VERONICA LODGE Riverdale: Chapter Eighty One, The Homecoming.

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Love Begins
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@ladyreckoning
VERONICA LODGE Riverdale: Chapter Eighty One, The Homecoming.

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Camila Mendes as Shelby Pace in The Perfect Date (2019)
Veronica Lodge in Riverdale, Chapter Seventy One: How to Get Away With Murder.
SCARY AESTHETICS
bloodied knuckles  | tear stained cheeks |  rust  |  a busted lip  |  claws  |  fangs  |  a bloody nose  |  chattering teeth  |  a dark space underneath the bed  |  scratching noises on a wall  |  creaking metal  |  fog  |  dancing under moonlight  |  blood dripping lips  |  heavy breathing in the dark  |  a feeling of unexplained dread  |  a figure in a dark corner  |  dirty peeling wallpaper  |  a bloody handprint on the wall  | sobbing in the dark  |  bite marks on the skin  |  eerie whispers  |  a hood covering a strangerâs eyes  |  the growl of a hidden animal  |  the sound of a blade being sharpened  |  a deep, dark forest  |  walking on the streets alone at night  |  a cobweb-filled, abandoned building  |  eyes darting in paranoia  |  a heavy beating pulse |  the feeling of being trapped  |  struggling to get out a scream  |  boards covering broken windows  |  a quiet graveyard  |  a gas station in the middle of nowhere  |  a road that never ends  |  heavy fog rolling in  |  the scent of blood in the air  | eerie old photographs  |  walking along train tracks at night  | a chill going up the spine |  gathering crows  |  a dusty, dimly lit study  |  mist over a deserted cobblestone street  |  ghost towns  |  shadows around a campfire |  the sound of chanting  |  church bells tolling  |  an orange harvest moon  |  a broken down carnival  |  a dirty stuffed animal abandoned  |  wiping bloody hands on fabric | nightmares  |  waking up in a panic  |  a power outage  |  heavy lightning storms  |  a secret trap door  |  the feeling of being watched  |  fear from trauma  |  a ouija board set out on a table  |  an eerie doll  |  a scream of anguish and pain  |  withered plants  |  a room thatâs been forgotten and gathered dust  |  owl eyes in the dark  |  curled, dead tree branches  |  a ritual altar  |  flickering candles  |  a lantern held up in the dark  |  fear of being followed  |  creaking floorboards  |  repressed, horrible memories  |  clenched teeth  |  soft, echoing piano keys  |  an old book covered in dust  |  many pairs of glaring eyes  |  stumbling in pitch black darkness  |  being stranded in the middle of nowhere  |  a trail of blood
tagged by: baby steph @chaosblossomed tagging: @blaesus @endthrive (Rudy) @sluething @pinklocksâ whoever else wants it

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awesomegaydarâ:
@ladyreckoningâ
Sheâs sitting on the edge of the steps outside the entrance of Riverdale High, holding an unopened flask on the inside of her arm while she holds her phone between her hands ââ its cold, and she curses herself for leaving her jacket inside the gym, draped somewhere across a folded chair, and the red dress sheâs wearing is doing nothing to keep her warm. Much to her dismay, Robin doesnât text her back, and she rolls her eyes as she puts her phone down beside her and rolls her eyes in quiet exasperation. It is only then, when she dares look back to the double doors that open behind her, that she notices sheâs not alone.Â
Veronica Lodge in her light blue dressed glory appears, with tear stricken eyes and looking everything but joyous. She knows next to nothing about this small townâs very own Heiress, in fact, Santana had managed to make her strangely tumultuous years in Riverdale High fly under the radar of Veronica and her golden trio of weird friends, and she had considered that a victory, until she had suddenly waltzed into her life, three weeks before graduation, looking like something akin to heartbreak. And she usually wouldnât care (usually), but Santana Lopez is nosy, and she has some time to kill ââ âEver considering emailing the company that made your mascara? All tears, no spills. One manâs trash is another manâs treasure.â But she stands anyway, snatching her clutch and her flask, before reaching inside to fetch some tissues for her. âHere. Let me guess ââ they stopped playing the One Tree Hill Season 3 Soundtrack and moved on to The O.C and things got super depressing?â
Itâs supposed to be the highlight of high school. Years ago, Veronica Lodge would have rolled her eyes, been far too mature and wise and above her peers to find any joy in something as silly as a senior prom. But Riverdale had met a girl drowning in guilt and credit card debt and one too many nights at all the wrong clubs in New York City and turned her into a girl riddled with teen drama worthy sentimentality, filled with the love of the tiny snow globe town she called her home now and the people inside it. Sheâs a different girl now. The kind who thinks that maybe the prom could be the most perfect night, one last moment with the people sheâs come to call her real family. And somewhere in New York City, in a club she shouldnât be in, a Veronica Lodge, drunk on expensive champagne lectures her for knowing better than to put her heart in things.Â
And yet she had. Sheâd put her heart in Archie Andrews and this town. Sheâd thought a place like Riverdale could hold it safely in the palm of its red gloved hands. Somewhere between pep rallies and milkshakes. Despite all the gorey tragedy Riverdale had come with, itâs not the kind of heartbreak sheâd expected. She leaves the building, feeling suddenly like sheâs standing outside of that snow globe for the first time since sheâd met Archie Andrews at Popâs. Music hums inside but itâs far away, drowning out the sound of the announcement that Cheryl and Toni will be prom queens, that dreams will come true in Riverdale tonight for anyone but Veronica Lodge. Itâs a reminder that maybe Riverdale was never hers to begin with. Santana Lopezâs voice breaks the dull echo of her own self pity, over her mental whispers that sheâll pull herself together in just one second. Veronica quickly wipes at her tears before sheâs handed a tissue, but reaches out to take it anyway. âIâm beginning to wonder if I should have paid more attention to those shows. I think somewhere they were trying to remind us that thereâs always one person winds up heartbroken at the prom.â She smiles but itâs bitter and she drops her hands into her lap. âNow Iâm nearly as much of a cliche as the girl outside drinking alone.â
TONI TOPAZ & VERONICA LODGE Riverdale: Chapter Eighty, Purgatorio.
@awesomegaydarâ sent:Â â is everything alright between us? â
â Iâd prefer there be far less than everything between us, Santana â the answer is entirely flirty and pointed as she looks up from the picnic table at the other girl in her matching vixens uniform. âWhy keep everything between us when we could instead be inches apart?â She knows sheâs driving Santana nuts, but itâs part of her job. What are two hook ups if not an excuse to start publicly laying it on a little thick. Veronica Lodge doesnât usually kiss and tell but thereâs no one with her but Archie at the table. Her grin slowly wipes away, not wanting to actually torture anyone and Veronica sighs. âOf course, everything is fine, Lady Satan. What would make you think otherwise?â
blaesusâ:
the   tone   of   her   voice,   the    obvious   repulsiveness    that   she   must   be   feeling,   has   blaise   wanting   to    revert   back    into   himself   and   it   has   him   jerking   his   arm   away,    hastily    making   sure   the   sleeve   of   his   shirt   cover   the    tainted   skin.   it   was   his   fault,   he   shouldnât   have   been   so    reckless   or   careless    enough   for   him   to   bare   the    most   sacred    part   of   him   now.    it   were   all   his   fault.    being   brought   up   in   a   pureblood   household   with   his   mind   being    poisoned    with   all   the    values   and   ideals    that   all   purebloodâs   held   had   definitely   paved   the   way   for   him   and   despite   it   not   necessarily   being   something   he   wanted,   it   couldnât   have   been   avoided.          but   he   couldnât   blame   it   all   on    that.        â      do   you   honestly   think   that    anyone   has   a   choice    when   it   comes   to   that?          â    he   bites,   speaking   much    harsher    than   he   has   ever   spoken   to   her   before   and   he   regrets   it   as   soon   as   soon   as   the   words   left   his   mouth.   he   had   made    no   choice    to   join   the   ranks   of   the   voldemortâs   followers   but   he   certainly   didnât   deny   the   offer.   how   could   he?   the   zabini   name   is   a   name   that   most   wizards   know,    both   death   eaters   and   the   order   alike.   and   with   that   reputation   comes   a   time   where   they   must    announce   their   alliance.   for   him,   his   mother   made   it   years   ago   when   she   become   betrothed   to   a   primary   member   of   the   death   eaters.   it   had    never   been    his   choice,   not   since   he   were   born   but   yet,   he   wishes   that   he   could   say   that   they   tortured   him,   that   they    blackmailed    him   to   take   the   mark.   he   had   sat   there,    grimaced    but   took   the   pain   somewhat    gracefully    when   they   embedded   the   mark   into   his   flesh   as   he   didnât   want   to   give   them   any   pleasure   of   seeing   him    writhe   in   pain.    â      what   do   you   want   me   to   say?   that   they   threatened   to   kill   my   mother?   ha      âŚÂ            â    he   lets   out   a    short   low    laugh   as   his   shoulders   slump   like   all   of   a   sudden,   all   of   the    weight   of   the   world    suddenly   rested   on   his   shoulders..    â            i   wish   they   had,   i   wouldâve   let   them   do   it.                                        no,   veronica.   they   didnât   force   me   to   do   anything   ⌠  i   just   donât   have   a    death   wish.        â
She holds her breath nearly the moment he snaps. The emotion in Blaiseâs voices makes it already abundantly clear what his answer will be. She had known before sheâd even asked it. Itâs why Veronica had been so desperately hoping that somehow sheâd been wrong. A selfish hope, maybe. But sheâs found that sometimes selfish is the only way that works. Still, she doesnât move, she lets him explain, trying not to make the horror in her eyes as clear as it feels ,but she can barely keep it back. Itâs not horror with him. Itâs not horror at what she thinks Blaise is capable of. She knows him well enough by now. Itâs horror at the situation -- the reality of it, the terror of their families and the war to come. He says he doesnât have a death wish and she doesnât have one for him either. It brings her back to reality, brings her focus back to the boys sitting besides her, hurt and wounded and angry -- tainted by a world that neither of them can get out of. âI realize how vile it would be to say that I wish you did. Because I donât.â She drops her hand back to his arm, and tries to pulls his attention to her. âI donât want anything to happen to you, Z. But this -- itâs something.â And it reminds her that the day is likely right around the corner when sheâll be asked to do the same thing he had, when her father will expect it of her. âMerlin,â she breathes out, a little bit defeated. âIâm sorry. I donât want to see you wrapped up in all of this any more than I want to be wrapped up in myself. But I donât -- it isnât you Iâm angry at.â
@vrakeâ gets a starter iâve owed her forever
I thought we were never getting out of there. She sits herself down on the living room sofa, far away from the chatter of her and Cherylâs parents of a meeting theyâve disguised as a âpolite dinner.â Theyâre not friends -- not even friendly. And certainly their families have never understood politeness beyond fake pleasantries and taking out only their second best bottle of merlot for the occasion. Itâs not common for the Lodges and the Blossoms to gather at any capacity, let alone for Veronicaâs parents to invite them to dinner. But they had nonetheless, and sheâd been instructed to be polite and accommodating while they discussed an important deal.Â
So polite and accommodating is what Veronica does, painting a sweet hostess smile on her face all through dinner and only letting it shake out when she and Cheryl are dismissed to let the adults chat alone for a little while. As though theyâre children. As though neither of them has seen what their families are capable of. âDaddy doesnât usually ask me to sit out on business talks, but if I had to spend one more minute listening to all of their best attempts at passive aggression, I may have exploded.â Sheâs been far more candid toward Cheryl than her parents would probably like. Theyâve met before thanks to the family business but theyâre also certainly not friends. âYou can make yourself comfortable. I wonât make like the parents and force us into false pretenses.â

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geminaesâ:
@ladyreckoningâ
âââ Almost everyoneâs pretty cliquey, and sticks to their guns. I think its some ridiculous, centuries old prejudice or something, but everyone loves to preach about unity even though witches practically bully the vampires, and well⌠the werewolves bully themselves, but Jo and I hang out with everyoneâ. She keeps her arms behind her back as her boots leave an imprint on the path towards the old mill; though she usually takes this endeavor in pairs, sheâs alone in the mission to show Veronica Lodge around. A dangerous feat, if sheâd be afraid of vampires at all. Actually, quite the opposite. âIâm strictly⌠donât ask, donât tell but, if you donât mind me asking⌠What happened to you?âÂ
â So what youâre saying is that supernatural high school is exactly like every other high school in suburban America? â Thereâs no malice in her tone, and Veronica certainly isnât surprised to learn that the Salvatore school has itâs cliques. âHave no fear, Lizzie Saltzman. I thrive in a competitive setting, especially when there are social games at play. Not that I play them. Iâm strictly game free. I left the worst of me in New York City. Expect to find me floating above all of it, bully wolves, bitchy witches, and nosey tour guides included.â She smiles as she says it, leaning in to the tone that she doesnât intend to explain her dalliance with Nick St. Claire to anyone just yet.Â
Veronica Lodge + her waitress uniform.
seesgoodâ:
People tend to walk on eggshells around Veronica Lodge. And itâs not hard to figure out why. Daddy Dearest has money. Connections. And rumors about his business spread faster than wildfire. Still, sheâs never bothered to fall into the category that fall at the other girlâs feet. Her mom was a cop. She learned from a young age that people like Hiram and Veronica Lodge donât deserve fear. HenceâŚwhy sheâs here. â Veronica Lodge, â Carolineâs tone is cheery enough to disguise their usual brand of irritation with one another. Without invitation, she drops the small stack of her books on the table and takes the seat, slipping her bag over the chair behind her. She could come right out and say it. Ask the questions that everyone else will. She has her notepad and pen at the ready to take the kind of notes thatâll make for a killer article on the subject â but sheâs not stupid. Sheâs witnessed Veronica chew people up and spit them out for less than that. â I heard about your Dadâs deal. â She wonât pretend otherwise. And sheâs a terrible liar anyway. â I came to bargain, actually. â I have seriously killer notes for our final. Like, youâre guaranteed an A if you use themâŚJust give me five minutes with your Dadâs secretary. â
â Ouch -- Iâm offended, Miss Forbes. â Sheâs not but she plays it off anyway, a hand clutched to her own pearls as Veronica balks at Carolineâs proposal. â Here I thought, in the age of girl power and feminism, when weâre well past teaching the world that weâre each a fish without a bicycle, that you would never be so bold as to assume to that I canât do my own homework. â Sheâs teasing really, sizing Caroline up now that she can smell a threat. But she also knows Caroline Forbes, knows she works hard, knows sheâs a better person than most. She leans forward on the table, cupping her own chin as if to feign her innocence in this whole exchange. â But Iâll tell you what, cut me a better offer than that, and Iâll see what I can do about getting you a quote from daddy. Something you can use in that little paper of yours to advance your career. He wonât ever humor a sit down. We Lodges donât play games with the media. â  Â
plotted starter for @dottirmikaelsonâ
The crisp fall air in New York was more invigorating than usual. It cooled Veronicaâs chest in the way autumn always did as it ran in after summer; freeing, expanding. Sheâd read a poem once by an old german man who said that autumn was the season of independence. She hadnât taken it to heart then, but while stuffed up in a pent house loft, Veronica Lodge had had a lot of time to read poetry and think about independence.
It was fickle. The fine line between freedom and control that came with vampirism. Two years in Nick St. Claireâs strange family had taught her that, if nothing else. Sheâd never forgiven him for the violent turning that got them there, tried not to think about the night sheâd woken in his hotel room with the taste of blood in her mouth or the family she left behind. Sheâd never forgiven him for being another in a long line of powerful men that she ached and planned every day, over poetry, coffee, and thick brimmed glasses, to slip away from.
But with power came freedom, came the strength in her step and the hollow thunk of Italian shoes against New York City gravel. Veronica walked tall, armed with nothing but her own determinedly set jaw, a fresh body full of blood in her system -- a young bookshop owner she frequented because he was always awake at 5 am -- a daylight ring, and the crisp autumn air breathing new beginnings and freedom and into her lungs.
