Storie di ordinaria follia (1981), Marco Ferreri

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Storie di ordinaria follia (1981), Marco Ferreri

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It's Only Fair
All characters in this piece of fiction are role-playing adults.
*
The first thing he hears is the door opening.
The second thing he hears is the shushing. Shh, shh, you'll wake him up!
The third thing he hears is the giggling.
He smiles to himself, sitting in the living room with all the lights off. He hears the door shut, the tripping of clumsy feet in heels on hardwood floors. More giggling, more shushing. Silence for a moment, then the wet noises of kissing. A deep groan.
He waits, patient in the dark. There's no point staying up until 2a.m. for them to come home only to ruin it by announcing himself too early. He waits while they make out in the hall. He waits when Melissa breathes, "You were dancing like a slut tonight." He waits when June laughs and says, "Are you going to tattle on me?"
(He wonders what dancing like a slut looks like. He wonders if they flirted with other people. He wonders if they let men buy them drinks.)
He waits until they come into the living room, hand-in-hand and giggling, listing against each other.
He snaps the light on.
He says, "Where the hell have you been?"
He takes far too much delight in watching them jump and cling to each other.
"Daddy," June says, a hand at her chest. "You scared us."
He makes a show of raking his eyes over them. There's something delightfully teenaged about it all -- sneaking into the house late at night, trying to be quiet. (Like they didn't want to be caught.) They've dressed for the part, too. June in a short denim skirt and a low-cut top; Melissa in a tight black dress that shows off her curves. Both of them wearing too much make-up, both of them with dishevelled hair from dancing all night. Both of them drunk and trying to pretend that they aren't.
"What time do you call this?" he says.
They glance at each other. Melissa bites her lip. June begins to giggle again.
(Don't smile, don't smile. Come on, man, keep it together.)
"Late?" June tries.
"Late," he repeats. "Late would have been eleven. Maybe midnight, if you were really pushing your luck."
Melissa plops herself down heavily in his lap and winds her arms around his neck. "Daddy," she says, dragging her lips over his cheek; he feels the waxy smear of lipstick. "We weren't doing anything bad."
He cups her ass, giving it a pinch to make her squeal. He wonders if she's wearing underwear. (Probably. Melissa gets wet easily. It's so easy to make her drip down her thighs. Going out dancing without panties would be asking for a wet spot on her skirt.) "I heard something about someone dancing like a slut."
She keeps trailing kisses over his face. His cheek, his jaw. Down his neck. "Well, it wasn't me," she says.
"Bitch," June says. There's no heat in her voice. She has her hand over her mouth, like that's doing anything to hide her smile, like he can't see it in the creases in the corners of her eyes.
Melissa tugs at the neck of his T-shirt. "Why aren't you wearing something with buttons?" she says. "I like undoing them, it's sexier that way."
Another pinch to her ass. "Because," he says, "it's two in the goddamn morning."
Maybe it would have been more stern and fatherly if he had been waiting in slacks and a button-up. Maybe he should have been wearing a loosened tie. He should have a glass of whiskey with a single ice cube that clinks against the glass when he swirls it.
But, once again, it's two in the goddamn morning. He's been in his pyjamas for hours now -- flannel pants and an old band T-shirt. He did have the glass of whiskey, but he finished it a while ago. The glass is still on the coffee table.
"Daddy's angry," June says. She comes closer, wobbling a little on her heels when she steps onto the rug. (They're stupidly high. They make her legs look stupidly long. Stupid shoes that he is stupidly attracted to.) "I'm sorry we made you wait up past your bedtime, old man."
Melissa shifts on his lap, moving to sit on his left thigh and making room for June to perch on the other one. She joins Melissa in trailing kisses over his skin. He's going to be covered in lipstick by the time they're done with him.
He's hard in his flannel pants. "Don't think you can sweet talk your way out of a punishment," he says.
"Daddy," Melissa says, sounding utterly dismayed that he would think they would ever stoop to such unbecoming tactics. "We would never."
"It's worth a try, though," June says. Melissa laughs, her breath warm against his spit-wet skin.
"It's true," she says. "You have to let us at least try, Daddy. It's only fair."
*
They both end up bent over the bed with red asses. Still wearing their heels, their skirts pulled up and their panties pulled down. Their mascara smearing on the duvet cover.
But it's only much, much later. He had to let them try talk him out of it first. After all, like Melissa said, it's only fair.
He has their lipstick smeared over his dick from their attempts. June still has come smeared on the corner of her mouth. Melissa's pussy is dripping with slick and June's spit. (He's not sure how the last one was meant to convince him to do anything, but he enjoyed the show.)
He walks back and forth behind them, the palm of his hand stinging. He flexes his fingers. "Maybe you girls will try harder next time," he says. "Or maybe you'll get home on time."
Judging by their giggles and the shiny wet marks on their thighs, it's unlikely.
*
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Reblogs are very appreciated!
people are so weird about cnc and I always just want to look them in the eyes and say “you are getting mad at people for playing pretend. you are getting mad at people for saying ‘raaar! I’m gonna getcha!’ you are not a serious person.”
so much ink and tears have been spilled theorizing that rape kink is about trauma and social anxieties and power fantasies and sure maybe. but I think we’re just mammals who like pretend danger in our play just like every other mammal ever. because we have evolved to find that fun. and the only difference between play-wrestling in bed and pulling out the fuzzy handcuffs is commitment to the bit
cover her mouth and make her listen to how wet she is when you fuck her

