Dido, Queen of Carthage

Orestes by John Singer Sargent 

American, 1922-1925

oil on canvas

Sketches for Apollo and the Muses by John Singer Sargent 

American, 1917-1921

charcoal and graphite pencil on paper

Sketches for Apollo and the Muses by John Singer Sargent

American, 1917-1921

charcoal on paper

Apollo and the Muses (and detail) by John Singer Sargent 

American, 1921

oil on canvas

Daphne by John Singer Sargent 

American, 1910

watercolor over graphite on paper

Venus Italica by workshop of Antonio Canova

Italian, c. 1822-1823

marble

The Vestal by workshop of Antonio Canova 

Italian, c. 1819-1823

marble 

Detail from Perseus with the Head of Medusa by Antonio Canova

1804-1806

marble

Allegorical Figure of the City of Piacenza, for a Pendentive in the Chapel of Saint-Roch, Church of Saint-Sulpice, Paris by Alexandre-Denis-Abel de Pujol

French, 1821

graphite, heightened with white, squared in graphite, on beige paper

The Death of Britannicus by Alexandre-Denis-Abel de Pujol

French, c. 1814

black ink and brown wash, with white gouache over graphite and red chalk

Study for the Figure of the Iliad in the Apotheosis of Homer by Jean-Auguste-Dominique Ingres

French, c. 1827

graphite and black chalk heightened with white chalk on brown paper

Alexander the Great Presenting Campaspe to Apelles by Jean-Auguste-Dominique Ingres. French, 1810. Graphite and brown wash on paper. 

Description from the Met:

Sketch for the painting Leonidas at Thermopylae by Jacques-Louis David

French, c. 1814

black chalk on paper

Study for the wife and daughters of Brutus (recto) and study of a male nude (verso) by Jacques-Louis David

French

red chalk on paper

Compositional study for The Lictors Bringing Brutus the Bodies of His Sons by Jacques-Louis David

French, 1787

Figure study for The Death of Socrates by Jacques-Louis David. French, c. 1786-1787. The Metropolitan Museum of Art. 

From the Met: