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And now I'm reaching out with every note I sing and I hope it gets to you on some pacific wind wraps itself around you and whispers in your ear tells you that I miss you and I wish that you were here
Here's some summer advice from a guy who worked in skincare:
-you need to wear sunscreen if youre going out in the sun. No ifs, ands, or buts about it. You don't need the expensive designer stuff but please just wear sun protection.
-you still need sunscreen if you are black or dark-skinned. Not only can you still sunburn, but direct UV light exposure also increases your risk of skin cancer, no matter how much melanin you have. There's tons of brands out there that are made for darker skin tones that don't leave that ashy finish behind, you just need to know the terms to look for. Look for the words "tinted, matte, mattifying," and shea butter-based sunscreens. There's also lots of brands that are formulated with your skin tone in mind. I don't have any to recommend unfortunately because I don't have experience needing that, but I know they are out there.
-if youre very hairy and cream sunscreens get caught in your body hair and glob up, get a spray sunscreen instead. It'll get in all the nooks and crannies instead of getting caught in your hair. Spray sunscreens are also good for those who have troubles with the effort and time it takes to put on sunscreen. Just make sure you spray it in a well ventilated area or, better yet, under cover outside, like on a porch or balcony.
-dont believe the fearmongering about chemical sunscreens. They're much more reliably protective than mineral sunscreens are. Thats because theyre chemically formulated in lab settings to be consistently protective and keep on shelves for long periods of time, while mineral sunscreens have a bad habit of ingredient separation and uneven formula mixes. Really, unless youre swimming directly in the great barrier reef or you have a specific skin condition or allergy to the ingredients in chemical sunscreens (the only customer i actually recommended our mineral sunscreen to over our chemical one was a regular who had skin cancer), you don't need a mineral sunscreen. Your wallet will also suffer less.
-you might have to double cleanse in the shower to get all sunscreen residue off your skin. Thats a good thing actually, it means your sunscreen is really good at barrier protection, but its also annoying. The way to do this without drying out your skin too much is by doing one quick cleanse of your skin with about half the soap you's typically use just to loosen up that residue and dirt, and then another deep, proper clean like you usually would that will get it all off. While leftover residue isn't really a health risk at all, it can clog your pores over time and cause uncomfortable acne breakouts, as well as trap dust and dirt under all the gunk. It can also get on your bedsheets.
-if you double cleanse, I recommend moisturizing after because it does dry you out a bit. You don't need a big fancy designer moisturizer either, just go to the drug store and get their basic pump bottle of body lotion, and separate facial moisturizer (the separation matters, the skin on your face is a lot more thin and delicate than the skin on your body). The main thing you want to look for with any product is that you arent allergic or sensitive to the active ingredients and avoid anything that uses alcohol as a binding ingredient.
-hats, hats, hats!! They keep the sun out of your eyes and your face!! You cant put sunscreen on your eyeballs!! Wear hats!!
-go have fun!! You can have your beach days and sun fun without cancer risks!!
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Some more bisque ware, trying to get it all done before I don’t have access to the pottery studio anymore!! My poor hand built kit trinket lost a leg, she’s covered in clear glaze now (as well as all the white color on the bowls)
don't mind me, I'm going to ramble a little about decorating plates (with pictures lol)
one of the things I really enjoy about decorating plates is that the rim of the plate is the perfect place to put some kind of framing
(all pieces in this post are sold)
I don't always frame the images, sometimes leaving it uncarved is the best way to accent the central image
or I'll simply continue the design out over the rim of the plate
the rest I'm going to put under the cut lol
it took me awhile to get used to considering and planning out the rim of a piece while I was sketching. oftentimes I would forget about it, and once I was finished carving the central image I’d suddenly realize the piece needed a frame to feel complete. sometimes it just doesn’t look right without something on the rim! this piece definitely falls into that category.
once it was carved it just felt too open without a frame
I really like decorating the rim with little things that relate to the subject of the piece. it might be my favourite kind of framing
(the violets relate to the pigeons because the sapphic flag is pink with violets, and this is a portrait of my pigeons, who are lesbians lol)
sometimes the framing design escapes the confines of the rim lol, despite my plans. the gum blossoms just really wanted more space in this thylacine piece
framing a design works on tiles too of course, but the raised rim is more fun imo
(both of the above tiles are from pretty early on in my sgraffito experiments, so the photos are unfortunately very bad 😬 I hadn't yet learned to take nice pictures)
sometimes a frame can act a bit like a stylized background for the subject, like these trees
or a more distant set of trees to indicate a forest
or I can use the rim's design more like a closer look at the environment around the subject, their immediate surroundings; the rabbits surrounded by thorns, the jackdaw surrounded by juniper
it's also interesting to bring the carving of the background of the piece out onto the rim when it’s a different colour, like in the (above) jackdaw plate, and the (below) red winged blackbird plate. it can show the subtle background carving in a more visible way and kind of tie the design together
sometimes a simple directional pattern is the way to go. I did this a lot in 2023 especially for some reason?
I've really grown to love carving imperfect patterns, and I find it relaxing to just kind of go with it and not worry about perfect spacing or lines
it’s really an exercise in frustration to try to make a pattern exact when it’s being carved on a hand built piece of pottery that is already an imperfect shape.
I’ve never been particularly intent on being exact with my art tbh (though I do admire that quality in other artists)
I am happy with a more relaxed method lol
this one below was done really roughly and I enjoy the way some of the underglaze remained after I scratched most of it off. it follows the shape of the piece really nicely, because I let my carving tool just followed the shape of the rim without much guidance from my hand lol
sometimes I experiment with using glaze to add a little something to the rims
and sometimes, the frame is just the perfect place to put a few words
but I'd never really used framing much in my art before I started making plates! so it's been a bit of a learning experience. I've enjoyed experimenting with new ways to decorate the rims of plates. some of them don't work out lol, but that's just the nature of making art
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i could not get to the pottery studio because of the snowstorm, and had to recycle like five pieces that got too dry to work on. but the good news is there was a glaze firing, and I got some sweet little flower vases and pots out of it!
do you like my display set up? It's two poster papers and a box with an artfully draped t-shirt.
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