San Geremia And Palazzo Labia, Venice - Rubens Santoro (Italian, 1859–1942)
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Misplaced Lens Cap
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San Geremia And Palazzo Labia, Venice - Rubens Santoro (Italian, 1859–1942)

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The Zattera and church of the Jesuate, Venice by Rubens Santoro (1859-1942)
Vilhelm Hammershøi
Vilhelm Hammershøi, Interior with Woman at Piano, Strandgade 30, 1901.
Portrait of a young chap in uniform. He is dressed in a Naval cadet's uniform from 1846–1856. Painted by John Godwin Williams (c.1793–1863)
A cadet is not yet a midshipman; he is an officer in training and what was known until 1837 as a ‘first class volunteer’. This is a rank below midshipman, recognisable by the white stripes on the collar but without the white patches.

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Alfred Stevens - "News from Afar"
Off the Greenland Coast under the Midnight Sun, by William Bradford, 1873
Large frigate (she is a galleon) made of ivory and gold, H 116.7 cm, W 78.5 cm, D (base is widest point) 35.0 cm, base width 38.7 cm, by Jacob Zeller, 1620
View of the Pantheon, Rome by Abraham-Louis-Rodolphe Ducros
Canaletto (1697-1768), Piazza San Marco with the Procuratie Nuove and San Geminiano, c. 1740, etching, Princeton University Art Museum.

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Duel entre Charles Maurras et Jacques Landau, 6 décembre 1909, Paris
Greek bronze mirror with Pan
4th century BCE
Metropolitan Museum of Art 25.78.44a–d
Colin Campbell Cooper (American, 1856–1937) "Hudson River Waterfront, New York City" 1913-21
Dans la sphère économique, un acte, une habitude, une institution, une loi n'engendrent pas seulement un effet, mais une série d'effets. De ces effets, le premier seul est immédiat ; il se manifeste simultanément avec sa cause, on le voit. Les autres ne se déroulent que successivement, on ne les voit pas ; heureux si on les prévoit. Entre un mauvais et un bon économiste, voici toute la différence : l'un s'en tient à l'effet visible ; l'autre tient compte et de l'effet qu'on voit et de ceux qu'il faut prévoir.
Frédéric Bastiat, Ce qu'on voit et ce qu'on ne voit pas
A Misty November Day in Princes Street Gardens, Edinburgh, 1950s

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C'est mon père qui l'a pêché, c.1903 by Alfred Guillou (French, 1844--1926)
Fred Lyon. Street scene, Chinatown, San Francisco. 1950s