welcome everyone!
if youâre here, iâm hoping you took either an interest in my fan fiction, or even one of my original novels!
here is the masterlist
any requests? my requests are open, look at this :)
DEAR READER
he wasn't even looking at me and he found me
trying on a metaphor
Alisa U Zemlji Chuda

titsay

@theartofmadeline
Show & Tell
Three Goblin Art

JBB: An Artblog!
cherry valley forever
hello vonnie
Stranger Things
Cosimo Galluzzi
we're not kids anymore.
h
RMH
"I'm Dorothy Gale from Kansas"

⣠Chile in a Photography âŁ
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@liamwrites123
welcome everyone!
if youâre here, iâm hoping you took either an interest in my fan fiction, or even one of my original novels!
here is the masterlist
any requests? my requests are open, look at this :)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really notâbut honestly this is it man.
I'm going to try it.
I love the lawyer metaphor, because whenever I see âJohn knew that...â in prose writing I immediately think âhow? How does he know it?â Interrogate your witnesses. Cross-examine them. Make them explain their reasoning. It pays dividends.
All of this, but also feels/felt. My editor has forbidden me from using those and itâs forced me to stretch my skills.
This is your "show not tell" advice explained!
Editor here.
First, let me preface this with something very important: you can treat all of this advice as SECOND-DRAFT ADVICE. It is so much easier to rewrite this kind of stuff once you have words on the page. Telling yourself the first draft is totally appropriate and acceptable.
What weâre talking about here are FILTER WORDS (and to some degree verbs of being). Yes, âthoughtâ words are included. But so are âheard, saw, looked, tasted, smelledâ etc.âmost words having to do with the senses.
This isnât black and white advice; sometimes youâll use these words and thatâs okay. Theyâre not WRONG. Theyâre just weaker. And theyâre weaker because they create distance between the reader and the experience of the character.*
If you want your reader to feel like theyâre experiencing the story right alongside the character, you want to cut down on filter words.
*This is particularly important with first person and close third POVs. The reader always knows whose eyes theyâre seeing through and thoughts theyâre privy to. So you donât need to tell them âI saw X.â Or âI heard X.â Or âI thought Y.â You can just jump into the action/observation as itâs happening.
This is also where you want to pay attention to verbs of being.
âIt was rainy.â Versus: âThe rain pounded against the roof.â Or âThe rain howled like an injured animal.â Or âThe rain tapped against the window like an anxious lover.â All of these are inviting the reader deeper into the experience of the story by using stronger verbs and similes. And, at the same time, they stir feelings (instead of TELLING feelings). And feelings keep your reader engaged. Engaged readers keep turning pages; engaged readers become FANS.
This is also where
you want to pay attention
to verbs of being.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
The most valuable advice that Author Ex gave me through the years that we wrote together was this: the problem with all these filter words is that they create distance in the POV.
That means that when you read a line like
John saw that the curtains were open.
It immediately takes you OUT of the character's perspective and instead tells you what they experience as a secondhand observation.
You don't have to get fancy or purple with how you rephrase things like this. Not everything needs a ton of breathing room.
You wanna know what's perfectly impactful while keeping a tight POV?
The curtains were open.
Simple as that.
Ways to express the vibe of âOh. Oh.â without writing âOh. Oh.â
because we all know the line is a classic for good reason but perhaps a bit too cliche
Oh. Oh no, I know what this is.
Well. Thatâs inconvenient.
Wait, why isâŚ. OoooohâŚ.
Okay, I know what this looks like. But⌠Oh man, who am I kidding?
Wait⌠Oh.
âOh.â A blink. Then, slower, âOhâŚâ
âWaitâŚâ Fuck.
What? Why would I feel that way when⌠Oh.
This is going to hurt, isnât it?
âWhat theââ Oh.
Everything aligns just right then. Iâve been a damn idiot.
âOh my God!â ⌠Oh my godâŚ
Oh. Oh noâŚ
My hands are shaking and suddenly I understand why my throat feels tight and my heart is pounding. Iâm an oblivious fool.
Nope, nope. Not happening. ⌠âFuck.â
Oh. Oh?
It's always funny when a character feels an emotion and goes "what is this? What the fuck? Am I sick or ill or something?
when a character is so badly hurt/sick that their demeanour switches up entirely
chatty characters pale-faced and silent
quiet and reserved characters rambling deliriously
character who always resorts to humour clearly trying to think of a quip but coming up empty
no-nonsense character so loopy that they canât stop giggling
a stoic characterâs hands trembling in panic
an easily frightened character so far out of it that they arenât aware of whatâs happening to them, much less afraid
intelligent characters who canât think straight
protective (self-sacrificial) characters letting someone else take the fall for them because theyâre too weak to object
patient characters snapping at whoever comes near
affectionate character who wants to be alone
lone wolf who begs you to stay a minute longer.
Character whoâd never in their life cry in front of others, being brought to tears they physically canât hold back. But not just the quiet crying, either, like actual sobs that make their chest heave, and whimpering

