LINEAGE & TRAJECTORY @lineageandtrajectory - Tumblr Blog

Love in the Time of AIDS (2006) // Deepa Dhanra

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man ray, The glass star, 1969

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Natura morta (Still Life), 1957

Giorgio Morandi

archiveofcanvas

Giorgio Morandi (1890-1964) Landscape of Grizzana, 1962. Oil on Canvas 10 x 12 1/8 in 25.5 x 30.7 cm

disease

"ST. FRANCIS CHURCH (RANCHO DE TAOS)" ANSEL ADAMS | NEW MEXICO, 1929 [gelatin silver print | 13 1/2 × 17 1/2"]

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EDWARD WESTON / "FUNGUS" / 1932 [gelatin silver print | 8 x 10"]

daweyt

— Frank Bidart, from “Half-light: Collected Poems 1965-2016; 'Guilty of Dust'”, published c. 2017.

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nefhertari

thinking about how all yugoslavian official documents used to end with - death to fascism and freedom to the people

nowlysander

Two lovers in an embrace by Duncan Grant

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ardor-mohr

“I think that all desire, including sexual, is the desire to be in a certain place, if only a place consumes us and gives us energy. But when I say place I don’t mean a geographical place… It’s where your finger fits or where your foot rests.”

— John Berger

chantssecrets

Georges Seurat (1859–1891), L'Écho, study for Une Baignade, Asnières (Bathing Place, Asnières). Conté crayon on Michallet paper. 31.2 × 24 cm

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Guido Fanfoni Costa

laclefdescoeurs

Antinous, George Barbier

nobrashfestivity

Raghib Al-Isfehani ( Abul-Qasim al-Hussein bin Mufaddal bin Muhammad)

from ʻAjāʼib al-makhlūqāt wa-gharāʼib al-mawjūdāt (The wonders of creation, or literally, Marvels of things created and miraculous aspects of things existing) by Zakriya ibn Muhammad al-Qazwini (circa 1203-83) is among the best known texts of the Islamic world. It is often referred to as “The Cosmography.“

The work begins with an introduction, and is followed by two sections, the first on supra-terrestrial, the second on terrestrial creatures. Al-Qazwini concludes his work with a section on monsters and angels. The genre of Aja'ib al-makhluqat (The wonders of creation), of which al-Qazwini’s work is the most famous example, includes texts in Arabic and Persian that describe the marvels of the heavens and the earth. Numerous manuscripts of al-Qazwini’s work have survived, as have several Persian and Turkish translations of illustrations.

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Jean Dunand & Jean Goulden

Commode à l'anglaise, pièce unique, 1921

lacquered wood

Signée Jean Goulden au revers de la porte gauche et Jean Dunand laqueur au revers de la porte droite, de forme rectangulaire en bois laqué polychrome et laque argent, à décor d'un paysage abstrait en façade et sur les côtés, les deux vantaux au revers laqué noir, l'intérieur en érable moucheté aménagé de sept tiroirs, les poignées de tirage en laque chocolat ; quatre pieds d'angles.

Hauteur : 90 cm (35 1/2 in.) Largeur : 135 cm (52 1/4 in.) Profondeur : 63 cm (24 3/4 in.)

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