I'll think of something funny to put here soon

A glorious fuck-ton of perspective angle references (per request).

Perspectives Tutorial by DerSketchie

TUTO - male reference pose by the-evil-legacy

tuto - women ref poses by the-evil-legacy

Foreshortening Practice by Bambs79

How to Draw Manga vol. IV - Dressing You Characters in Casual Wear

HUMAN PROPORTION: SIMPLIFYING THE FIGURE USING GEOMETRIC FORM AND GESTURE by The Helpful Art Teacher

Basic comic interpretation - different camera angle by diaemyung

There are two characters that I find the most visually grating: Alastor and Vox (they can fight over who wins first place). But this rant is all about Alastor, as asked for by @ckret2

I love the characters, don’t get me wrong. But a rant is a rant. To preface this entire spiel, it’s worth noting that not all things that look good in real life look good in animation (and vice versa). Usually, though, the disparity between their visual appeal across both mediums isn’t that large. BUT THIS. It’s already hanging on by a thread in the cartoon. I cannot for the life of me imagine this ever existing in real life AND looking good.

I will try to break his outfit down and format it so that this is all easier to understand. Fair warning: in total, this is about 1400 words roasting our beloved demon.

Thank you, you’re so sweet!! When I draw my own characters I just pick colors I like but for fanart there’s a few things I do. I’ll share my process here in hopes it might help!

Comfort

When working with vibrant colors I like to soften them by warming them up, making them similar to each other, and avoiding pure colors altogether. Our eyes are sensitive so I never want my colors to be too bright or contrasting.

Unique

Tertiary colors are more unique and calming than primary colors so I use them a lot to punch up my art without making things too intense. It also puts a fun twist on designs when we use colors that are close but not exactly like the originals.

Balance

Balancing colors is so important! It’s my final step to completing every color palette I make. There has to be a variety, contrast, and a connection between colors. Adding a little of the same color to all of the others helps to accomplish this. Usually I take a shortcut by adding a color overlay in my painting programs. This is also another reason why I never use pure white or black---those colors will not be affected by color overlays.

So recently I came across a fellow artist who was struggling to find a free art program, and considering dropping the large amount of money for a Photoshop license. I know not everyone can afford such an expensive program, so I’ve compiled a list of programs with no cost to download and use.

Keep in mind all computers are different, so not all will work for everyone. Also, I’ve only ever used Windows, so for the most part, I’m not sure if everything will work for Mac. if in doubt check the website linked.

Photoshop CS2 - (Windows, not sure about Mac.)

FireAlpaca - (Windows and Mac)

Sketchbook Copic Edition - (Windows and Mac)

GIMP - (Windows) (Mac)

Paint tool SAI [cracked]  - (Windows) (Mac)

Paint tool SAI 2 beta - (tumblr post on said program)

iPaint - (Mac)

Paintbrush - (Mac)

Pencil - (Windows, Mac)

Paint.NET - (Windows)

Seashore [still in development, ver 0.5] - (Mac)

ChocoFlop - (Mac)

Inkscape - (Mac and Windows)

ArtRage [Demo] - (Mac and Windows)

OpenCanvas 1.1[must pay for 2.0] - (Windows, not sure about Mac.)

MyPaint - (Windows)

Krita - (Windows)

Vectorian [Supports Animation] - (Windows)

Pixia[Japanese, some English versions] - (Windows)

Asperite - (Windows)

Chasys Draw IES - (Windows)

SmoothDraw - (Windows)

TwistedBrush Open Studio - (Windows)

BOUNS - CTRL+Paint [Great for teaching all kinds of stuff, like how to use digital programs.]

My Followers: *send writing prompts to my inbox*

Me: I am definitely going to update the thing very soon :)