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@kipsaidso

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Everyone wants a pet Displacer Beast.
But no one wants to be woken up early by a hungry Displacer Beast insisting it's breakfast time.
I had to draw him
I don't think enough people have seen this cat yet
Ableism in Subtitles
Something that really pisses me off is the litany of ableist issues found in subtitles. So, let's talk about 3 huge issues that need to stop.
Subtitles should never ever say [Speaking -language-]
When a hearing person is watching a TV show, or a stream, if someone starts speaking another language, if that hearing person knows that language, they will get to know what the person said, regardless of if the average viewer knows that foreign language.
Deaf and HOH viewers deserve the same opportunity, and to rob them of that opportunity by putting [speaking -language-] in the subtitles is ableist.
Every word spoken in a show or movie, unless given translated subtitles in the uncaptioned version of the show or movie, should have every word captioned exactly as it's spoken. If someone starts speaking Spanish, the words spoken in Spanish should be subtitled in Spanish. If someone starts speaking German, the words spoken in German should be subtitled in German.
When a show or movie is created, if you want a character to speak a foreign language, you get an actor who can speak that language. When you hire someone to transcribe a show into subtitles, your hire someone who can speak the languages spoken in the show, or you have them mark points where a foreign language speaker will need to assist and then have someone who speaks that language add in the parts that the transcriptionist can't.
Subtitles should never be cut short for convenience
This is something I see constantly. Shows and movies will frequently cut out words or even large chunks of a sentence from the subtitles to make the subtitles shorter.
When you remove descriptive words, parts of a sentence, or even whole sentences to cut down on the amount of subtitles in a given segment, you are completely changing the attitude, mood, and expression of those sentences. You can completely ruin all of the implicit feelings in a sentence if you remove words that show feelings or the way a person phrases things.
It is not your moral right, as a company or transcriptionist, to decide that deaf or HOH viewers shouldn't get the original phrasing.
I am not deaf or HOH. I have APD and have to use subtitles to keep up with what's being said, or I won't process it fast enough. Because of that, I get to see all of the ways subtitles deviate from the original wording all the time. This isn't an issue that just happens here and there. It happens in pretty much every episode of every show I've watched. And it's unacceptable.
Even if we ignore the way this impacts the intent of a sentence, this is ableist by its nature. When subtitles are made, they are made to fill the gap in a deaf or HOH person's TV experience. When you don't accurately fill that gap, or fill it partway, or half ass it, you are cutting corners on a disability aid. It's like if you sold someone a wheelchair with the wheels not pumped with enough air, or giving someone a hearing aid with damaged battery capacity.
When deaf or HOH people watch TV or movies and they use subtitles, they are relying on those subtitles to give them the most accurate wording possible. So why are companies directing or allowing their transcriptionists to half ass or cut down their subtitles? Every piece of media should be having its subtitles checked for accuracy before they're approved, and subtitles that cut corners should be amended before a show with subtitles is published or aired.
Subtitles should never censor words that aren't censored in audio
If a show or movie has swearing in it, of any kind, the subtitles should accurately depict what is happening audibly. If the audio has swear words censored, the subtitles should depict the noise - or lack thereof - that is used to censor the word. Subtitles should never be censored when the audio isn't.
Not only does this touch on the same issue from the last section, it's also ableist in another way. Not only are you giving deaf and HOH people a different experience than hearing people, you're also infantilizing them by disallowing them from hearing swear words that hearing viewers can hear.
Deaf and HOH adults are not children. They have just as much right to read the word "fuck" as a hearing person does to hear it. Censoring subtitles is disrespectful, ableist, and infantilizing and it needs to stop.
Make a change
I'm not familiar with the details of the ADA and how it regards subtitles, but if anyone would like to work with me to do something about this, I would really like to fight for subtitles to have more regulation.
If the ADA prohibits inaccurate subtitles, we should be reporting companies like Netflix who constantly provide inaccurate subtitles. If it doesn't, we should be fighting to amend the ADA to include regulations for subtitle accuracy.
Anyone who's researched this before or who knows more about it than I do, please tell me what you know or give me some sources I can look into myself. I would research from scratch but I'm disabled and don't have a lot of spoons for it, which is why I'd like to work together with others.
