♡ S L E E P ♡

guillermo del toro’s pinocchio is a beautiful film but my god no one has adapted that story like neverafter. you can never look at it the same way again after listening to lou wilson, a black man, explaining that he chose to play as pinocchio because it’s a story about a little boy who isn’t allowed to make mistakes. that in pinocchio's story, he is fundamentally barred from childhood at once upon a time. he must earn something that everyone else is granted from birth. the other boys get to tell lies and play and get into trouble, but when pinocchio does the same thing there are grave and violent consequences. his pinocchio is trying to understand why the world is so unfair, why the rules are so different for him, why everyone else gets to be a real boy.

every so often, someone reblogs this from me and not OP (hi @majortomwaits!) and i get to look through the notes before i go cry bc mifune was So Handsome. highlights include:

TIL a family in Georgia claimed to have passed down a song in an unknown language from the time of their enslavement; scientists identified the song as a genuine West African funeral song in the Mende language that had survived multiple transmissions from mother to daughter over multiple centuries (x)

In 1997 Amelia’s daughter, Mary Moran, and other members of the Moran family were invited to Sierra Leone, West Africa, where they were welcomed in Freetown by Sierra Leone’s President and then flown by helicopter to the country’s interior.  There, in the small village of Senehun Ngola, Mary and Bendu Jabati met and sang this song together for the first time.  Years earlier, Bendu’s grandmother had told her that this song, which had been passed down in her village from mother to daughter for centuries, would one day reunite her to long-lost relatives.