Black-figure hydria with chariot of Achilles dragging the corpse of Hector (and details), attributed to the Antiope Group
Greek (manufactured at Athens, Archaic Period, c. 520-510 B.C.
terracotta
MFA Boston

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Black-figure hydria with chariot of Achilles dragging the corpse of Hector (and details), attributed to the Antiope Group
Greek (manufactured at Athens, Archaic Period, c. 520-510 B.C.
terracotta
MFA Boston

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Black-figure funerary plaque with scenes of prothesis (laying out of the dead) and chariot race
Greek (from Attica), Archaic Period, c. 520-510 B.C.
terracotta
Metropolitan Museum of Art
Black-figure kylix with seated men and youths (and details)
Greek (manufactured at Athens), Archaic Period, c. 550-540 B.C.
terracotta
MFA Boston
Black-figure amphora with the arming of Achilles (top) and a group of warriors (bottom), attributed to the Camtar Painter
Greek (manufactured at Athens), Archaic Period, 550 B.C.
terracotta
MFA Boston
âKeep Ithaka always in mind. Arriving there is what youâre destined for. But donât hurry the journey at all. Better if it goes on for years so youâre old by the time you reach the island, wealthy with all youâre gained on the way, not expecting Ithaka to make you rich⌠And if you find her poor, Ithaka wonât have fooled you. Wise as youâll have become, and so experienced, youâll have understood by then what an Ithaka means.â
â C.P. Cavafy, âIthaka,â from Selected Poems (translated by Edmund Keeley and Philip Sherrard)

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Series of three illustrations of Ithaque (Ithaca) by Henri Matisse, for James Joyceâs Ulysses. Published in 1935 by the Limited Editions Club. National Gallery of Australia.
Series of six illustrations of Polyphème (Polyphemus) by Henri Matisse, for James Joyceâs Ulysses. Published in 1935 by the Limited Editions Club. National Gallery of Australia.
Series of four illustrations of CircĂŠ (Circe) by Henri Matisse, for James Joyceâs Ulysses. Published in 1935 by the Limited Editions Club. National Gallery of Australia.
Series of four illustrations of Calypso by Henri Matisse, for James Joyceâs Ulysses. Published in 1935 by the Limited Editions Club. National Gallery of Australia.
Series of six illustrations of Ulysse et Nausicaa (Ulysses and Nausicaa) by Henri Matisse, for James Joyceâs Ulysses. Published in 1935 by the Limited Editions Club. National Gallery of Australia.

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The Judgement of Paris by John Singer SargentÂ
American, 1922-1924
oil on canvas
MFA Boston
Sketches for Chiron and Achilles by John Singer Sargent
American, 1917-1921
charcoal on paper
MFA Boston x x x
Automedon with the Horses of Achilles by Henri Regnault. French, 1868. Oil on canvas. Museum of Fine Arts, Boston.
From the MFA:
Regnaultâs painting illustrates a story from Homerâs Iliad. Automedon, chariot driver for the Greek warrior Achilles, restrains the horses Xanthos (behind) and Balios, two beasts who could predict the future. As Regnault wrote, âthe horses, aware that their master [Achilles] is taking them into combat, and that this combat will be the last and will cost him his life, struggle and wrest with the groom who has come to take them from their pasture. One of them, chestnut brown, rises like a great dark phantom, outlining himself against the sky. I wanted to give the picture a foretaste of disaster.â
Sketch for Automedon with the Horses of Achilles by Henri RegnaultÂ
French, 1867
oil on canvas
MFA BostonÂ
The Education of Achilles by Eugène Delacroix
French, c. 1844
graphite and black chalk on laid paper
Metropolitan Museum of Art

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Illustration by François-Louis Schmied for an edition of Aeschylusâ PromĂŠthĂŠe EnchaĂŽnĂŠ (translated by Paul Mazon)
French, 1941
private collection xÂ
Detail from AthĂŠna by François-Louis Schmied, with Laurent Monnier and the Baudin enamel workshopÂ
French, c. 1931
enameled and gilt metal, comprising thirteen panels
private collection x