that the references aren't there.
So people read Tolkien's insistence that he didn't write allegory, and take that to mean that he's saying there isn't symbolic and thematic references. And that isn't what he meant! And also, we focus so much on the thematic references to WWI and Christianity, and we miss most of the other references, which makes it seem like Tolkien's only drawing on WWI, when he's actually doing something more complex.

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i hope that someday there will be no more advertisements ever again
Spin the wheel. Now, imagine you're on a first date with someone who says they`re a [result]. How does this affect the odds of a second date?
100% guarantee I'll want a second date
It's significantly more likely
The odds don't change
It's significantly less likely
There wont be a second date. Absolutely not
Picker Wheel is a wheel spinner for a random picker. Various functions & customization. Enter choices or names, spin the wheel to decide a r
(anon submission)