- Sylvia Plath, from a letter to Aurelia Plath written c. July 1951
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trying on a metaphor
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@kalmiopsis
- Sylvia Plath, from a letter to Aurelia Plath written c. July 1951

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You know, you canât really be brave without being scared at first. Itâs just a matter of finding someone to be brave for.
no no, I realise it, Iâm just still driving despite the check engine light being on
"Why did you call me?" âł 5.17 - 99 PROBLEMS
Was driving with my grandmother and in broken English she says âno eyes⌠no nose⌠no face. Donât trust.â To which I looked around wildly in search of this omen of ill portend.
Cybertruck. It was a cybertruck.

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all cops are bastards because all cops are just doing their jobs
âIâm just doing what Iâm told. If I am ordered to remove gold fillings from refugees theeth then thatâs what Iâll doâ, says police officer Michael Hansen. Just thought Iâd add this since not a lot of people outside of the nordic countries seem to have seen it. This is a danish police officer discussing a new danish law that says the police should seize the possesions and money of refugees to finance the integration.
He uh, skipped awful quickly to âstealing gold fillingsâ didnât he?
Original Article the image & caption are taken from.
Itâs real.
Remember that âjust following ordersâ was a claim made by the nazis who survived World War Two who were charged with warcrimes.
They also stole the gold from peopleâs teeth.
spn episode titles but replace one word with penis
All along the penis
On the head of a penis
Everybody loves a penis
Penis
The Penis Who Would Be King
Goodbye Penis
Are You There Penis? Itâs Me, Dean Winchester
Penis Fiction
$300 swarovski bok choy
Grocery prices these days...
NEW GIRL 3.01 - All In

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For anyone wondering, the PhD student's name is Myra Cheng.
Here's a link to an article about the study from the Stanford Report: link.
Across three preregistered studies, participants interacting with sycophantic AI became more convinced of their own rightness and less willing to repair relationships. Yet at the same time, participants rated sycophantic AI models as higher quality, more trustworthy, and more desirable for future use, which may explain why this behavior has persisted despite its harmful impacts.
Myra Cheng et al. "Sycophantic AI decreases prosocial intentions and promotes dependence." Science 391, eaec8352 (2026).
as a regular donor to Gaza Soup Kitchen I get their email updates, and they said today that while they've continued to be able to expand, donations are slowing down as Gaza gets less coverage. If you have a few dollars to spare, I encourage you to send them here to continue the amazing work that Hani and his team are doing.
if theres one thing that really pissed me off from my 3 years of architecture i took in high school it's learning about how we used to have all these little techniques to maximize or minimize heat or warmth and now we just merrily abandoned all those to have the same copypaste style buildings everywhere that are often INCREDIBLY unoptimized to the local weather and climate so we can just throw more money at our heating and cooling bills
where i live it is hot as balls approximately 80% of the year. i do not want a massive butt-ugly grey mcmansion with a huge echoey open-concept kitchen-livingroom-foyer-diningroom-staircase that has huge windows so i can have an hvac unit the size of a barge heaving and straining to keep it at a constant 72 the grees. i want a north indian traditional style home with small windows to force the airflow to cool, decorative grates to limit the amount of sunlight, and a COURTYARD with a POND *smashes unspecified large object*
I hate learning about instances of "oh yeah we know how to do that, we just don't".
this is exactly why I love talking about historical passive heating and cooling techniques
oh wow the glass-tower office buildings we constructed when we thought air conditioning and central heating would never have downsides...have downsides?
and we're still building them?
while the Victorian house museum where I work, with thick walls and small windows and big wooden shutters stays ~10 degrees above (winter) or below (summer) the outside temperature for days on end with no help at all?
uh. okay then
(also public transit. the history of public transit in the US is infuriating, because we had it! and then we destroyed it!)
THIS IS SO TRUE
I was talking to my mom about John Green today and I mentioned that âheâs still on tumblrâ and she asked why that would be weird and I said that no one is on tumblr these days, âexcept him and I guess meâ
So
I donât know what all of you guys are doing here, because clearly this website is occupied only by me and John Green
just the two of us / we can make it if we try.
Turns out the horsemen of the Apocalypse now prefer to go by Shareholder Profit, Private Equity, Corporate Personhood, and Workforce Optimization.
Shareholder Profit: War (the casus belli for attacks on workers' rights)
Private Equity: Pestilence (they are parasites that voraciously strip the value out of a healthy business until it withers and dies)
Workforce Optimization: Famine (cutting hours and employees until the business is starved of staff, barely functioning)
Corporate Personhood: Death (a hollow, shambling mockery of a human with rights and needs)
Yeah I can work with that.