From Storytellers Forge Studios - You Died. Now What? Get Ready for The Black Ballad

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Deadass
The social cheat I’ve learned for this is to say:
“I have to check my calendar, why, what’s Friday?”
This says “Maybe” without saying “Maybe”, and giving you the option to make up a Doctor’s Appointment You Forgot About (or reschedule one you didn’t!) depending on what they say.
It’s an amazingly powerful sentence for my Autistic and ADHD ass - it gives me the ability to judge my social spoons, as well as communicating that “hey, I might have forgotten something, it’s not you it’s me” in a very non-offensive way.
“I have to check my calendar, why?”
THANK YOU FOR THIS
PRO TIP: do not IMMEDIATELY respond in the negative or affirmative once they answer. Maintain the ruse. Give yourself to the count of, like, 30, before saying yes or no.
fuck i love you
my brother had a brilliant idea that i wanted to share with other people who have four-legged family members: he trained our two cats to go directly to the door when they hear the fire alarm.
obviously at first the fire alarm sent them scrambling for cover, but he started slowly by giving them treats whenever it went off, when someone burned food or forgot to open the fireplace flu. he then progressed to calling them to the door to offer treats immediately after the alarm went off. and it actually wasn't too long before the cats voluntarily started going to the door upon hearing the alarm.
i think this was genius because in the event of a real emergency we know exactly where the cats will be and we will not have to waste precious time trying to find them to rescue them. i think this method would work equally well with dogs and probably other free-roaming pets such as rabbits, ferrets, etc. and i certainly encourage others to give it a shot!
I trained Neelix to alert me to Sounds. So in the even of A Sound he'd find me to let me know about it. Oven timers, knocking at the door, weird creature stuck in the yard, etc. This has the added effect of being able to scoop him up and bring him to safety in the event said sound is a fire alarm or a tornado siren.
The downside is, when I had a baby, every time it cried he'd barrel into the room to let me know. Even if I was already in the room. And if I couldn't make The Sound stop (because an infant works differently than an oven timer), he'd start biting me urgently. 😅
Confused, but doing his best:
Oh, context is that I'm deaf not that I wanted to create a beast that'd harass me over sounds.
English added by me :)
@cheshirepirouette
I really like the word "smitten". because at first glance you just think of sappy lovey-dovey stuff but also you have to remember this is a word that's born of the word "smite." a devastating word. a word that, summarized, means stricken. smitten means stricken as well — struck with devastating affection.
The American Heritage Dictionary of the English Language, 5th Edition
You could do some really weird shit with this idea and the Disturbed song “Stricken.”

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“This is your daily, friendly reminder to use commas instead of periods during the dialogue of your story,” she said with a smile.
“Unless you are following the dialogue with an action and not a dialogue tag.” He took a deep breath and sat back down after making the clarifying statement.
“However,” she added, shifting in her seat, “it’s appropriate to use a comma if there’s action in the middle of a sentence.”
“True.” She glanced at the others. “You can also end with a period if you include an action between two separate statements.”
Things I didn’t know
“And–” she waved a pen as though to underline her statement–“if you’re interrupting a sentence with an action, you need to type two hyphens to make an en-dash.”
You guys have no idea how many students in my advanced fiction workshop didn’t know any of this when writing their stories.
Reblog to save a life
“However, if you’re ending your dialogue with a question mark or exclamation point, you no longer need the comma!” he called after the others.
My inner introvert is screaming 😂😂😂
Hello Wil, It's hard to believe that you're a 50 year old man. I think it's safe to say that most of us still think of you as a young man. After reading your post about being "forced" into acting, wasn't there a time where you LOVED what you did or appreciate that PUSH you got from your mother, albeit an unwanted push from a child's point of view, but that PUSH has afforded you the life that you have now? You have a HUGE following, such fan appreciation, and an acting resume that you can be proud of. Thanks.
How dare you.
My parents stole my childhood from me, abused me, and left me with PTSD and no family.
Everything I have? I built it all on my own in spite of them. You think I should thank them? Do you tell other survivors that they should be grateful to their abusers? What the fuck is wrong with you?
I owe them nothing.
at least once a day my brain grips me with a "THE STORY WON'T BE GOOD ENOUGH" fear about "The Other Happy Place"
I just really want it to be good, and the more i care about something the more stressed out i get about it.
whenever i have to talk about my story i'm seized with a stagefright like fear. its like almost physically painful. a tension in my chest. it's not helpful.
i know part of me is always like "they are going to think its stupid i made mistakes" but so what? and if i did make a mistake wouldn't i want to know??
no ones going to think "oh jessi made a story mistake she's a big idiot" but my brain gets all wigged out. i'm sure part of it is rejection sensitive dysphoria
i'm like "this is such a road block for improvement and for just talking about my stories" but the feeling is so intense. its so aggravating. i want to skip it. if i could lighten up i'd be better off. or at least be brave enough to just embrace feeling shitty.
what I really like about Pratchett's work among all the other things, is that he basically opens all his books with exposure and "here is an immuable, very eternal law upon which the world is built" and then he spends the rest of the book trampling on that law
"it is impossible for a woman to be a wizard, so we're going to follow this wizard girl's journey"
"dragons are gone forever and dormant, here be no dragons. say hi to this one lady dragon tho"
"nobody can resist elves. that's why Magrat is going to deck their queen in the face"
"everyone knows women can't fight"
"everyone knows golems don't have souls. they all have names and personalities and-"
"all dwarves are men. then they were introduced to gender"
"Death is eternal and unchanging. Let's see what happens when he goes through all major human development stages in reverse starting with his retirement"
All in all "here's this thing everyone knows is true, here's why it's bullshit, here's how untrue it is, and here's how nobody is going to learn a lesson from being shown that this law of nature is bullshit. We all know people never learn right. or do they"
And he mostly wrote those openings last of all. He'd write the book to find out what it was about and then wrote the openings when he was done with the first draft.

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please enjoy new tingler THE IDIOM ABOUT COMPARING APPLES TO ORANGES GETS ME OFF BISEXUALLY BUT ALSO CONFUSES ME BECAUSE APPLES AND ORANGES CAN BE EASILY COMPARED out now on amazon or true buckaroo tier patreon
by the way this story has CONCRETE answer to this age old question if you know where phrase comes from do not post spoilers
Midnight Pals: Being Droll
Oscar Wilde: ah midnight society King: OMG! Oscar wilde King: guys it’s Oscar wilde! Poe: yes steve King: they say he’s the wittiest man in the world Wilde: hmm and what is the world but a very big globe with people and other things on it King: ha ha! Oh man I’m laughing already!
Wilde: there’s only one thing worse than being in a society and that’s not being in one King: oh zing! Ha ha! He sure got us there! Wilde: getting us is only half as bad as not getting King: ha ha- King: King: wait what
King: do you have a story for us tonight Oscar? Wilde: perhaps Wilde: or perhaps a story has us for you tonight King: ha ha! Oh man the jokes keep coming! Barker: what the fuck, I don’t get it Wilde: hm Wilde: maybe it’s too droll for you? Barker: oh yeah sure THAT’s the problem, whatever
Wilde: I am the master of drollery and wit Wilde: for example Wilde: [draping self over chaise lounge] a bird in a hand is worth two in the bush but who wants a bunch of birds King: ah ha ha! Oh man! King: my sides are aching!! Barker: christ Barker: this is gonna get real old real fast
Oscar Wilde: Submitted for the approval of the Midnight Society, I call this the tale of the annoying americans who buy a haunted castle Brian Asman: so this haunted castle is for sale? Asman: where is this again Asman: I just need to know for Asman: reasons
Wilde: this is the story of the canterville ghost Wilde: it will be very droll and witty Barker: doesn’t seem like it’s gonna be very scary tho Poe: clive Poe: clive come on Poe: it’s got a ghost Poe: just be happy with that
Wilde: so these americans buy an English castle Wilde: which has a ghost Wilde: but they don’t believe it Wilde: because they’re rational modern people who don’t believe in absurd fantasies Wilde: I mean Wilde: they’re americans, after all
Wilde: so the americans are Mr and Mrs. John Wayne B. Cheeseburger Wilde: with their son Applepie Constitution Cheeseburger Wilde: and their daughter Abraham Lincoln Cheeseburger Wilde: and their younger twins Purple Mountains and Spacious Skies Cheeseburger Barker: borrrring Barker: talk about how hot butcher boys are again Wilde: hmm nothing like a strapping butchers apprentice getting beef blood all over his rippling biceps and broad chest as he handles a steer carcass Barker: YES Barker: now there’s nothing about that image I don’t like