âVeronica Lodge.â She held her hand out to Rebekah Mikaelson, in the doorway of the penthouse apartment on the other side of town that sheâd looked her up at. âI understand you took a meeting with Nick St. Claire last night. Heâs my sire.â The words burn her throat but she smiles, doesnât miss a single beat. Her mother fed her cough syrup as an infant to keep her from screaming while her father worked. Veronicaâs accustomed to swallowing things that taste like acid. âI was hoping we could talk. Alone.â

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supervisoriesâ:
Momentarily distracted by the sound of Veronica shuffling behind her, she makes note of the vase in her hands with a quizzical look on her face, before she looks at the peephole again. Thatâs when she sees him, it, the man behind the door with a heavy winded jacket quietly screwing a silencer on a handgun. It makes every nerve in Sawyerâs body stand up and she shakes her head in Veronicaâs direction again, points to the room behind her and takes a few steps back and away from the door. â Get inside. Lock the door. Donât come out until I say so. â
And thatâs when the knock comes, three slow and tentative taps against the wood, and Sawyer is the one moving towards it. When she looks again, he has his side to the door, and the gun tucked in his jacket, Sawyer swings the door open with the gun aiming at his head. â Drop⌠Your weapon.â
The look of surprise in his face does not elude her; he swings at her and Sawyer ducks, giving him enough time to take off on a sprint down the hallway. She doesnât say anything, doesnât order him to stop, doesnât tell him sheâs with the FBI (she knows whatâs at stake here, what could happen if he has that information and this is someone associated to Veronicaâs father), but she takes off after him anyway. He shoots when she stops at a corner, but she ducks just in time to see the hole it leaves on the wall behind her, and heâs pushing a window open as Sawyer chases him again. He slides out with a surprising amount of ease, so much so, that when Sawyer stops at the window and looks out ââ heâs gone.Â
When she returns to Veronicaâs apartment not fifteen minutes later (after doing a thorough sweep of every nook and cranny of her floor), sheâs holstering her gun and locking the door behind her. All three bolts, with her phone in hand; sheâll have to report this to her superiors, but there is something more important that needs tending first. The girl behind the door. Sawyer knocks on Veronicaâs bedroom door, leans against it. â Ms. Lodge⌠Would you like to come out or would you like me to come in instead?â
At first, Veronica considers being brave. She considers staying put with that vase in her hand and helping to defend her apartment from whatever is going on. But she sees the look in Agent Crossâs eyes and thinks better of it. Theyâd talked about this before, about what happens when itâs time for Sawyer to do her job. Veronica has to trust her and listen to the other or theyâll b e in even greater danger than they already were. So Veronica does as sheâs told, she goes into her bedroom and locks the door. But instead of keeping the vase in her hands, she puts it down in the middle of the room and moves to the safe. Itâs in the second drawer of her vanity, in a lock box with a pin pad safe that only she can open. Her father may not be a good man but heâd taught Veronica some very important things about protecting herself. One of those things was to always be armed.Â
Sheâd never had to take that gun out before but she takes it out now, with shaky hands, surprised once again by how cold and heavy it is. And then she waits. She hears a scuffle but itâs far away. Silence. And then the door. Veronica waits, standing by her bed, out of eyeline of the door, with the gun pointed straight in front of her, finger on the trigger. As she hears footsteps approach, she tightens her grip, squares her jaw, prepares herself. Sheâll think about what happened to Agent Cross and whether or not sheâs alive after. First -- this.Â
Ms Lodge. She hears Sawyerâs voice and exhales with relief. She isnât dead. But it could still be a trap. She could be held at gun point, being forced to knock on the door. She doesnât know Sawyer quite well enough to know what sheâd do if her life was being threatened, and Veronicaâs too smart a bussines woman to not think of every possible outcome. âCome in,â she urges her. But sheâs still holding the gun, still not moving, still standing on the other side of the door. âYou can come in.â