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I donât mean to be rude; but I donât think Iâve ever seen this, does anyone have any examples?
Supernatural
Doctor Who (Steven Moffat specifically)
Sherlock (Steven Moffat specifically)
Actually Steven Moffat is basically just this sentiment given human form.
A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.
Arguably Game of Thrones.
If we broaden it outside of televisionâŚI think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I canât help but think of every band thatâs ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.
In general, most white male creators seem to have this massively entitled mindset where they wantâand think they deserveâthe time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.
They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they donât want us. And they donât really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audienceâs demographic makeup. They just want to be praised for whatever schlock they cough up.
And like any other spoiled brat, they will break their toys before they share them.
It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they wonât usually switch up the marketing and move them to the girl aisle. They cancel the show outright.
Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesnât perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasnât a huge part of the 1st launch says a lot already.
And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didnât necessarily lash out, but they sure forgot how to behave.
Young Justice
Paul Dini: Superhero cartoon execs donât want largely female audiences
#WhereIsRey (initial)
#WhereIsRey (ongoing)
The older, male generation of 'Star Wars' fans may be losing interest in the franchise, but female fans are stepping up.
Star Wars: The Rise of Skywalker was designed to be the opposite of The Last Jedi
Youâre all sitting on the hot take of the decade tbh
And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.
#SONS OF ANARCHY!!!!!!!!!!!!!#LITERALLY SONS OF ANARCHY IS THE BIGGEST EXAMPLE OF THIS LIKE EVER#kurt sutter wrote that show for MEN and ended up with an overwhelmingly female audience#because heâs actually a good writer and knows how to develop characters well and wrote excellent female characters#but once he realized that his audience was almost entirely women he literally took it out on tara and gemma in the show#but like tara specifically#he resented her character for being a huge draw for female viewers so he tore her development to shreds and killed her#in the most brutal gut wrenching way possible#kurt sutter you will pay for your crimes#i actually wrote a manifesto about this on one of my old blogs i should try to find it sldkjsldfjsdljf#long post (via@m-oonknight)
OMG YES. I LOVED Sons of Anarchy, especially the women and then I got to season 6 and it was like - everything was just tossed in the trash? And like, why did Sutter hate that Tara drew tons of attention? That should have been a good thing! He should have been like âHey folks, this girlâs getting us more viewers, letâs put her in more scenes!â It just doesnât make sense to me. MEN donât make sense to me.
The 100 too. Iâll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.
Star Trek from TNG on was also a boyâs club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, âWomen donât understand Star Trek, only smart men hur dur.â
I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.
Doesnât stop it from boggling the mind
(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron ⌠đ¤)
Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isnât the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.
Simply, theyâre trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. Itâs not just men wanting male attention and gatekeeping. Itâs that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.
(anyway if anyone wants to read 35k words of philosophy about this, hmu)
Hey folks, for anyone that was interested in the thesis (firstly thank you so much for reaching out I really appreciate the interest) the following is an open access link to download it. Please let me know if it doesnât work for some reason. Comments are now restricted so canât put it there, but I hope you see this if you were interested!
Iâd also love to hear your thoughts, as I literally wrote it for communities like ours to read, so, thanks.
Fictions are a cornerstone of human cultures: they are created, shared, discussed, modified, and valued. Yet, philosophical accounts which p
They Live (1988) dir. John Carpenter