
oozey mess
cherry valley forever
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn
we're not kids anymore.
The Bowery Presents
d e v o n
occasionally subtle
YOU ARE THE REASON
Today's Document
ojovivo
macklin celebrini has autism

Misplaced Lens Cap
tumblr dot com
RMH
will byers stan first human second
Fai_Ryy
hello vonnie

seen from Chile

seen from Chile

seen from Türkiye
seen from United States

seen from Canada

seen from Australia
seen from United States
seen from T1

seen from United States

seen from Singapore
seen from T1
seen from Brazil
seen from Bangladesh
seen from Brazil
seen from Brazil

seen from United States
seen from United States

seen from Canada

seen from Türkiye
seen from Australia
@jh0n

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Amaterasu drawings
MONSTER HUNTER GRAAAAAA 💥💥💥
imprisoned for his crimes

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pikmin
[ kofi ]
blue pikmin

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“A modern retelling” oh so you mean worse
“A Muppet retelling” oh so you mean better
Modern retellings are often bad because they have no clear sense of why they are a modern retelling. They often have no purpose other than being a cash generator without the cost of making a period piece.
Muppet retellings however always have a clear sense of purpose. It is baked into the very idea of the muppet retelling.
I’ve been skimming John Francis Daley’s (director on D&D: Honor Among Thieves) twitter and I continue to be so completely blown away by the movie’s commitment to practical effects and/or minimized CGI where feasible. I mean holy shit look at all this
of course i have a praise kink, i'm a burnt out former gifted child.
Beetle Fight from Katamari Damacy

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splat
splat
The Cycle Speculation
So I was thinking about this post in regards to the cycle restarting and how TDP loves to parallel structures with escalation of stakes amid differing scenarios with similar dilemmas, and it got me thinking about how the Cycle has been perpetuated over the centuries / course of the show thus far, and the commonalities between the objects/spells used, and well…
Let’s strap on our thinking caps and wheel out a conspiracy board, which is to say: tracking spells, generational parallels, the symbolism of the Heart in TDP, and how I think the Cycle will be perpetuated in S5 / S6 - and possibly how part of it began, re: Aaravos and the Key. AKA my torment is over and I think I may have, honest to God, figured out what the Cube is and how it could be used thematically and plot wise going forward.
Tracking spell
So tracking spells are surprisingly important in TDP. They don’t seem to be at first glance, as often times the main trio are just wandering along until they find the right spot, or are embedded more generally into their world’s geography than anywhere extremely specific (most of S1, parts of S2, etc). However, tracking spells are crucial in both Claudia and Soren’s tracking spell to find the trio at the end of S1, bleeding into early S2.
We see the tracking spell repeated when Viren is searching for the magma titan, down to needing a piece of the victim (the Magma Titan, Rayla’s braid) down to the glowing jar, before finding the exact Titan the piece was from.
This journey, of course, sets off the death of the three queens, most notably Queen Sarai, whose death causes Harrow and Viren to perpetuate the cycle further in killing Thunder. But even more than that, The same jar used in this spell also coincidentally houses Sarai’s last breath until it’s used to fell Thunder.
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