beautifully unhinged women. absolutely deranged men. gays and losers. various others. behold me being incredibly normal about characters.
we're not kids anymore.

@theartofmadeline
KIROKAZE
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almost home
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Jules of Nature
Today's Document
todays bird
hello vonnie
🩵 avery cochrane 🩵

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Lint Roller? I Barely Know Her
Peter Solarz

roma★

❣ Chile in a Photography ❣
d e v o n
"I'm Dorothy Gale from Kansas"
Not today Justin

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@liesweliveby
beautifully unhinged women. absolutely deranged men. gays and losers. various others. behold me being incredibly normal about characters.

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speaking of anime adaptations. i've been looking at the vnc anime too much i need to reread the manga again
you might think the worst type of adaptation that can happen to a fandom is a bad one. but in truth, i find that's rarely the case. usually the world at large doesn't pay attention, the fandom unites around the piece's badness, and otherwise continues along as usual. hell, if the adaptation is so-bad-it's-good then it really can evolve into quite a nice treat, once the sting has worn off.
no, what you actually gotta look out for is the mediocre adaptations. the pretty but soulless adaptations. the technically-competent-but-misses-the-point adaptations. because there will be enough folks who think that the new Adaptation is Good, Actually, and no matter how politely you word your disagreement, they will resent you for saying as much.
Im glad they made up romance for stories and music but can you imagine how scary it would be to deal with all that for real
also. hey.
...are we getting flashbacks to homura's time in catholic school? because that's gonna fuck me UP

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okay im coming around. homura (and/or madoka) becoming walpurgisnacht could be really good for the whole "stuck in a cycle of destroying and martyring yourself that only makes things worse" thing.
they have to learn they have worth outside of sacrifice to break the cycle etc. interesting
i had to
Isn't that lovely, and isn't that cool? And isn't that cruel? And aren't I a fool to have...
Girl whose most frequent mistake is inaction voice: wow I keep making mistakes I better not do anything
Louise Glück, from Nostos
RHAENYRA TARGARYEN & ALICENT HIGHTOWER HOUSE OF THE DRAGON (2022–)

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there is still time. 🦋
checking in with the kuroshitsuji fandom every 2 years to ask if we know the main character's name.
bad news
realising daeron is a fawner just like his mother……..aemond is fight aegon is flight helaena is freeze but daeron is just trying to Be Good so he doesn’t get punished.
HOUSE OF THE DRAGON 1.05 // 3.04
welcome to hinamizawa

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The rise of overly dark Magical Girl shows, which contain suffering for no other purpose than to display said suffering, largely stems from a complete misunderstanding of what Madoka was, and what made it great.
Madoka spends two and a half episodes setting up a happy, cheerful, Magical Girl show, and then spends eight and a half episodes rejecting that premise, showing that hope only leads to despair, that a wish will lead to a curse, that things cannot fundamentally improve, and that trying to make things better will only bring suffering upon yourself and others. This is what derivative "tragical girl" shows were about; the suffering of young women for its own sake, as if that was the point of Madoka, as if the suffering was the entire point.
The last episode, however, has Madoka herself rejecting the show's entire premise. She's told hope leads to despair, and exclaims "If someone says it's wrong to have hope, I will tell them they're wrong every single time.". She's told that the very foundation of the universe leads to suffering being inherent, constant, and that the only thing one can do is to endure said suffering as long as one can bear, before falling to despair and inflicting the suffering one has experienced unto others; she's told that any wish will become a curse, yet ends the show saying "All those Magical Girls who held onto their hopes and fought against witches, I don't want to see them cry—I want them to stay smiling until the end. If any rule or law stands in my way, I will destroy it. I will rewrite it. That is my wish, that is my prayer.""
Walpurgisnacht had been set up as the most terrible witch to ever exist up until that point, and the viewer had been led to believe they'd fight to the death against it, and inevitably lose—as a Magical Girl seemingly always does in the Madoka universe. Madoka does not fight her, Madoka shows compassion, simply stating "It's okay. It's okay now, you don't have to hate anyone anymore, you don't have to curse anyone anymore. I'll go back, before you took that form, and shoulder that burden for you". There was no fight, and Madoka simply took on her despair, as she took on everyone else's, allowing them to once again have hope.
That's why the ending of that silly meduka meguca copypasta does make me cry every time; we pray, never to forget, that being Meguca was suffering. It's not anymore, there are struggles, but there always are in life; the Magical Girls who held wishes in their hearts prevailed against the very concept of the show, with the ending showing that you can make the world a better place through love, compassion, and the power of a wish. The twist in Madoka Magica isn't episode 3, where the first explicit death is shown—it's in episode 12, in which it shows itself to have been a completely normal Magical Girl show all along.
house of the dragon is many things good and bad but most importantly for me it is the perfect tragedy by virtue of being a prequel adapted from an in-world secondhand account of history that explores the journey to an already infamous and inevitable ending because it understands the rules of tragedy as outlined by this post