when you show up to the insane parabatai competition but will “jem is my great sin” herondale and jem “my will, my rebellion, mine forever” carstairs are already there
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when you show up to the insane parabatai competition but will “jem is my great sin” herondale and jem “my will, my rebellion, mine forever” carstairs are already there

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each time i read clockwork princess i cry a little more
i love jem carstairs so much, you don’t get it unless you’re will herondale or tessa gray.
here to remind everyone waiting on twp that will and tessa had a whole lifetime with each other, and jem and tessa now have a whole lifetime with each other but will and jem will always only have had 5 years together

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i watched leviticus the other day and haven’t stopped thinking about it but specifically i keep thinking about the difference between fake ryan and real ryan seeing naim after it’s exposed that he outed them.
when the fake ryan is manipulating naim into letting him inside (which is a great scene i could go into detail about that another time) he starts by saying “you think i want to be here? i don’t want to fucking see you right now” or something along those lines. this in comparison to when naim finds the real ryan at the bus stop and he says “please tell me it’s really you”
the fake ryan, the entity that feeds off of fear and hatred is feeding off naim’s insecurity that ryan hates him and will hate him forever—because ryan told him that basically. of course though, as we see in that end scene he didn’t mean it, he was angry and hurt, that’s true, but even after that he still loves naim. he’s still been haunted with naim’s face and body the same way we watch naim be haunted by ryan. even after what he’d done to them by outing them, ryan loves him. ryan does want to see naim because it means he’s safe. not just from the very real threat of the demons chasing them, but also just in living. naim made him feel safe even before the curse.
i love the contrast of the two scenes. they directly parallel each other in contrast. one taking place at night, alone, fueled by insecurity and fear, losing control, the physical door between them. versus the other one gaping in the light of day, they’re no longer alone, fueled by desire and seeking comfort and solace, taking back control, nothing standing between them anymore.
it’s so beautiful.
Leviticus really said yes life will be harder because I choose to be with you but I choose to be with you despite it all
Loved that the film lets love and fear exist together, without easy resolution.
seeing the bus scene in a new light after my rewatch because ohh my god ryan was actually just so ridiculously giddy about naim liking him back. they go and talk to this girl who tells them that the entity looks like who you're most into, and ryan's shifting awkwardly from foot to foot bc welp. guess the truth abt his crush is out there now. what can you do. but then he looks to his left and naim is just as awkward, eyes flicking to him and then away. and wait, hang on a minute. ryan's entity looking like naim is a given, but naim's entity looks like him too. when jessica yells at naim he puts a protective hand on his back because that's something he feels suddenly allowed to do now, knowing what it means that naim's entity looks like him. and when they're on the bus, naim still reeling from the near miss, ryan talks him down, holds his hand, refusing to let fear ruin this. bc he's had a crush on the new kid since he came to town, and he had to work up a shit ton of courage to lead him to the mill and take that first leap of faith. he hadn't lied, when he told naim it was his first time. what he had with hunter was nothing like this. and now he's there on the bus with naim, and even after all the insane shit that's happened and is still happening, he can't help but be stupidly excited by the fact that naim likes him back. yeah this evil demonic entity might never leave them alone, but ryan's just found out naim likes him to the point that it takes his form to tempt him and as fucked up as that is it's kind of validating too. naim likes him, and he kisses ryan back when he leans in, shifts in his seat to give him more room, and you know what? fuck it. ryan's gonna give him the best hand job of his life on this bus right fucking now
my advice to the kids is that they should fight people on the playground while they can still get away with it without legal consequences
Will Herondale, having to be cruel against his very nature every single day to everyone, terrified of Jem leaving, crying himself to sleep since learning of Jem and Tessa's engagement (every time Tessa sees him it is mentioned he is red-eyed), walking around London endlessly to outrun his own thoughts, unable to let anyone know. James Carstairs, dying and terrified it will break Will, growing weaker and hating himself for it, killing himself for fear of letting Tessa know her love isn't sustaining his life, unable to let anyone know. Tessa Gray, beaten and slapped, exhausted to tears in a prison, terrified for her brother and if he's dead, loving two people equally and having to hide it from both, unable to let anyone know. Gideon Lightwood, walking away from his family, hoping to be a better man that his little brother can look up to, wanting to save him from their childhood, in love with a woman that does not seem to want him, unable to let anyone know. Gabriel Lightwood, alone in a house with his father going mad, heartbroken at his brother leaving him, trapped by the Consul's blackmail, unable to let anyone know. Cecily Herondale, losing both her siblings in a matter of days, growing up alone and having to learn to repair the cracks left behind by her brother leaving, being angry at him for not thinking their family was worth it, unable to let anyone know. Sophie Collins, only a servant, her only wish to be a Shadowhunter being one which can never come true because she has a debt to repay, in love with a man with whom it can never work out, unable to let anyone know. Charlotte Branwell, her only desire to influence and help and protect being mocked and crushed by men, in love with a man that looks at her as a friend, unable to let anyone know. Henry Branwell, knowing things work different than what he's been taught, knowing he is right but cannot possibly explain and will always be laughed at as insane, in love with a woman that married him for convenience, unable to let anyone know.
The Infernal Devices understood loneliness like no other book I've read, the bone deep sense of being utterly alone even when surrounded by people.

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“everybody loves jem carstairs, he’s impossible to dislike” i say into the mic
nobody boos. everybody cheers, will and tessa applauding the loudest because it’s true, james carstairs is universally adored and has no faults.
not to compare my darlings but…
everyone always quotes the ”she realised she had forgotten the precise blue of his eyes” but to me the most devastating moment from the epilogue will always be ”i’m still a parabatai, but my other half is gone”
no one does it like them. they parabataied so hard, their kids are siblings.
I fear that I am, in fact, like the other girls. I love gruesome metaphors for love and religious imagery in music. I love cannibalism as a metaphor for love and as another form of intimacy and consumption. I love canine poetry. I love The Metamorphosis. I love The Picture of Dorian Gray. And I want to be adored like something sacred, but the sound of another person's breath on my neck creates little fire ants in my veins. Like I said. I'm just like other girls.
I fear I'm never ever getting over The Metamorphasis.
i lied put your clothes back on. we're going to talk about how "the metamorphosis" not only can be read as an allegory for disability, specifically it can be read as an extension of franz kafka's self-hatred and belief that he was a disgusting creature as a result of his mental illness, and resulting deep fear that no one would love him if he got worse, or that no one would love him if he didn't get better. the kindest character in the story to gregor, his sister grete, still thinks of him as gross and horrible and begrudgingly does the bare minimum to look after him, and assumes that his inability to communicate properly is evidence that he isn't gregor anymore or isn't trying at all although he obviously tries to make things easier for everyone. everyone assumes the worst of him, even though he never returns the hatred and dislike that his family show to him for something he has no control over and is obviously traumatic for him too. no one ever considers that he's doing his best or that he is also struggling with this massive traumatic event and doesn't know why it happened or how to reverse it. and without him, his family feels freed of a burden and doesn't mourn him because he doesn't have worth unless he's healthy and 'normal'. in this essay I will

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... One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. ...
Gabriel García Márquez, The Art of Fiction No. 69 (interviewed by Peter Stone)
this is my fanart of gregor samsa from the metamorphosis