Pitt head canon question, at what point did Robby realize that Santos has a history of childhood sexual abuse? Because the way he tells her he can get Al-Hashimi to do the pelvic exam on the kid Santos is afraid is being abused really suggests that this is something he knows about Santos. I imagine they never spoke about it but there was a case where he saw how affected she was and she knew he understood why. I just love their relationship so much. Such a good mentor and mentee relationship. And I assume once sheās done with residency and an attending, santos and Robby are also chilling with beers after work.
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Iāve seen a lot of posts about how the Pittās Emmy nominations are mainly of white people. I think itās fair to note that in the supporting actress category three of the four nominees are white despite the actors put forward for consideration being more diverse. But I do want to mention that there is some important racial diversity of the nominees that is not being discussed.
Two writers were nominated: Kirsten Pierre-Geyfman, a Black woman, and Valerie Chu, an Asian woman.
I know lots of people forget how diverse the writers of this show are, but I do think itās noteworthy that both writers who were nominated are women of color.
Iāve seen it mentioned that Sepideh Moafi and Ernest Harden Jr. were the only actors of color nominated, but that isnāt true. Tal Anderson is a biracial, Asian woman with autism, and itās probably worth not acting like sheās white or overlooking that sheās a woman with a disability who is nominated for playing a woman with a disability.
So yes I agree there is one category where the Pitt put forward more diverse contenders than were nominated, but letās not forget to celebrate the wins here and to remember that having a writers room that is as diverse as the Pittās is is part of why such well fleshed out complex characters who are women of color exist.
#notable that robby got called out for his bad behavior and apologized#i'm sure everyone will acknowledge and respect this#and the fact that mohan feels free to both interrupt him and call him a dick without worrying for her job says a lot#which i'm sure everyone will also acknowledge and respect#for we are all reasonable around here
An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 1/2
Fandom: The Pitt (TV)
Rating: Explicit
Warnings: No Archive Warnings Apply
Relationships: Baran Al-Hashimi/Michael "Robby" Robinavitch
Characters: Baran Al-Hashimi, Michael "Robby" Robinavitch, Dana Evans, Trinity Santos, Baran Al-Hashimi's Son
Additional Tags: Hurt/Comfort, Post-Traumatic Stress Disorder - PTSD, Attempted Rape/Non-Con, Sexual Trauma, Medical Trauma, Smut, angsty smut, Angst
Summary:
When Baran is attacked by a patientās boyfriend, it brings up memories from the past that Baran has always kept safely buried.
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An Archive of Our Own, a project of the Organization for Transformative Works
Chapters: 20/20
Fandom: The Pitt (TV)
Rating: Mature
Warnings: No Archive Warnings Apply
Relationships: Baran Al-Hashimi/Michael "Robby" Robinavitch
Characters: Baran Al-Hashimi, Michael "Robby" Robinavitch
Additional Tags: Hurt/Comfort, Angst, Chronic Illness, Depression, Epilepsy
Summary:
Baran Al-Hashimi and Michael Robinavitch are at turning points in their lives, coping with chronic illnesses and finding new ways forward. After Robby returns from his sabbatical, they find themselves drawn to each other.
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In continuation of this drawing showing Siuan's hair going white from shock after her stilling, I wanted to draw and reflect on women and violence in fiction, and letting brutality and age and survival mark their skin rather than enshrining their youth in death and memories.
I have a lot of feelings about narratives exacting terrible violence in life on women, and then keeping them eternally young and intact in death, often elevating them as symbols, images rather than people, thus turning them into immutable objects of meaning rather than letting them live with scars, heal and eventually grow old.
One of the reasons older women are so important is that they live bearing scars and wrinkles like a tally and a stamp of persistence on their skin.
All that to say, I appreciated greatly the show's decision to keep on screen Moiraine's chest scar in season 2 and had great hopes for Siuan getting similar visible scars after her deposal and torture.
It wasn't meant to be in this life.
So here's my turning of the Wheel where they lived on to cherish the other's body that had gone through so much.
(The Lichtenberg scars on Moiraine's back and shoulders come from pien-art because Moiraine gets beaten up by the One Power with a notable frequency and gets back up often enough to earn cool scars.)
Chapters: 1/1
Fandom: The Pitt (TV)
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Baran Al-Hashimi/Michael "Robby" Robinavitch
Characters: Baran Al-Hashimi, Michael "Robby" Robinavitch
Additional Tags: Hurt/Comfort, Angst, Chronic Illness, Epilepsy, Tumblr Prompt, Prompt Fic
Summary:
Robby and Baran argue after she decides to join the PTMC softball team
Thanks for the prompt @effiestrinketsĀ
I imagine you were expecting fluff when you suggested Baran joining the softball team. Sorry it turned angsty!
And thanks @moonatoms for encouraging me to continue to see Baran and Robby as accidentally finding themselves in a committed relationship while definitely never discussing it.Ā
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- Circumstances out of her control make Baran miss a dose of her meds and she spirals (she knows logically that she will be fine but she panics anyway)
- Baran has a seizure in front of her son
- Baran and Trinity go to a conference and end up as roommates (platonic or romantic, one or two beds, up to you)
Thanks for the prompts. I'll try to get to the others later, but here is Baran having a seizure in front of her son, which shockingly I think I managed to not make angsty!
āIt wasnāt you place to tell him,ā Baran yells into her phone, finally letting out the fury sheās felt at her ex-husband since their six-year-old son had casually mentioned that Baba taught him what to do if he ever saw someone having a seizure.
āI didnāt tell him about you,ā Ahmad says calmly as Baran paces back and forth in her living room. āI told him what a seizure is and what to do if he sees a person have one.ā
āYou told Babak so that heād know what to do if I have a seizure.ā Baranās chest clenches as she says the words, a swell of anxiety in her. She knows itās a possibility, has been terrified of her child seeing her have a seizure for the last year since they started again.
āYes. Would you prefer that Babak not know whatās happening if he sees you have a seizure?ā Baran wants to yell at Ahmad, wants to tell him that thereās nothing to worry about, that it wonāt happen. But she knows she canāt guarantee that, knows heās right to try to prepare their child. Baran certainly hadnāt, even after Ahmad had suggested it to her several times. āI think heād be less scared if you told him you have epilepsy, but as you said, thatās yours to tell.ā
Baranās chest feels so tight that she canāt breathe, canāt speak. The idea of her child seeing her as vulnerable, as unable to protect him, is horrible. Sheās his mother. Baran grew up with the weight of her motherās grief, grew up feeling like she needed to protect her mother, needed to comfort her when she cried because of Baranās illness. Baran will not put her child in that position, will never make him be the one to take care of her. And yet, the reality is that she might not be able to control if he one day ends up in that position.
***
āThereās something I need to talk to you about,ā Baran tells her son two nights later when theyāre sitting on the sofa together.
āWhatās wrong?ā Babak ask, setting down his bowl of ice cream on the coffee table and looking at Baran with worry.
āNothings wrong,ā Baran tells her baby. This feels like so much for him to know. Heās only six. She needs to tell him without it being a burden, without him ever feeling like he is responsible for her. She is the parent. She needs to protect him. Ā
āYou know how Baba was explaining to you what seizures are?ā
āYeah.ā Babak looks at Baran with curiosity. Heās already planning to be a doctor like both of his parents, probably thought his father was just teaching him some medical subject like he and Baran often do. Baran takes a deep breath and wonders if this is the last time her child will look at her like she is able to take care of him.
āHe was telling you because thatās something that happens to me sometimes, and he didnāt want you to be scared if you saw me have a seizure.ā
āI thought you were going to say something bad,ā Babak says, and Baran laughs before she can stop herself. Thereās never been a moment of her life when having epilepsy didnāt feel like a shameful secret, and here her son is acting like it carries no sort of value, good or bad. Baran makes a mental note to call her ex-husband and apologize because however he explained this to their son, he did it in a way that Babak isnāt looking at Baran any differently.
āNo, nothing bad,ā Baran says, ābut I wanted you to know so that if you see me have a seizure you arenāt afraid.ā
āI wonāt be,ā Babak tells her.
Baran takes a deep breath and looks at her child, her child who isnāt scared, who doesnāt look like he no longer feels safe with her or like he canāt trust her. Baran steadies herself before she keeps talking, tries to take her own judgments out of the conversation, tries to share this in as neutral a way as her ex-husband had.
***
Babak is standing in front of Baran. Heād been across the room playing while she read on the sofa. A sinking feeling of dread settles over her as she realizes what happened.
āMaman, are you ok?ā Babak asks, and Baran takes a shuddering breath, tries to fight back the tears that are burning at her eyes. Her son just watched her have a seizure.
āIām fine, azizam. Are you?ā She rubs his arms soothingly. He must have been so afraid.
Babak nods and smiles, then asks, āCan we go to the playground after breakfast?ā like nothing happened, like he hadnāt just watched his mother become unaware of the world around her and leave him all alone.
āOf course we can go to the playground,ā she tells him, her heart pounding in her chest as she looks at her child and tries to make sure that heās ok. āDo you want to have breakfast first?ā
āCan we have pancakes with chocolate chips?ā Babak asks. He sticks out his lower lip in an exaggerated pout before adding, āPlease.ā
Baran loves him so much, canāt imagine her life without this beautiful, sweet child. āHow can I say no to that face?ā she asks. She gets up and he follows her to the kitchen, chatting about how they should add whipped cream and maybe ice cream to their pancakes. Baran has to force herself to take slow, steady breaths to stop herself from sobbing.
No one has ever treated her exactly the same after she had a seizure. Something always shifted. A little more cautious, a bit more doting, like she was fragile. Even when it was subtle, something always shifted in that personās eyes. But not her child, not her baby who is now insisting on sitting on the kitchen counter while they make breakfast together. Her child who is looking at her in the same trusting, loving way he always does, like he has never doubted for a moment in his life that Baran would always love him and keep him safe.
Everyone in Baranās life looked at her differently when they knew. How is it possible that the person who matters most is the one who looks at her like she hasnāt changed at all in his eyes?