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Cosmic Funnies

❣ Chile in a Photography ❣
cherry valley forever

@theartofmadeline
Claire Keane
YOU ARE THE REASON

if i look back, i am lost
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gracie abrams

Andulka
he wasn't even looking at me and he found me
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oozey mess
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ojovivo

tannertan36
I'd rather be in outer space 🛸
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@lestats-waist

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Assad Zaman as THE VAMPIRE ARMAND
THE VAMPIRE LESTAT | 3.07 "THE FAILURES"
The Vampire Lestat (2026)
THE VAMPIRE LESTAT 03.07 | "The Failures"
collection

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Me, him. Then.
INTERVIEW WITH THE VAMPIRE 3.06: Montreal TVLTwT/IWTVTwT Version. +bonus bc op is very tired of seeing terrible takes online:
The Vampire Lestat is now streaming on AMC+. If you have the chance, please support the show by tuning in on the official platforms. Every view counts!
Also sometimes the purpose of a sex scene is to be titillating and that's, like, fine. You wouldn't go out there and argue that movies shouldn't have jokes unless they "serve a narrative purpose" because you understand that generally the purpose of a joke is to make the audience laugh and perhaps release some tension. Being horny is a normal human emotion like being amused or being scared and sometimes media is trying to evoke that particular emotion; the artist doesn't owe you a 30-page double-spaced justification for trying to make you feel something through their art. Your separation of horniness and sex from other emotions and experiences is sex negative and deeply ingrained in cultural conservatism.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
Sam Reid as LESTAT DE LIONCOURT
THE VAMPIRE LESTAT | 3.06 "MONTREAL"

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SAM REID & JACOB ANDERSON for Vanity Fair (July 13th, 2026) x
Know only this, mon cher: you are the only being I trust, and whom I love, above and beyond myself. All my love belongs to you. You are its keeper. A veil will now forever separate our union, but it is a thin veil. And I'm always on the other side, face pressed up against your longing.
The Lovers René Magritte | The Vampire Lestat 3.06 "Montreal" (insp.)
We saw you from across the graveyard and we really hate your vibe
Daniel: hey what's up you guys!!! My boyfriend wants to tell you a bit of gossip, it's his first time on camera in 500 years so you BETTER be nice. Okay, you go baby
Show me that bitter star I want it Gimme that Brutal Love I want it all I am the meteor gliding Writin' your name in dust as I fall
THE VAMPIRE LESTAT | 3.06 "MONTREAL"

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Lestat: "I'd do anything for you." & Louis: "I'm down catastrophically."
ARMAND........