At first, Veronica considers being brave. She considers staying put with that vase in her hand and helping to defend her apartment from whatever is going on. But she sees the look in Agent Crossโs eyes and thinks better of it. Theyโd talked about this before, about what happens when itโs time for Sawyer to do her job. Veronica has to trust her and listen to the other or theyโll b e in even greater danger than they already were. So Veronica does as sheโs told, she goes into her bedroom and locks the door. But instead of keeping the vase in her hands, she puts it down in the middle of the room and moves to the safe. Itโs in the second drawer of her vanity, in a lock box with a pin pad safe that only she can open. Her father may not be a good man but heโd taught Veronica some very important things about protecting herself. One of those things was to alwaysย be armed.ย
Sheโd never had to take that gun out before but she takes it out now, with shaky hands, surprised once again by how cold and heavy it is. And then she waits. She hears a scuffle but itโs far away. Silence. And then the door. Veronica waits, standing by her bed, out of eyeline of the door, with the gun pointed straight in front of her, finger on the trigger. As she hears footsteps approach, she tightens her grip, squares her jaw, prepares herself. Sheโll think about what happened to Agent Cross and whether or not sheโs alive after. First โ this.ย
Ms Lodge. She hears Sawyerโs voice and exhales with relief. She isnโt dead. But it could still be a trap. She could be held at gun point, being forced to knock on the door. She doesnโt know Sawyer quite well enough to know what sheโd do if her life was being threatened, and Veronicaโs too smart a business woman to not think of everyย possible outcome.ย โCome in,โ she urges her. But sheโs still holding the gun, still not moving, still standing on the other side of the door.ย โYou can come in.โ
It doesnโt come as a shock, that after all these years at the FBI, that its not the gun that startles her when she opens the door, but the person holding it. Her eyes immediately flicker to Veronicaโs handgun, except this isnโt like any other armed gunman situation. Sawyer shows Veronica her weapon and steps through the door, lowering her voice as gently as she possibly can. โ Hey, its okay. Its just me. Look, Iโm putting my gun away โโ โ She holsters her handgun.ย โ โโ and youโre going to put yours down too, and Iโm going to close this door, and weโre both going to take a deep breath and talk about what happened before I call my unit chief, okay?โ
The reality is, she knows how scary it is for someone who doesnโt see this on a day-to-day basis, and it only reminds her of how numb she is to it all. Especially for someone who is in real danger. Who, by proxy, is associated to a dangerous underground connection of criminals that have taken years for the police and the FBI to decipher. Sheโs learned to disassociate herself from her near-death experiences, such as this one โโ that man couldโve shot her in the hallway and she couldโve been as good as dead without a bulletproof vest, but sheโs learned to force herself not to think about it. Veronica might not be so lucky yet.ย
So instead, she reaches out, one hand for the gun, the other one to hold Veronica, even if she should be on the line with her boss and she should be on the line with the police reporting an incident in the building. โ Heโs gone, I swear.โ