Shiny Distractions

NOT THE CRABS WE EXPECTED BUT STILL SOME CRABS WE DESERVE!!!

It has come to my attention that some of you have never seen what I firmly believe to be the greatest music video of all time: Bonnie Tyler’s Total Eclipse of the Heart. It is the perfect marriage of a galactically bombastic power ballad and a writhing mass of 1980s video clichés, thrown into the path of a wind machine and blasted down a moodily lit corridor into the realm of legend.

In case you’re wondering what the heck they were thinking of when they made it, I remember Bonnie once explaining on TV that it’s about the dreams of a headmaster’s daughter, hence all the boys in (and out of) uniform. In retrospect, the whole shebang is quite fascinatingly female gaze-y, and I’m pretty sure it was a major formative influence on my pubescent imagination.

To 2025:

Hell, they even cover the devastating heaviness of MASS SHOOTINGS without censoring or watering anything down.

They've been doing this for YEARS, and it's ALWAYS handled with dignity, respect, seriousness, understanding, and love.

Or how about when someone is put into the foster care system because their home isn't safe anymore and their needs aren't being met?

Maybe some discussions about group therapy/getting help and support?

Hey look! Here's a segment about gender expression vs taught expectation, including unlearning harmful biases and what to do when you hurt someone on accident because you didn't know it was wrong!

Look! The topic of race and diversity! The importance of unity and equity!

They even also have a more allegorical take on discrimination and being looked down on for who you are, featuring Big Bird. The conflict is about how he's not being let into a club because the one bird running the club personally decided he didn't want someone like Big Bird there.

Big Bird goes out of his way to keep changing parts of himself in order to "prove" he can fit into this club if he just changed enough. The truth comes out though, and there's nothing he can do to gain the approval of that bird. He will never be good enough in his eyes, and Big Bird starts to hate himself. His real friends see this finally put their feet down, emphasizing that you should never change yourself just to fit into one singular narrow idea someone else has.

There's A LOT of different situations this can be an allegory for. Racism, sexism, homophobia, basically ANY form of exclusion is put on full blast in this 15 minute clip. Sesame Street can be both blunt and allegorical when approaching difficult topics, and it NEVER misses or looses the point.

It does an exceptional job in both styles of representation WITHOUT watering anything down. The more sanitized everything gets, the more radical Sesame Street is suddenly considered, hence why so many "particular groups" want it gone. Hmmm! I can only imagine why that could be, in this current political climate! (I'm being sarcastic)

When Sesame Street is suddenly labeled as "questionable" or "politically/agenda motivated" content...it says A LOT about where we currently are and who gets to decide what's "best" for kids or not. Don't fall for the censorship and topic-dodging excuses that are covered by the "But think of the children!!!" movement. Never fall for it, because you know which side you're on if you do.

Sesame Street proves kids can be taught and trusted with learning about these topics when it's handled with the right amount of understanding and care. It shows what all this "controversy" is all really about. What it's always been about, actually.

View of a Detroit Public Library card issued to Frida Kahlo. Printed, stamped and handwritten on front: "5-3961, Apr 23, 1932. Rivera, Mrs. Diego (Frieda). I hereby apply for the right to use the Public Library of Detroit, and promise to obey all its rules. Name: Frieda K de Rivera. Residence: The Wardell. Occupation (husband's): Artist." Printed and handwritten on back: "Identification: Letter. Reference or parent. Name: Dr. Valentiner. Residence: Art Institute. Occupation: Curator. Firm name: Institute of Arts."

Summer 1969

Warren, Connecticut