Scenes of the centaur Chiron instructing Achilles, from a series of twelve prints by Gaetano Gherardo Zompini after Giovanni Benedetto CastiglioneÂ
Italian, 1758
etching
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Scenes of the centaur Chiron instructing Achilles, from a series of twelve prints by Gaetano Gherardo Zompini after Giovanni Benedetto CastiglioneÂ
Italian, 1758
etching
MFA Boston x x xÂ

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Thetis Dipping the Infant Achilles into the Waters of the Styx by Donato Creti
Italian, 1671–1749
pen and brown ink
Metropolitan Museum of Art
Theseus Finding His Father’s Arms by Giovanni Benedetto Castiglione, called Il Grechetto
Italian, 1645 (published 1648)
etching
Metropolitan Museum of Art
Circe Changing the Companions of Ulysses into Beasts by Giovanni Benedetto Castiglione, called Il Grechetto
Italian, 1650-1651
etching
Metropolitan Museum of Art
The Chariot of Apollo by Peter Paul Rubens, interpretation of a ceiling fresco designed by Francesco Primaticcio for a room in the Galerie d’Ulysse at the royal château of Fontainebleau, now destroyed
Flemish, perhaps 1620s
oil on panel, marouflaged
private collection

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Two episodes from the Odyssey, possibly by Peter Paul Rubens after Francesco Primaticcio
Flemish, 17th century
oil on paper
Rijksmuseum x xÂ
Achilles Removing Patroclus’ Body from the Battle by Léon Davent, after Giulio Romano
French, c. 1547
etching
Metropolitan Museum of Art
Mars Seated on His Trophies and Bellona Seated on Her Trophies by Léon Davent after Francesco Primaticcio
French, c. 1540-1545
etching
Metropolitan Museum of Art
Alexander Mastering Bucephalus by Léon Davent after Francesco Primaticcio
French, 1540-1546
etching
Metropolitan Museum of Art
Alexander the Great commanding that the work of Homer be placed in the tomb of Achilles by Marcantonio Raimondi
Italian, c. 1500-1534
engraving
Metropolitan Museum of Art

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Gold ring inset with cameo gem of Achilles driving his chariot around the walls of Troy
Roman, Imperial Period, 1st centuryÂ
glass paste and gold
Getty Museum
Red-figure calyx-krater with scene of Odysseus and his companions preparing to bind the Cyclops, perhaps inspired by Euripides’ satyr play CyclopsÂ
Greek (from Lucania in Italy), Classical Period, c. 420-410 B.C.
terracotta
British Museum
Red-figure stamnos, the so-called Siren Vase, depicting the ship of Odysseus passing the Sirens, attributed to the Siren Painter
Greek (made in Attica), Classical Period, c. 480-470 B.C.
terracotta
British Museum
Details from a red-figure calyx-krater depicting scenes of the Trojan War
Greek (manufactured at Athens), Late Archaic Period, c. 490-480 B.C.
terracotta
MFA Boston
Red-figure amphora with Hephaestus polishing the shield of Achilles, attributed to the Dutuit Painter
Greek (manufactured at Athens), Classical Period, c. 480 B.C.
terracotta
MFA Boston

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Red-figure kylix with warrior in tondo and exterior athletic scenesÂ
Attributed to a painter of the Thorvaldsen Group
Greek (Attic), Archaic Period (c. 500 B.C.)
Metropolitan Museum of Art
Detail of a warrior testing his trumpet from the tondo of a red-figure kylixÂ
Attributed to the Ashby Painter
Greek (Attic), Archaic Period (c. 500 B.C.)
Metropolitan Museum of Art