Tom Solty (German, 1992) - Show Me That You Care (2025)

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Tom Solty (German, 1992) - Show Me That You Care (2025)

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hala görünür olmak isteğime ve zaruriyetine karşın görünür olmak bende bir çeşit güçsüzlük yaratıyor. bunu yazıyorum ve bunu paylaşacağım ama hala güçsüz ve zayıfım, görünmeye ihtiyacım var ve görünürlüğün kendinle karşılaştığın kısmında görüp hissettiklerime katlanamıyorum.
kendimi sürekli olarak meşrulaştırmaya çalışıyorum. her bir hareket ve ifademin berisi suçluluk. ama bu bir zaruriyet değil mi, susamaz ve eylemsiz kalamazsın. kendi kendinin gözleyeni olmayı da edimsizliğinle kapatamazsın.
anlamsız bir var olmama deneyimine arzu duyuyorsun böylece. imkan dahilinde olsaydı bu orada yine göreceğin şey yalnızca umutsuzluk olmayacakmış gibi.
I’ll just leave this here….
Simo Hannula (1932–2016), “The Dance of Black and White”
etching, 1961 — source
Ludmila Jiřincová

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Grim - Deep In Meditation
enter by julia maiuri, 2022, oil on canvas, 8 x 10 inches
We cannot live in a world that is not our own, in a world that is interpreted for us by others. An interpreted world is not a home. Part of the terror is to take back our own listening, to use our own voice, to see our own light.
St. Hildegard von Bingen (1098 - 1179)
Mor | a mourning in heaven

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Hunter’s Moon (Bonchurch Shore) (v)
©sydburon - October ‘16
Sven Hedin, a Swedish explorer, documented Zoroastrian Towers of Silence (dakhmas) near Tehran, Iran, around 1898. These circular, raised structures were used for excarnation, where bodies were exposed to vultures and the elements to avoid contaminating the earth.
Jean Dieuzaide - 1968 - Art 1132 La cygogne blessée (reboisement)
'Empty Air'
2026
charcoal on paper
10.5x14.8cm

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poema de amor | víctor m. alonso
All it would take to make a catalogue of monsters is to photograph in words the things the night brings to drowsy souls unable to sleep. These things have all the incoherence of dreams without the alibi of sleeping. They hover like bats over the soul’s passivity, or like vampires that suck the blood of submission.
They’re larvae from the debris on the hillside, shadows that fill the valley, remnants left by destiny. Sometimes they’re worms, loathsome to the very soul that cradles and breeds them; sometimes they’re ghosts that sinisterly skulk around nothing at all; sometimes they pop out as snakes from the absurd hollows of spent emotions.
Fernando Pessoa, The Book of Disquiet