A Leaf on the Wind

i had to reblog this because im actually pissig mysefl

Let’s take a second to compare Aladdin to The Return of Jafar:

I’m going to explain why one scene that they chose to remove actually puts the whole movie in perspective and answers a lot of questions fans had about the final cut.

Obviously this is definitely going to spoil you and I can list about 100 different trigger warnings so unless you have seen the movie and are prepared to deal with the same themes, don’t read on.

Cancer World Tour

We see in what makes the final cut of the film that Vanessa is desperate to find a cure for Wade’s cancer and in the edited scene called “Cancer World Tour” she does just as he predicts, drags him around the world trying every cure.

As always Wade narrates the scene so he informs us that they have been all of the world and have already tried everything and now they were at rock bottom, in a very unlikely clinic in Guadalajara Mexico.

Wade has given up long ago but is keeping that to himself, spending the rest of his very short life indulging Vanessa in the fantasy that he can be cured.

He is in a waiting room bitterly observing the other hopeless patients indulging their own love ones, or perhaps even themselves, and he visibly has a hard time keeping his anger and sadness to himself.

Wade listens in as a mother tries to pay for her young son’s treatment and the nurse very coldly insists she won’t take any pesos, everything has to be in American cash. The little boy reaches for a sucker and the nurse says it will cost extra. Wade quickly puts his own cash on the desk, saying it’s on him.

Something is still bothering him. Wade watches the young boy sit as an older gentleman Wade himself was talking to earlier gets up to go in for his own appointment. Wade tells us in a voice over how he is at the end of his rope. He will indulge Vanessa, he will spend all the money that is needed to do so, but he can’t watch more of these innocent people being screwed over.

Wade sneaks into the operating room to observe that what is going on is that this miracle cure is not a miracle nor a cure. I don’t know exactly how much a layperson may understand this particular treatment by what they filmed so I’m going to explain in a bit more detail: this is an actual treatment that is offered for a great amount of money and the practitioner promises that they will remove your cancer without putting you under anesthesia or even cutting you open; they will somehow reach in and pull it out of you. The stomach is pressed upon by the practitioner and with sleight-of-hand they produced a bit of animal organ, presenting it as the removed cancer. There is a bit of blood but no incision, they claim to have healed that as well.

Wade waits secretly as the the older gentleman, relieved to have been cured, leaves the room and then he enters to confront the practitioner. Wade dryly remarks that the bucket of removed tumors smells like chicken, the practitioner reaches for a scalpel to defend himself, Wade has already taken it.

Wade loses it. He viciously beats and stabs the man. No fancy choreography, no clever banter. Wade gruesomely murders this man with his own two hands and blood is everywhere. The staff and waiting room rush in to see what is happened and Vanessa is among them.

Wade, in excruciating emotional pain, realizes what has happened. Vanessa is watching. This wasn’t a job and it wasn’t done efficiently. He isn’t being a mercenary, he’s being a murderer, is becoming what we will call Deadpool.

Fleeing, Wade runs away and leaves Vanessa to desperately scream in search for him to no avail. He is gone.

I don’t know why this scene wouldn’t of been included in the final cut. To me it solves a lot of issues that people have had with the characterization of both Wade and Vanessa.

Many reviewers asked why, despite the fact that Wade obviously was upset and beginning to show signs of mental illness, he couldn’t just go back to Vanessa and let her see his scars. She certainly didn’t come off as the type of character who would judge him for the way he looked but that wasn’t it. Wade is reluctant to show her what he looks like now, of course, but most of the reluctance comes from the fact that she has already seen a little bit of what he has become inside and that’s a completely different story. Vanessa fell in love with a different man, a man who killed people but wasn’t violent, wasn’t unhinged.

Maybe more importantly it gives the ending an entirely different tone. It’s not the happy ending it appears. Vanessa forgives Wade and despite his warning she is in Deadpool’s arms, not really understanding that Wade is gone. Deadpool very canonically gives into the bit of hope that it might be okay, someone might actually love him.

But what happens next? Vanessa is now going to meet Deadpool and realize that she has to again mourn the loss of Wade who she believes has come back from the dead. Will she love this new man? Should she? Is she safe to be with him?

Your feelings for Deadpool aside, try to imagine what Vanessa is walking into. Wade would never hurt her but Deadpool is not Wade and sometimes Deadpool is not even Deadpool. Sometimes this body is overtaken with pain and hallucinations. If Wade can viciously beat and stab a man to death when he disassociates, what does Deadpool do when he disassociates?

The Second Person Personal Informal Singular Nominative Pronoun in Europe.

