Guys, my name isn't Jane.

not Saw specifically but a slasher with a legit body count. Summer camp slashers are overplayed but I think it really works because it's the type of thing the Scooby gang WOULD get caught up in.

like some of the counselors didn't show up (got got) so the head counselor calls his younger cousin to see if him and his friends can fill in last minute. They show up and they're a bunch of nerds, one of them even has an anxiety dog, and they don't have a big role at first. It seems like the movie is setting them up as cannon fodder.

Fuck the slasher movie just effectively becomes Home Alone but with Four Kevin McAllisters

I love the foreshadowing they do with the clock striking midnight when Cinderella is startled by the morning clock and she says "Even he orders me around." I never noticed it that way before.

The reason why no one recognizes Cinderella at the ball is because A) she seemingly wasn't allowed off her stepmother's property, so no one in town had ever seen her before or since she was a child, and B) when she gets there the prince immediately introduces himself and dances her away from everyone. The duke even pulls a curtain to separate her and him from the guests so they can dance alone. Almost no one gets a good up-close look at her except the prince.

I've said before on here that I think the prince in this movie was meant to be more of a symbolic personification of Cinderella's freedom rather than a literal character, and I still think that. However, I find it interesting that everything we know about the prince is told through others, not him. He doesn't get to be known. The only person he ever even gets to speak to is Cinderella. He also has a bit of character (relayed by others). His father laments that the prince is growing farther away from him the older he gets, he avoids responsibilities, and suggests that he's a hopeless romantic. It's also worth noting that the prince has no idea the ball is for the purpose of setting him up with a wife. He supposedly was led by the king to believe it was a welcome home ball, as he was away from home before (the ball invitees don't seem aware either until the night after the ball when they do the slipper fittings). [EDIT: I forgot to mention that I sappily like to interpret this as Cinderella, his eventual wife, being the only one who ever truly knows him, as he assumedly isn't close to the king or anyone else, so this is reflected in the fact that even us, the audience, don't get to know him like Cinderella must. Probably not the intention, but it's cute.] He also doesn't have severe facial blindness, he probably would've recognized Cinderella without the slipper but A) it was the king who thought of the whole slipper-fitting idea; all the prince supposedly said was that he'd marry the girl who wore the glass slipper, and B) He is explicitly not the one to do the slipper-fitting. The grand duke does it. But even the grand duke seems to recognize her before she gets the slipper on (he saw her up close briefly while she ran away and chased after her).

Also, as Cinderella runs from the prince, the other maidens there crowd him, so he can't get to her to stop her, but they only stop him to converse with him about how "lovely" she is, not because they want him, which is kinda wholesome. Again, no one was there to try and marry the prince because no one knew that's what the ball was for to begin with except the king and duke.

Cinderella is definitely very kind, but she knows the treatment she gets from her family is not right. She speaks somewhat passive-aggressively about them when they're not around. I like that touch.

When her stepfamily teases her over her excitement that she could go to the ball because she's eligible, she asserts that she's still a part of the family. Even though she's being abused, it's a type of abuse where she thinks her family must value her in some way. I think when her sisters ripped her dress apart was the moment she realized she wasn't a part of the family after all and that she wasn't loved/valued.

Lady Tremaine was so different from other Disney princess villains at the time. Allow me to go on for a bit. Compare her to the evil queen or Maleficent (who are also great). They have a very booming presences and everyone knows they are monsters, it's just that no one can stop them until the end of their stories. But Lady Tremaine knows how to fool people by having a motherly disposition. Not in a nurturing way, but in a stern, tough “love”, almost “calm” way. She never yells at anyone (just raises her voice) or acts traditionally evil in the way the evil queen or Maleficent do. More bite than bark I guess. For example, when she lets the step-sisters rip Cinderella’s dress, she simply tells them to come along afterwards and tells Cinderella goodnight like a mother might, but without affection with it, like a covert dig; she doesn't visibly get cross with Cinderella, but what she’s doing is still abuse. Even Cinderella seems to see her as a mother in one way or another before the dress ripping (I don't think Cinderella ever calls her "Step-Mother" again after the dress-ripping she allowed her sisters to do). She's very covert in her villainy. A very good depiction of an abuser. The only other Disney villain I can think to compare her to off the top of my head is Scar from the og Lion King when he was around anyone who wasn't the hyenas, but even then he dropped the act eventually after becoming king. Lady Tremaine never really does.

I also like the detail that after the ball when trying to tell the step-sisters about the shoe-fitting, she asks Cinderella, “Where are my daughters?” excluding Cinderella from being her daughter even though she should be. She really only sees her as a maid.

Cinderella's pink dress has a lot of bows, and at the beginning of the film, we see her when she was younger and the dress she wore as a child also had bows and was in a somewhat similar style. Her childhood dresses were probably taken away by Lady Tremaine when her dad died. Makes me wonder if Cinderella redesigned her mom's dress with her dress from youth in mind, as she certainly hadn't worn a nice dress since she was a kid. And if so, what would that mean? Was she just feeling nostalgic? Or had her sense of style not matured since childhood because she had been made to wear nothing but rags for who knows how long? Is her only frame of reference to what her own personal style is based from her childhood dresses? I just think it's kinda intriguing. The pink dress always felt explicitly young for Cinderella.

Cinderella's voice is so cute. Not just her singing, but her voice in general. Ilene Woods, love of my life apparently.

People often complain about Cinderella marrying the prince the day after the shoe fit, but Disney's version never specifically states that the wedding is the day after the slipper scene, it just comes right after it. Who's to say how much time there was in between scenes. There are versions that do say that it was the next day, so I guess people conflate different versions together in their heads. This is why it's important to watch films with your brain on before criticizing them for things they didn't do.

"Cinderella, you're as lovely as your name"

I guess I'm still in a Cinderella mood. Here's some new, and some old doodles I dusted off and finished.

The 1950 animated film always carries a really warm and lovely sense of comfort whenever I watch it. I'll always defend this characterization and interpretation of Cinderella - she's very underrated and a lot stronger than some give her credit for, due to misremembering the movie or ignoring key details about her.

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