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the best piece of writing advice I got was from my creative nonfiction professor when I turned in Kill Yourself (a transgender metaphor, one of my favorites) which amounted to saying I'm not committing hard enough. The piece was somewhat gory and kinda painful but I wanted it to be visceral and he was literally the only one to see that. Every other person and professor would have said to make minor changes here and there but he was the one seeing I was holding back for the sake of the assignment. So, he told me to stop being scared and just write exactly what I wanted to say, to commit as hard as possible to the idea instead of testing the waters to see if im even allowed to. So I did, and he was right. The original lacked the conviction required to make the idea work, and the revision brought it to the level that truly let it shine

If you enjoyed this book you should read every other book in the world for extra textual context. All things are intricately related to one another.

Today I jerked it to the most beautiful thing in the world. A bouquet of 100 red roses

mike, it's actually more interesting for audiences that margaret is an abusive religious fundie (and also a victim of marital rape) who tries to literally beat the idea of sin into her daughter, it is actually TIMELY to adapt that correctly at this particular american moment. WHY is he so scared of every piece of source material that has ever been handed to him? i MUST know

what if carrie was about a young witch searching for a missing cat in the alps

İ loved being neglected as a child…………

so much time for research

there’s a cultural obsession with labelling all female authors as unintelligent or otherwise only capable of accidentally stumbling into brief moments of genius in their works that we need to start pushing back against