Shield of Achilles by Philip Rundell, originally modeled and cast in plaster by John Flaxman
English, 1821-1822
Silver-gilt convex shield
Royal Collection Trust (acquired by George IV and displayed at his coronation banquet)

ellievsbear
let's talk about Bridgerton tea, my ask is open
Lint Roller? I Barely Know Her
Cosmic Funnies
Mike Driver
RMH
tumblr dot com
almost home
$LAYYYTER
will byers stan first human second

KIROKAZE

Product Placement
Monterey Bay Aquarium
PUT YOUR BEARD IN MY MOUTH
🪼
occasionally subtle
wallacepolsom
Jules of Nature
Game of Thrones Daily
seen from Russia
seen from Malaysia
seen from Brazil

seen from United States

seen from United States
seen from United States
seen from United States

seen from Netherlands
seen from United States
seen from United States

seen from India
seen from United States
seen from United States

seen from United States
seen from United States

seen from Bangladesh

seen from United States

seen from United States
seen from United States
seen from United Kingdom
@didoofcarthage
Shield of Achilles by Philip Rundell, originally modeled and cast in plaster by John Flaxman
English, 1821-1822
Silver-gilt convex shield
Royal Collection Trust (acquired by George IV and displayed at his coronation banquet)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Three studies of a battle scene for the Shield of Achilles by John Flaxman, after a description in Homer's Iliad
English, 1818
pen and grey ink and graphite
British Museum x x x
Study of vintagers for the Shield of Achilles by John Flaxman, after a description in Homer's Iliad
English, 1818
pen and grey ink over graphite
British Museum
Study of a marriage procession for the Shield of Achilles by John Flaxman, after a description in Homer's Iliad
English, 1818
pen and grey ink with brown wash
British Museum
Priam Supplicating Achilles for the Body of Hector by Giuseppe Girometti
Italian, c. 1815-1825
onyx and gold
Metropolitan Museum of Art

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Achilles and the Shade of Patroclus by John FlaxmanÂ
British, 1793
pen and black ink over graphite
Metropolitan Museum of Art
Plaque depicting Priam Kneeling Before Achilles, Begging for the Body of His Son Hector, modeled by Camillo Pacetti and manufactured by Josiah Wedgwood)
England, c. 1790Â
jasperware
Walters Art Museum
Vase depicting Achilles in Skyros among the daughters of Lycomedes
English (made at Wedgwood Manufactory), c. 1790
jasperwareÂ
MFA Boston
Wedgwood “krater” vase. English, c. 1790. Stoneware (basalt ware) with encaustic decoration. Philadelphia Museum of Art.
From the Philadelphia Museum of Art:
This vase, one of the largest in Etruscan Ware produced at Wedgwood, is a copy of an Apulian (South Italian) volute-krater dated circa 330-310 BCE that was in collection of Sir William Hamilton. An identical Wedgwood vase is today in the collection of the Victoria and Albert Museum in London. The monumental vessels may have been produced for display in the Wedgwood factory’s London showrooms.
Alexander Visiting the Tomb of Achilles by Simon François Ravenet, after the painting by Filippo LauriÂ
French, 1769
engraving
Metropolitan Museum of Art

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Thetis Takes Achilles from the Centaur Chiron by Pompeo Girolamo Batoni (and detail). Italian, 1768-1770. Oil on canvas. The State Hermitage Museum.Â
From the Hermitage:
This is the only known painting on this subject. The Russian Empress Catherine II commissioned the painting from Batoni and herself selected the theme, probably finding it in Giovanni Boccaccio’s De Genealogia Deorum (The Genealogy of the Gods). In the 18th century scenes from the story of Achilles, hero of the Trojan War, were much in fashion. Achilles’s mother, the goddess Thetis, gave him over to be brought up by the centaur Chiron. Learning that her son must die in the war against the Trojans she decided to deceive fate and removed the sleeping Achilles from Chiron, fleeing in a shell to the protection of King Lycomedes on the Island of Scyros. Forming the basis of Batoni’s strict composition are two arches, the niche in the cave of Chiron with its herm, and the opening in the rocks, beyond which spreads the sea. The nymphs carefully carry the sleeping Achilles to the shell, while nearby, Thetis says farewell to Chiron. The ideal proportions of the figures recall ancient statues. The pure resonant colors of the robes - blue, red, white and pink - are set off against the calm brownish-grey of the cliffs.
Scenes of the centaur Chiron instructing Achilles, from a series of twelve prints by Gaetano Gherardo Zompini after Giovanni Benedetto CastiglioneÂ
Italian, 1758
etching
MFA Boston x x xÂ
Thetis Dipping the Infant Achilles into the Waters of the Styx by Donato Creti
Italian, 1671–1749
pen and brown ink
Metropolitan Museum of Art
Theseus Finding His Father’s Arms by Giovanni Benedetto Castiglione, called Il Grechetto
Italian, 1645 (published 1648)
etching
Metropolitan Museum of Art
Circe Changing the Companions of Ulysses into Beasts by Giovanni Benedetto Castiglione, called Il Grechetto
Italian, 1650-1651
etching
Metropolitan Museum of Art

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The Chariot of Apollo by Peter Paul Rubens, interpretation of a ceiling fresco designed by Francesco Primaticcio for a room in the Galerie d’Ulysse at the royal château of Fontainebleau, now destroyed
Flemish, perhaps 1620s
oil on panel, marouflaged
private collection
Two episodes from the Odyssey, possibly by Peter Paul Rubens after Francesco Primaticcio
Flemish, 17th century
oil on paper
Rijksmuseum x xÂ