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A little cat with some big hopes. β‘
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a thing about me is i basically never notice a wig or other kind of hairpiece in tv/movies. it has to be party city territory for me to even twig it. people will complain about characters' wigs looking bad and i will nod along but there is like a 90% chance i did not notice for a second while watching. i consider this mostly a blessing.
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So this is interesting because entire thing is communication, and it also shows how important different threat/aggression postures are.
The first cat comes in ready for a fight. Low down, trying not to be seen, stalking/wary posture.
Second cat jumps in the air and then does the exaggerated arch. That's an absolutely terrified cat. No cool, no chill. A cat willing to fight would not have gone full arch because it's moving them out of a position where they could launch themselves at the other cat. However, a scared cat can move from this to a preemptive attack if they think the other cat is going to attack them and just moving slowly.
Realizing the second cat doesn't want a fight, the first cat comes out of the low, threatening slink quickly to roll around to say hey, whoops, they weren't here to attack, they don't want to fight either.
With similar speed and exaggeration as the arch, the second cat does the same wiggle that yes, I too have no desire to fight, look at me doing the same thing and conspicuously not attacking when you're vulnerable.
To function as a social species, you need checks and deescalation. Both cats don't have perfect information about the other cat, and they need to know that they could misread or be misread, and then adjust their behavior to fix the problem.
the "my favorite character did nothing wrong" mindset is completely unappealing to me because i love thinking about all the things my favorite characters did wrong

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on the topic of disabled characters, though, i think a LOT of artists give characters mobility aids that their character wouldn't actually benefit from using.
i'm sort of having a mild brain fog moment rn so i can't fully articulate what i'm on about, but i think a lot of able-bodied artists view things like canes and crutches as interchangeable. and they often don't know enough about the wide range of mobility aids to make an informed decision about what their character might actually use based on their disability
i also think that aids like walkers and rollators are sort of viewed as "cringe" on some level, and many people view them to be "just for old people," so many artists will opt for giving a character who has full-body pain and fatigue a cane (which, in many cases, can potentially WORSEN full-body pain) instead. and a lot of people don't realize that most wheelchair users are able to walk, so they don't consider it an option for characters with chronic pain
idk it's kind of frustrating. i've genuinely never, ever seen a character that uses a rollator before. not once. i cannot name a single one. i know of multiple ocs who are described to have full-body pain, dizziness, and fatigue that are drawn as cane users and are never shown with wheelchairs or walkers, though
it's also sort of sad? i've been diagnosed since i was twelve years old, and i only heard of rollators LAST YEAR. and that was only because i saw one irl and immediately asked what it was. i wonder how many disabled people out there don't even know it's an option solely because they're completely underrepresented online and in media
if you're a creative with a disabled oc, PLEASEEE check out this link. it's a very nice and detailed guide for telling which mobility aids suit someone's needs best. it's incredibly important to make the right choice for your character! mobility aids tell you a LOT about someone's lived experience. picking the right one will communicate to your audience #1 what your character goes through #2 that you UNDERSTAND what your character goes through!
The new Odyssey adaptation has inevitably gotten people talking about a Muppet version of it, and theyβre frequently suggesting Kermit as Odysseus, Miss Piggy as Penelope.
Iβm sorry but thatβs thinking way too small, hear me out:
We need to have Miss Piggy as Odysseus, and Kermit as Penelope.
Think about itβ¦ whoβs the more fickle, prideful, warlike one in that relationship? Who is absolutely ready to go ham, at a momentβs notice?
It ainβt Kermit
"Who stabbed you in the eye, Polyphemus?" "Moi! Moi stabbed me!" "He stabbed himself. Sad."
Fibonacci: Hmm... I sure wish there was a way to mathematically represent an empty quantity.
The simple yet useful Arabic numeral:
they are talking about pottery I think
Kurt Vonnegut wrote: βWhen I was 15, I spent a month working on an archeological dig. I was talking to one of the archeologists one day during our lunch break and he asked those kinds of βgetting to know youβ questions you ask young people: Do you play sports? Whatβs your favorite subject? And I told him, no I donβt play any sports. I do theater, Iβm in choir, I play the violin and piano, I used to take art classes.
And he went WOW. Thatβs amazing! And I said, βOh no, but Iβm not any good at ANY of them.β
And he said something then that I will never forget and which absolutely blew my mind because no one had ever said anything like it to me before: βI donβt think being good at things is the point of doing them. I think youβve got all these wonderful experiences with different skills, and that all teaches you things and makes you an interesting person, no matter how well you do them.β
And that honestly changed my life. Because I went from a failure, someone who hadnβt been talented enough at anything to excel, to someone who did things because I enjoyed them. I had been raised in such an achievement-oriented environment, so inundated with the myth of Talent, that I thought it was only worth doing things if you could βWinβ at them.β
βI donβt think being good at things is the point of doing them.β
I need this quote framed in every room of my house, thanks.

