Never get tired of listening to this fantastic concert of Battlestar Galactica music by Bear McCreary
trying on a metaphor

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Never get tired of listening to this fantastic concert of Battlestar Galactica music by Bear McCreary

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Six Eight Favorite Moments: Kara “Starbuck” Thrace & Lee “Apollo” Adama suggested by milafknkunis
“Are we okay?” “You have a brain?”
STAR WARS: ANDOR - The Axe Forgets
Emma 1.03
It’s too bad you’ve been so awful to him. He might have asked you to dance.
If I wanted him to ask me, which I don’t, he certainly would. Gilbert Blythe would stand on his head for me if I asked him to.
I bet you couldn’t get him to dance with you.
All right, Diana, if you insist.

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"Andor" still baffles me. It's not just good, it's important. Andor isn't a tv show, it's a manifesto on how to actually fight against an overwhelming fascist regime. Everyone needs to not just watch it, but take it in and inscribe it's message on their hearts.
And this important piece of art comes in the form of a fucking Star Wars show!
It's like if out of nowhere a serious gritty drama aired on HBO about how to fight against a genocide that was set in the Bluey universe!
Tolkien only has two kind of elves: Enderenwen the fair, who's eyes hold centuries of pain and yet his gaze is as kind as the first sun in spring, his mother was a nightingale and his father a seabreeze, flowers grow wherever he walks;
And Finwendulenfinfedë, who has killed half of his entire family and is here to fuck shit up and/or die trying
“… it felt as though a cold draft had entered the room when the door opened, and his shining moment had popped like a soap bubble.” HP7 - The Will of Albus Dumbledore
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(book scene) Harry: You didn’t have to get me anything. Ginny: I didn’t know what would be useful. Nothing too big, because you wouldn’t be able to take it with you. So then I thought, I’d like you to have something to remember me by, you know, if you meet some Veela when you’re off doing whatever you’re doing. Harry: I think dating opportunities are going to be pretty thin on the ground, to be honest. Ginny: There’s the silver lining I’ve been looking for.
People often say LOTR is a story about hope. (I'm reminded of it because someone said it in the notes of my Faramir post.) And that's true, but it's not the whole picture: LOTR is in large part a story about having to go on in the absence of hope.
Frodo has lost hope, as well as the ability to access any positive emotion, by Return. He is already losing it in Towers: he keeps going through duty and determination and of course Sam's constant help.
For most of the story, Sam is fueled by hope, which is why it's such a huge moment when he finally lets go of the hope of surviving and returning home, and focuses on making it to the Mountain. To speed their way and lighten the load, he throws his beloved pots and pans into a pit, accepting that he will never cook, or eat, again.
When Eowyn kills the Witch King, she's beyond hope and seeking for a glorious death in battle. It's possible that in addition to her love and loyalty for Théoden, she's strengthened by her hopelessness, the fear of the Nazgúl cannot touch someone who's already past despair.
Faramir is his father's son, he doesn't have any more hope of Gondor's victory or survival than Denethor does, he says as much to Frodo. What hope have we? It is long since we had any hope. ... We are a failing people, a springless autumn. He knows he's fighting a losing war and it's killing him. When he rejects the ring, he doesn't do it in the hope that his people can survive without it, he has good reason to believe they cannot. He acts correctly in the absence of hope.
Of course LOTR has a (mostly) happy ending, all the unlikely hopes come true, the characters who have lost hope gain what they didn't even hope for, and everyone is rewarded for their bravery and goodness, so on some level the message is that hope was justified. But the book never chastises characters who lost hope, it was completely reasonable of them to do so. Despair pushed Théoden and Denethor into inaction, pushed Saruman into collaboration, but the characters who despaired and held up under the weight of despair are Tolkien's real heroes.
(In an early draft of Return, Frodo and Sam receive honorary titles in Noldorin: Endurance beyond Hope and Hope Unquenchable, respectively. Then he cut it, probably because it was stating the themes of the entire book way too obviously, because this is what Tolkien cared about, really: enduring beyond hope. Without hope.)
Also, people who know more than me about the concept of estel, feel free to @ me.
imagine being éowyn in the lord of the rings trilogy. your uncle the king is being mind controlled by an evil wizard until said evil wizard's cooler version shows up and frees him. he is accompanied by an elf, a dwarf, and the hottest guy you've ever met. the hot guy also happens to be 87 years old and maybe still not over his immortal elf girlfriend but he respects and listens to you so you're shooting your shot. your geriatric hotguy situationship turns you down the night before the biggest battle ever then goes ghost hunting in the mountains. you decide to go to battle because you'll either help save your people or die in a really cool and honorable way. you then kill middle earth satan's number one henchman with the power of loophole and being a woman (you are also helped in doing this by a 4 foot tall stoner). then you get to marry faramir. 10/10 no notes my girl went through it all

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COLIN FIRTH as Mr. DARCY and JENNIFER EHLE as ELIZABETH BENNET
PRIDE AND PREJUDICE (1995) dir. simon langton
(insp.)
Lords of Kobol, hear my prayer
PRIDE AND PREJUDICE (1980)
dir. cyril coke

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PRIDE AND PREJUDICE (1995)
dir. simon langton