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your kink is not my kink but it will be soon
You've got to take that cute girl who overthinks everything and make sure she never has a coherent thought again
Pussy portal is good
but consider also: bra shaped portals for people to suck your tits on demand and out of your control
Either two separate portals so different people each can access one tit at a time, or they connect as a larger portal so they can use both
Trying to concentrate in a meeting while someone swirls their tongue around your nipples, maybe you're hooked up to an industrial strength milker, or someone is clearly fucking your tits, and you're just trying to stay still and quiet and not moan
doing insane shibari on my fairy wife with shit I bought at the craft store and telling everyone she's a keychain
Explaining tumblr to anyone

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Thinking about laying in bed and getting a massage.
You offered. Saw I was tense and heard me complaining about being sore and you decided to do something about it. So now Im laying face-down in your bed, my clothes gone (because it’s a massage isnt it? Just a massage~) and Im waiting for you to touch me.
You start at my shoulders, press out every knot until Im soft and pliant, making your way further down while I moan for you. Down my ribcage and my waist, to the thick swell of my hips and ass, pressing against every divot and curve of soft, needy flesh.
Eventually, when Im so pliant and floaty and relaxed you’ll go for your actual prize. You’ll spread my ass and look at my tight pussy, my hole wet and tight and clearly needy. I’ll whine and fluster at you looking, but you’ll hush me and tell me to sit still—you need to loosen me up everywhere don’t you? I need to be a good girl and let you give me what I clearly need—what I must obviously be begging you for.
You prepared a toy for this, didn’t you? Of course you did—you grabbed my biggest dildo off the shelf, knowing that when you forced my pussy to stretch around it that I would cry and moan so beautifully for you. And I absolutely do—with you straddled across my legs like this, theres nothing I can do but ball my fists and sob into the mattress as you cram each and every single inch into my tight little hole. Oh I’ll squirm and whine all right—but once you pop that thick knot into me, I’ll finally fall still and just moan so sweetly as I submit to letting you massage my insides too 🥰❤️
please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
I love this framework, especially since just as a cultural thing a LOT of Anglophone leather stories written in the second half of the C20th (of the sort that appear in mags like HIM or Drummer, as well as being published independently), will have both diegetic and non-diegetic BDSM elements, and that's often what spooks more modern readers off reading them.
So the ruff tuff biker cop will tie a guy up with rawhide cord and stick nipple clamps on him (diegetic BDSM- The patrolman is implied to be involved in leather culture, and to understand what he is doing as kink) but will also have flagged him down for speeding and thrown him into the mud and kicked him around first (non-diegetic BDSM- Within the story it's police brutality, but the reader is understood to read it as part of the kink, those details are included because they're hot.)
And I think there is often a misunderstanding that the writers didn't understand what they were doing, or would fail to recognise it as abuse in the real world, rather than that it was just a genre convention, the same as how a bodice ripper has kidnapping.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming