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View of the Roman Forum with the Temple of Saturn in the Background and Fantasy View of the Roman Forum by Victor-Jean Nicolle
French, late 18th or early 19th century
pen and brown ink with watercolor on paper
Metropolitan Museum of Art x xÂ
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Hannibal Before the Senate in Carthage by Étienne Pierre Adrien Gois
French, 1798-99
Pen and black ink with grey washÂ
Metropolitan Museum of Art
Le Printemps (Spring) and L'Esté (Summer) by Simon François Ravenet, after pastels by Charles-Antoine Coypel
French, 1742-1762
etching and engraving
Metropolitan Museum of Art
Detail of the god Pan and two satyrs, from an etching by Giovanni Benedetto Castiglione, called Il Grechetto. Italian, c. 1645. Metropolitan Museum of Art.
From the Met:
In the 1640s, Castiglione produced a group of etchings that bring to life the world of Theocritus’ Idylls and Virgil’s Eclogues, in which Pan is frequently invoked as lord of the flocks and patron of pastoral poetry. In this etching, the resting god, wearing his usual crown of pine, receives a second crown of grape leaves. The volcano must be Etna, for the rustic verse of both the Greek Theocritus (ca. 300–260 B.C.) and the Roman Virgil (70–19 B.C.) is set in Sicily.
Pan Reclining at Left with Two Standing Satyrs, a Large Vase on a Pedestal at Right by Giovanni Benedetto Castiglione, called Il Grechetto
Italian, c. 1645
etching
Metropolitan Museum of Art
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Bacchanal Before an Altar of the Gods by Giovanni Benedetto Castiglione, called Il Grechetto
Italian, c. 1645
etching
Metropolitan Museum of Art
A Satyr Reclining at the Foot of a Statue of Priapus, Goats at the Right by Giovanni Benedetto Castiglione, called Il Grechetto
Italian, c. 1645-1648
etching
Metropolitan Museum of Art
Diogenes in Search of an Honest Man by Giovanni Benedetto Castiglione, known as Il Grechetto
Italian, c. 1645-1647
etching
Metropolitan Museum of Art
Melpomene, Clio, and Calliope, from the series The Muses and the Three Great Goddesses, after Léon Davent and Francesco Primaticcio
French or Italian, c. 1540-1545
engraving
Metropolitan Museum of Art
Diana Resting by Léon Davent after Francesco Primaticcio
French, c. 1542-1545
etching
Metropolitan Museum of Art
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A Sacrifice by Léon Davent after Francesco Primaticcio
French, 1540-1546
etching
Metropolitan Museum of Art
Psyche by Léon Davent after Guilo Romano. French, c. 1542. Engraving. Metropolitan Museum of Art.
From the Met:Â
Léon Davent—also known by the monogram L. D., as seen in the lower right corner—was one of the premier engravers associated with the School of Fontainebleau (1542–48). Under the artistic direction of the Italian painter Francesco Primaticcio, Davent and other printmakers translated drawings by leading Italian Mannerists into engravings and etchings, including those by Primaticcio himself, Michelangelo, Rosso Fiorentino, and Parmigianino. The design for this engraving has been attributed to Giulio Romano. By printing his engraving in red ink, Davent was possibly trying to achieve a visual effect similar to that of red-chalk drawings, which were popular at the French court and appealed to the discerning collectors he hoped to attract.
Black-figure lekythos with Heracles and Iolaus fighting the Lernaean HydraÂ
Attica, Greece, c. 500 B.C.
terracotta
Walters Art Museum
Black-figure hydria with Heracles battling the Lernaean Hydra. Attributed to the Eagle Painter. From Caere, Etruria. Etruscan, c. 525 B.C. Terracotta. J. Paul Getty Museum. Â
Black-figure plate with Gorgon’s head and bands of animals
Attica, Greece, c. 600 B.C.
terracotta
Walters Art Museum
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Black-figure aryballos (oil flask), signed by Nearchos as potter
Greek (Attic), Archaic Period, c. 570 B.C.
terracotta
Metropolitan Museum of Art
Terracotta column-krater with satyrs and maenads, attributed to Lydos
Greek (Attic), Archaic Period, c. 550 B.C.
Metropolitan Museum of Art