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my blog is a safe space for me. the rest of you are in danger i think
cinderella boy fanfics
Cowboy Like Me- songfic, 7.2k words, multi chapter, Cowboy AU, angsty ending
Everyone Thinks Iâm Crazy (Crazy For You)- songfic, oneshot, 3k words, fluff
Feeling Like I Need Something (Itâs Just You)- songfic, oneshot, 1k words, hurt/comfort
Itâs You and Me (Always Forever)- songfic, oneshot, 1.8k words, hurt/comfort
The Art of Falling- oneshot (for now), 1.1 k words, Art Thieves AU
Opalite (I Can Bring You Love) - songfic, oneshot, 3.2k words, hurt/comfort
original works
thereâs only one. sigh
Every Summer Has a Story
fanfics
Cinderella Boy fanfics
KOTLC fanfics
masterlist
Fanfics
Original Content
ao3 account
quotev account

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Prompts for writing Eyes like that
â§ Looking at her felt like leaning too close to a dying fire, the heat muted, the flames gone, but the coals glowing red, alive in silence.
â§ Her eyes looked carved from autumn itself, every shade of red-brown leaf pressed together until you couldn't tell where the warmth ended and the shadow began.
â§ His stare was the color of brick still warm from the sun, solid, grounded, yet glowing faintly with stored heat.
â§ Brown, yes, but the kind that catches light and breaks into red, like whiskey swirling in a glass, sharp, sweet, dangerous all at once.
â§ There was iron in her gaze, iron laced with flame, the red inside it glinting like sparks buried in metal.
â§ His eyes were the shade of chestnuts roasted too long: dark on the surface, but split them open and the heart is burning, reddish, soft, alive.
â§ When she looked at you, it was less like being seen and more like being seared, her eyes branding every secret into memory with their copper-red heat.
Prompts for writing eyes like that
âš Looking at her felt like standing in a wide, empty field. Nothing to hide behind, nowhere to go, just her gaze, steady and unrelenting, and you, small inside it.
âš His eyes carried shadows in them, soft ones, like clouds crossing over grass. You couldnât tell if the storm was coming or already passed.
âš She had the kind of eyes you donât notice at first, until suddenly you do, and then itâs too late, because now youâre lost in them, searching for landmarks that arenât there.
âš His irises were the color of moss in shadow, the kind that clings to stone and never lets go.
âš When he looked at me, it wasnât with eyes at all. It was with meadows. With skies so wide they swallowed the horizon. With places I hadnât walked yet but suddenly wanted to.
Prompts for writing eyes like that
â§ Her eyes werenât simply blue; they were the kind of blue that belongs to water you canât see the bottom of. Shallow at first glance, endless once you step too close.
â§ His gaze carried the weight of winter skies, that pale, aching blue you only get before the snow begins to fall.
â§ Blue that didnât soothe, it burned cold, sharp as ice cracking beneath your feet.
â§ Looking at her was like staring into waves you know will pull you under, and letting them.
â§ His eyes werenât glassy jewels; they were sea-glass, worn down by storms, carrying salt and history.
â§ She blinked, and it was like sunlight on open water, sudden, blinding, and gone before you could breathe.
Tips for Writing Emotional Breakdowns
â§Â Crying isnât pretty. Itâs snot, blotchy faces, gasping for air, and red-rimmed eyes. Forget the single tear rolling down like in Hollywood.
â§Â Anger often hides hurt. People lash out, slam doors, shout, not always because theyâre just mad, but because theyâre covering up fear or pain.
â§Â Shaking is common. Stress dumps adrenaline into the system. Hands tremble, voices break, knees wonât stay steady.
â§Â People go quiet, too. Not all breakdowns are screaming and sobbing. Some are dead silence, staring off, numb responses. Equally devastating.
â§Â Exhaustion hits after. The âpost-breakdown crashâ is real ... headaches, sore eyes, complete emotional hangover. Theyâll want to sleep for hours.
â§Â Words get messy. Rambling, repeating the same sentence, stuttering, saying things they donât mean. Emotions trip over themselves on the way out.
â§Â Breathing changes. Short, shallow breaths, hiccupping gasps, or holding their breath without realizing. Sometimes it even feels like theyâre choking.
â§Â Embarrassment creeps in. Once the wave passes, a lot of people feel ashamed, apologizing or avoiding eye contact. Vulnerability often leaves guilt in its wake.
â§Â Physical pain shows up. Tight chest, stomach aches, tension headaches. Because emotions donât just stay in the mind , the body carries them too.
Emotionally repressed character confessions!!
â˝ "i donât know how to talk about this without making it a joke." â˝ "iâm not used to people⌠staying." â˝ "can we just pretend i didnât say that?" â˝ "i thought if i ignored it long enough it would stop hurting." â˝ "sometimes i rehearse being honest in my head and then never do it." â˝ "i literally have no idea how to ask for help without apologizing." â˝ "i didnât know it was okay to feel like this." â˝ "do you ever get tired of pretending you're okay?" â˝ "what if i'm just too much and not enough at the same time?" â˝ "i only know how to be fine or silent." â˝ "iâve never told anyone that before. please donât look at me like that." â˝ "i donât want to be alone, but being around people feels like too much too." â˝ "i donât even know what iâm feeling half the time." â˝ "iâm scared if i let it out, i wonât be able to put it back." â˝ "i didnât mean to make you worry. i just didnât think it mattered." â˝ "every time i try to be vulnerable, my body screams abort mission."

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Disaster- 1.4k words, FedEx
Authors Note- hello yall!! this was originally gonna be two chapters, but I unfortunately wasnât able to finish it before the reading rumble :,) but im posting it anyways but idc lmao. This was loosely inspired by Disaster by Conan Gray. This is a human au, and all the characters are over 21 and allowed to drink alcohol!!
@camelspit
The last chapter of eshas is KICKING MY BUTT oml