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Apparently some people still need to hear this so: using an 'ai checker' is still using ai. If you are feeding someone's fic to one of these checkers, you will still not be sure their fic is ai because they are not 100% accurate, but you can be 100% sure that you are using ai. For fic. Furthermore you are doing the work of an ai scraper for them. You are, personally, feeding the machine. There is no actual excuse for using an ai checker on fanfic as a hobby. YOU are the problem.
If you think a fic is ai, mute it and move on. That's it. That's all you do.
Um. Yikes
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This is not like a fully completed thought but yk
So I've done my first aid + CPR a few times. And every single time I try and bring up scenarios for fat folks
Specifically like 'what if someone is too large for me to wrap my arms around then to do the heimleich'
And its incredibly rare I get a decent answer.
How absolutely insane is it that me, as a fat person, is asking how to have MY life saved or to save ANOTHER life, is an impossible feat if someone is fat.
Most of the time they tell me to 'just try anyways uwu'
There has got to be a better option.
From a first aid and CPR trainer, who is also fat.
The heimleich is scientifically as effective as slapping someone VERY hard on the back. The only reason it's so well taught is the man that invented it did a lot of great PR for himself. It's also a bit easier for smaller framed people to get the necessary force in, because people are often extremely scared to hurt people, even in life threatening situations.
With larger bodied people, whether they be fat, tall, muscular, etc. If you cannot get your arms around them, literally just slap the shit out of their shoulders. You want hard, open palmed slaps right in the center of the shoulders or slightly below.
If they are too tall for you to reach that high, guide them to lean over the back of a chair, and then slap slap slap slap slap.
It's been proven to be just as effective through many studies. It just doesn't have a trademarked name and a dramatic effect in film.
If you have to do CPR on a larger bodied person, again, fat, body builder, tall and broad, whoever, the trick to finding where you want to put your hands if going to be to take your hand and shove it in their armpit. No seriously. Put your hand in their armpit, then drag it in a straight line towards yourself until you're in the center of the chest, then put your other hand beneath that one. This is where you push. Then you are going to move the arm closest to you out of the way so you can get closer to them, and get the leverage you need to press down for compressions. The more of your body weight that is over your hands, the better the compression will be. Act like you are trying desperately to pack the last of your clothes in a suitcase, and just slam down hard on their chest.
They will make *horrible* noises. You might even break ribs.
But a broken rib is better than being dead.
One day, perhaps, other CPR and First Aid instructors will actually know and teach this shit. But the medical field is filled with people who don't know, don't care, or just outright hate fat people. So while this information won't fix your complaint, I do hope it helps someone out there with saving their loved ones, should it ever be needed.
Information that will save lives.
the goddess

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It was important to me that she puts emphasis on the TOK
Would you happen to have any idea of why Bug type Pokemon are strong against Psychic types? The leading theory is that it's a common phobia overpowering the mind, but that doesn't feel like a route Japanese developers would take, what with bugs having much stronger positive connotations in their culture. The idea that bugs' minds are too simple to be effected by psychic powers also doesn't feel like something they'd go for. It just seems like utter nonsense to me.
Pokemon in general is based on kaiju and tokusatsu, and insects are simply the most iconic recurring aesthetic for tokusatsu heroes, which I've discussed before as the reason bug type beats dark type
HOWEVER, I think I forgot to ever get into why psychic would be included, which is that the VILLAINS in tokusatsu itself are almost always psychic or magical or employ psychic or magical underlings. I only say "almost" because I can't rule out an exception is out there, but I've actually never seen an exception. 100% of tokusatsu I'm familiar with have magic or mysticism somewhere in the bad guy faction, and it's often that the evil big boss is some kind of demon, witch, yokai, wizard or god themselves.
So thanks to one television genre, there is an unspoken cliche in japan that a beetle or a locust would be the archest nemesis of a telepathic warlock, and usually win.
Ooh, cool.
I do wonder why Bug is weak against Fairy, though. From a game balance standpoint I would've expected them to want to give the Bug type another advantage if they got the opportunity. Is a fairy more heroic than a bug?
Only the fairies can calm mothra :)