I fully support the #cape4Alex movement, HOWEVER, I am also cool with #lanternAlex or #legionnaireAlex. Just sayin’. 

Bonus:

Figured it was as good a time as any to bring back my Top 7 John Adams insults directed to Alexander Hamilton

7. I had the Anecdote of [Hamilton’s] threat to write a History of [Washington’s] Battles and Campaigns, from you, who had it from Miranda. I know nothing of the circumstances that lead to it. In general, I have always understood that Hamilton lived with Washington very much as Lady Teazle lived with Sir Peter, and as Lady Mary Wortley Montague lived with her Husband. - John Adams to Benjamin Rush, November 14, 1812

6. “The one who was raised to the rank of the leader of the Federalists, has been five years dead. It was said, that ‘from his metal was his party steel’d,’ yet there appears to be no lack of sagacity nor of industry to carry on the system, now that he is gone; nor does it fail, notwithstanding he confessed himself to be one that could not cool his iron in his own trough; and notwithstanding you have since represented him as ‘without bottom in voluptuousness:’ so bad that,     ‘Our wires, our daughters,     Our matrons, and our maids, could not fill up     The cistern of his lust, and his desire     All continent impediments would o’erbear     That did oppose his will.’” - William Cunningham, Jr. to John Adams, October 28, 1809

5. "I think it is most lamentable, that in your opinion, ‘the panegyrical orations of Ames and Otis’ and the ‘funeral made by the bankers in Boston’ for Hamilton, exceeded in atrocity and impiety, the King’s brothel in Belview and the Adonian Temple of Madam Du Barry.” - William Cunningham, Jr. to John Adams, August 18, 1809.

4. “Knowing the impetus you felt when speaking of Hamilton, I have been fearful whether you would not get into too hot a temper, and thus disease your rebukes with the fever of animosity. I have thought that you would have been safer to have followed Plato, and to have said, Speusippus, do you beat that fellow, for I am angry.” But, sir, you set him before me in new and horrid odiousness. Of “his debaucheries in New-York and Philadelphia” - of “his audacious and unblushing attempts upon ladies of the highest rank and purest virtue, of “the indignation with which he has been spurned” and of “the inquietude he has given to the first families..”” - William Cunningham, Jr., to John Adams, August 18, 1809

3. “I have been told by Parson Montague of Dedham, though I will not vouch for the truth of it, that General Hamilton never wrote or spoke at the bar or elsewhere in public without a bit of opium in his mouth.” - John Adams, The Selected Writings of John and John Quincy Adams

2. “Although I have long since forgiven this Arch Ennemy, yet Vice, Folly and Villany are not to be forgotten, because the guilty Wretch repented, in his dying Moments… Nor am I obliged by any Principles of Morality or Religion to suffer my Character to lie under infamous Calumnies, because the Author of them, with a Pistol Bullet through his Spinal Marrow, died a Penitent. Charity requires that We should hope and believe that his humiliation was sincere, and I (sincerely) hope he was forgiven: but I will not conceal his former Character at the Expence of so much Injustice to my own, as this Scottish Creolion Bolingbroke in the days of his disappointed Ambition and unbridled Malice and revenge, was pleased falsely to attempt against it.” - John Adams on Alexander Hamilton, Autobiography, being totally over it

1. “The collected part of the semen, raised and enflamed became a Lust converted to choler turned head upon the spinal duct, and ascended to the brain. The very same principle that influences a bully to break the windows of a whore that has jilted him, naturally stirrs up a great Prince to raise mighty armies, and dream of nothing but sieges, battles and victories. In this place I cannot avoid introducing a reflection by way of transgression. What a pity it is that our Congress had not known this discovery, and that Alexander Hamilton’s projects of raising fifty thousand Men, ten thousand of them to be Calvary and his projects of sedition Laws and Alien Laws and of new taxes to support his army all arose from a superabundance of secretions which he could not find whores enough to draw off! and that the same vapours produced his Lyes and Slanders by which he totally destroyed his party forever and finally lost his Life in the field of Honor.” - John Adams to Doctor Benjamin Rush, Nov. 11 1806

TUMBLRICO!

I made this for you today. It’s the scene in Hamilton that goes between “Dear Theodosia” and “Non Stop.” I made a decision not to record this scene on the album, for two reasons 1) It really is more of a scene than a song, the only SCENE in our show, and I think its impact is at its fullest in production form. 2) As someone who grew up ONLY listening to cast albums (we ain’t have money for a lot of Broadway shows, like most people) those withheld moments were REVELATIONS to me when I finally experienced them onstage, years later. Hamilton is sung through, and I wanted to have at least ONE revelation in store for you. I stand by the decision, and I think the album is better for it.